A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
(SIRIUS 6B, Year 2078) On a distant mining planet ravaged by a decade of war, scientists have created the perfect weapon: a blade-wielding, self-replicating race of killing devices known as... See full summary »
Strange aliens land in the Midwest, taking over people's minds in order to spread their dominion. Sam Nivens and Andrew Nivens, aided by Mary Sefton, are part of a government agency who must stop the the aliens before the aliens get to them... Written by
Steve Fenwick <email@example.com>
At the start of the film when the boys are trying to convince Mary to go inside the fake spaceship, Andrew Nivens says, "She balked at Pirates of the Caribbean." Both Ted Elliott and Terry Rossio, two of the films credited screenwriters, went on to write the "Pirates of the Caribbean," series of movies. See more »
After leaving the radio station, a possessed man goes through the windshield of the car, leaving a large, jagged hole. The next shot from inside the car shows an unbroken windshield. See more »
[After Sam rescues Andrew by shooting him]
I can't believe you shot me.
Well, what would you have done?
Oh, I'd have shot you, of course.
See more »
One science-fiction film that turns out to be less disappointing than expected is this loose adaptation of Robert A. Heinlein's novel.
Donald (give me another part in an alien pod movie) Sutherland interprets the role of Adam "The Old Man" Nivens, head of a secret government protection agency that has its hands full trying to stop an alien invasion by slug-like mental parasites which tap into people's brains, controlling them toward their own ends.
Eric Thal (of A STRANGER AMONG US) draws a blank where a strong character should be in the role of Sam, son of the Old Man, and fellow agent. Julie Warner (from DOC HOLLYWOOD) fares a little better as Mary, a NASA xenobiologist along for the roller coaster ride.
The opening scenes do justice to the setting and atmosphere of the book, and the skeleton of the original plot is unpredictable and thrilling, but eventually, the compromises in adaptation give rise to Hollywood-style sci-fi conventions such as alien hives.
Several realistic, key elements are thrown out, along with almost all of the sharp dialogue which made the book a hit.
However, the special effects are convincing, and the cinematography and editing are streamlined and tight. Far from being definitive, this version of the tale is nonetheless sufficiently satisfying and worth a look.
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