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Set in Berlin during WWII, the Nazi regime is attempting to develop a drug that will animate the dead, in order to use in the war effort. Toulon arouses suspicion as a Nazi dissident, and ... See full summary »
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Alan Jay Factor,
After foiling a plot to blow up an American arms plant, Danny Coogan and his girlfriend, Beth, quickly find that their troubles have just begun. One of Toulon's mysterious Puppets has been ... See full summary »
Jean Louise O'Sullivan,
In the first half of this century, young Li Tienlu joines a travelling puppet theatre and subsequently makes a career as one of Taiwan's leading puppeteers. During World War II the Japanese... See full summary »
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Taylor M. Graham,
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Mysterious monstrous alien creatures attack Earth's colonies. This six-part OVA focuses on Juan "Johnnie" Rico who joins the army because of Carmen, a girl he likes, his days in boot camps, his losses and Earth's first counterattack.
Strange aliens land in the Midwest, taking over people's minds in order to spread their dominion. Sam Nivens and Andrew Nivens, aided by Mary Sefton, are part of a government agency who must stop the the aliens before the aliens get to them... Written by
Steve Fenwick <firstname.lastname@example.org>
How the producers got away with calling this "Robert A. Heinlein's Puppet Masters" amazes me - because the only resemblance to Heinlein's genuinely chilling short story about Titan 'slugs' are the character names. That's it. None of the wonderfully satirical espionage group shenanigans, none of the gripping suspense, none of the character development, and none of the setting. "Puppet Masters" is not supposed to be set in 1994, it's supposed to be set in 1957 - but a different 1957 to the one we know. I mean, this film didn't even attempt the flying cars or the hand-held lasers. Like so many new sci-fi films made from older literature classics, the fiction has been cut out like some sort of hideous tumor and the science has been exaggerated to make sure the audience knows it's SCIENCE fiction. The fact that the science is largely irrelevant is lost on most modern screen writers
and this movie is no exception.
Another example of a perfectly good story that has been shredded to make it 'fit' Hollywood's version of science-fiction, which is largely made up of clanking robots, flashing lights and explosions.
"The Faculty" was a good SF movie. And it was right - Body Snatchers is a rip-off from this story, but it never pretended to be anything but. Faculty had some enjoyable sequences. It wasn't perfect, and elements were laughable, but despite this, it was true to itself..._this_ film was just the massacre of a perfectly good story.
I only hope anyone else who ever tries to make a movie of a Heinlein classic will stick to the book and make a decent movie, not rehash the story until it sounds good - because they sounded good before.
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