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2 items from 2013


Mousterpiece Cinema Calendar

18 May 2013 2:00 AM, PDT | SoundOnSight | See recent SoundOnSight news »

This is the Mousterpiece Cinema schedule for the rest of 2013:

June 1st, 2013: Pinocchio (1940)

June 8th, 2013: James and the Giant Peach (1996)

June 15th, 2013: Walt Disney Treasures: Mickey Mouse in Living Color

June 22nd, 2013: Who Framed Roger Rabbit (1988)

June 29th, 2013: Monsters University (2013)

July 6th, 2013: Meet the Robinsons (2007)

July 13th, 2013: The Lone Ranger (2013)

July 20th, 2013: Pixar Shorts Collection, Volume 1 (2007)

July 27th, 2013: The Great Mouse Detective (1986)

August 3rd, 2013: The Straight Story (1999)

August 10th, 2013: Song of the South (1946)

August 17th, 2013: Planes (2013)

August 24th, 2013: Oliver & Company (1988)

August 31st, 2013: My Neighbor Totoro (1988)

September 7th, 2013: The Muppet Movie (1979)

September 14th, 2013: The Three Musketeers (1993)

September 21st, 2013: Peter Pan (1951)

September 28th, 2013: Ghosts of the Abyss (2003)

October 5th, 2013: The Sixth Sense (1999)

October 12th, 2013: The Adventures of Ichabod and Mr. Toad (1949)

October 19th, 2013: Hocus Pocus (1993)

October 26th, 2013: Up (2009)

November 2nd, »

- Josh Spiegel

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Blu-ray Review: Creepy Jolts Compensate for Weak Drama in ‘The Possession’

30 January 2013 5:03 AM, PST | HollywoodChicago.com | See recent HollywoodChicago.com news »

Chicago – In the last days of August 2012, three generically titled ghost pictures had the misfortune of opening at more or less the exact same time. None of them were particularly memorable, yet only one managed to produce any semblance of genuine chills. There are enough eerie moments in “The Possession,” the demonic thriller from gifted Danish director Ole Bornedal, that one wishes that it pushed past the boundaries of its tame PG-13 rating.

The script by Juliet Snowden and Stiles White is a Judaic variation on “The Exorcist,” complete with a hasidic scholar barking out chants just like Max Von Sydow. The success of this formula succeeds or fails largely on the strength of its central performance from the possessed victim, which often takes the form of a young girl. “Exorcist” star Linda Blair set a spectacularly high bar that no imitator has been able to equal, and “The Possession”’s pint-sized leading lady, »

- adam@hollywoodchicago.com (Adam Fendelman)

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2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2003 | 2001

2 items from 2013


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