A baby alligator is flushed down a Chicago toilet and survives by eating discarded lab rats, injected with growth hormones. The small animal grows gigantic, escapes the city sewers, and goes on a rampage.
Michael V. Gazzo
Strange aliens land in the Midwest, taking over people's minds in order to spread their dominion. Sam Nivens and Andrew Nivens, aided by Mary Sefton, are part of a government agency who must stop the the aliens before the aliens get to them... Written by
Steve Fenwick <email@example.com>
No less than nine writers worked on the script. Besides the credited writers Ted Elliott, Terry Rossio and David S. Goyer, work with also done by James Bonny, Richard Finney, Michael Engelberg, Neal Purvis, Robert Wade and the film's director, Stuart Orme. The final version mainly uses ideas from the Goyer and Orme rewrites. See more »
Near the end of the movie, as a helicopter lands at the "Des Moines" City Hall, tall palm trees are visible in the background. See more »
So if the two of you are being shot at, which bullet do I take?
Why you must try for both, of course.
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How the producers got away with calling this "Robert A. Heinlein's Puppet Masters" amazes me - because the only resemblance to Heinlein's genuinely chilling short story about Titan 'slugs' are the character names. That's it. None of the wonderfully satirical espionage group shenanigans, none of the gripping suspense, none of the character development, and none of the setting. "Puppet Masters" is not supposed to be set in 1994, it's supposed to be set in 1957 - but a different 1957 to the one we know. I mean, this film didn't even attempt the flying cars or the hand-held lasers. Like so many new sci-fi films made from older literature classics, the fiction has been cut out like some sort of hideous tumor and the science has been exaggerated to make sure the audience knows it's SCIENCE fiction. The fact that the science is largely irrelevant is lost on most modern screen writers
and this movie is no exception.
Another example of a perfectly good story that has been shredded to make it 'fit' Hollywood's version of science-fiction, which is largely made up of clanking robots, flashing lights and explosions.
"The Faculty" was a good SF movie. And it was right - Body Snatchers is a rip-off from this story, but it never pretended to be anything but. Faculty had some enjoyable sequences. It wasn't perfect, and elements were laughable, but despite this, it was true to itself..._this_ film was just the massacre of a perfectly good story.
I only hope anyone else who ever tries to make a movie of a Heinlein classic will stick to the book and make a decent movie, not rehash the story until it sounds good - because they sounded good before.
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