A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends.... See full summary »
A picture perfect middle class family is shocked when they find out that one of their neighbors is receiving obscene phone calls. The mom takes slights against her family very personally, and it turns out she is indeed the one harassing the neighbor. As other slights befall her beloved family, the body count begins to increase, and the police get closer to the truth, threatening the family's picture perfect world. Written by
Ed Sutton <email@example.com>
In the first Sutphin family dinner scene, Beverly (Kathleen Turner) serves Misty (Ricki Lake) a piece of meatloaf. In a medium shot of Beverly, the piece of meatloaf is clearly the end or "heel" of the loaf, dark and rounded on one side. In the next shot, a medium shot of Misty, the piece of meatloaf is from the middle of the loaf, a lighter shade, large, and not rounded on one side. See more »
Imagine this: the main character is a woman called Beverly Sutphin. Her husband is a dentist and she does her best to bring up her children. In short, she is a respectable human being with the particularity of being a real stickler for good manners . Maybe, a little too respectable so that when someone speaks ill of one member of her family, Beverly is ready to kill to defend her family!
Only one filmmaker seemed designated to shot this highly entertaining black comedy: John Waters, the king of bad taste and extravagance. In "Serial Mom", most of the comical situations are structured about the two quoted characteristics. The whole is condensed in one hour and a half. You don't get bored one moment and you honestly laugh in front of all these murders. In "Serial Mom", you also recognize Waters' strong taste for bloody, gore and horror movies. Moreover, for this extraordinary director, it is the occasion to harm the model image of the American family.
All in all, a delightfully politically incorrect comedy led by a Kathleen Turner on top form.
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