A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
Dr. Richard Thorndyke arrives as new administrator of the Psychoneurotic Institute for the Very, VERY Nervous to discover some suspicious goings-on. When he's framed for murder, Dr. ... See full summary »
A picture perfect middle class family is shocked when they find out that one of their neighbors is receiving obscene phone calls. The mom takes slights against her family very personally, and it turns out she is indeed the one harassing the neighbor. As other slights befall her beloved family, the body count begins to increase, and the police get closer to the truth, threatening the family's picture perfect world. Written by
Ed Sutton <email@example.com>
When Beverly goes to Chip's school for a P.T.A. meeting, Mr. Stubbins says Chip is "off to a fine start this year". However, a card in the opening scene established that the day is Friday, May 14, 1993, which would be nearing the end a school year, not the beginning. See more »
Imagine this: the main character is a woman called Beverly Sutphin. Her husband is a dentist and she does her best to bring up her children. In short, she is a respectable human being with the particularity of being a real stickler for good manners . Maybe, a little too respectable so that when someone speaks ill of one member of her family, Beverly is ready to kill to defend her family!
Only one filmmaker seemed designated to shot this highly entertaining black comedy: John Waters, the king of bad taste and extravagance. In "Serial Mom", most of the comical situations are structured about the two quoted characteristics. The whole is condensed in one hour and a half. You don't get bored one moment and you honestly laugh in front of all these murders. In "Serial Mom", you also recognize Waters' strong taste for bloody, gore and horror movies. Moreover, for this extraordinary director, it is the occasion to harm the model image of the American family.
All in all, a delightfully politically incorrect comedy led by a Kathleen Turner on top form.
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