A coming-of-age comedy/drama set in Tunisia. Twelve-year-old Noura is an impressionable boy who must learn to reconcile two conflicting worlds - the loving world of Muslim women and the ... See full summary »
Rabia Ben Abdallah
Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French ... See full summary »
Aicha, Radia and their mother live removed from the world in the underground servant's quarters of a deserted mansion. The precarious balance of their daily life is shaken by the arrival of... See full summary »
A woman who suffers from AIDS decides not to surrender to the fatal disease. She exerts huge efforts in trying to recover or by helping those who suffer the same disease by giving them glimmers of hope.
A small peasant village's struggles against the careless inroads of the large local landowner, The Land shows why political oppression does not necessarily lead to a sense of solidarity among the disinherited.
Ezzat El Alaili
Kinawi, a physically challenged peddler who makes his living selling newspapers in the central Cairo train station, is obsessed by Hannouma, an attractive young woman who sells drinks. ... See full summary »
After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and ... See full summary »
A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for... See full summary »
Mohamad Ali El Akili,
As Alia, the daughter of a beautiful servant Khedija, grows up in the Kings Palace at the end of the French colonial rule in Tunisia, she realizes the sexual favours required of her mother and other servants. Written by
Assimilated into the Turkish Ottoman Empire in the 16th century, Tunisia became a French protectorate in 1881 until President Habib Bourguiba, leader of a two-year guerrilla war for independence, declared Tunisia a republic in 1957, ending the rule of the former Ottoman Beys. Winner of the Cannes Jury Prize in 1994, Tunisian director Moufid Tlatli's Silences of the Palace depicts the oppressive nature of the male-dominated palaces and the price that women servants had to pay. Required not only to cook and clean, but to serve the sexual needs of the princes, Silences shows the consequences in the lives of two strong-minded but vulnerable women: Khedija (Amel Hedhili) and her young daughter Alia (Hend Sabri).
The film opens in the 1960s. Alia (Ghalia Lacroix), is now 25 and performing as a night club singer. Though she is nominally free, she is beholden to a man who refuses to marry or have children. When she learns of the death of Prince Sidi Ali (Kamel Fazaa) she returns to the palace in which she grew up to pay a condolence call to Ali's near-blind widow (Najia Ouerghi), a visit that opens the floodgates of memories. Told in flashbacks, the film shows Alia as a pre-adolescent becoming increasingly aware of her own body and sadly, of her mother's true role in the palace. Alia is a gifted singer and the musical numbers in the film are hauntingly beautiful but nothing can hide the torment the young girl faces in trying to find out who her father is and to sort out where she belongs. The performance of Ms. Sabri is wondrous as she conveys the confusion of coming of age in a non-nurturing environment while still maintaining her charm and enchanting us with her songs.
Tlatli, in her first feature film, never shoots outside of the palace interior, conveying the sense of oppression and isolation though the servants listen on the radio to news about the growing struggle for independence. The women are strong and resilient, however, in spite of what they must face each day. Though Khedija tries to protect her daughter from the same fate she suffers, she knows that her power is limited. "If a man touches you, run away,'' she tells her, "Your place is with me in the kitchen." When Alia suggests that they both leave together, her mother can only respond "Where would we go? This is the only home I've ever known." While Tlatli bravely challenges the institutions that led to male dominance, there is a tone of resignation and acceptance in the silences that suggests the subservient role many women play in Moslem countries to this day. Silences of the Palace is a lovely film but one that left me with a sense of aching loss.
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