A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
(SIRIUS 6B, Year 2078) On a distant mining planet ravaged by a decade of war, scientists have created the perfect weapon: a blade-wielding, self-replicating race of killing devices known as... See full summary »
Strange aliens land in the Midwest, taking over people's minds in order to spread their dominion. Sam Nivens and Andrew Nivens, aided by Mary Sefton, are part of a government agency who must stop the the aliens before the aliens get to them... Written by
Steve Fenwick <firstname.lastname@example.org>
At the start of the film when the boys are trying to convince Mary to go inside the fake spaceship, Andrew Nivens says, "She balked at Pirates of the Caribbean." Both Ted Elliott and Terry Rossio, two of the films credited screenwriters, went on to write the "Pirates of the Caribbean," series of movies. See more »
After leaving the radio station, a possessed man goes through the windshield of the car, leaving a large, jagged hole. The next shot from inside the car shows an unbroken windshield. See more »
It's the kid from the spaceship. Get him off the car.
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How the producers got away with calling this "Robert A. Heinlein's Puppet Masters" amazes me - because the only resemblance to Heinlein's genuinely chilling short story about Titan 'slugs' are the character names. That's it. None of the wonderfully satirical espionage group shenanigans, none of the gripping suspense, none of the character development, and none of the setting. "Puppet Masters" is not supposed to be set in 1994, it's supposed to be set in 1957 - but a different 1957 to the one we know. I mean, this film didn't even attempt the flying cars or the hand-held lasers. Like so many new sci-fi films made from older literature classics, the fiction has been cut out like some sort of hideous tumor and the science has been exaggerated to make sure the audience knows it's SCIENCE fiction. The fact that the science is largely irrelevant is lost on most modern screen writers
and this movie is no exception.
Another example of a perfectly good story that has been shredded to make it 'fit' Hollywood's version of science-fiction, which is largely made up of clanking robots, flashing lights and explosions.
"The Faculty" was a good SF movie. And it was right - Body Snatchers is a rip-off from this story, but it never pretended to be anything but. Faculty had some enjoyable sequences. It wasn't perfect, and elements were laughable, but despite this, it was true to itself..._this_ film was just the massacre of a perfectly good story.
I only hope anyone else who ever tries to make a movie of a Heinlein classic will stick to the book and make a decent movie, not rehash the story until it sounds good - because they sounded good before.
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