Set in Berlin during WWII, the Nazi regime is attempting to develop a drug that will animate the dead, in order to use in the war effort. Toulon arouses suspicion as a Nazi dissident, and ... See full summary »
A young scientist working on an artificial intelligence project is the target of strange gremlin-like creatures, who are out to kill him and thus terminate his research. By coincidence, in ... See full summary »
After foiling a plot to blow up an American arms plant, Danny Coogan and his girlfriend, Beth, quickly find that their troubles have just begun. One of Toulon's mysterious Puppets has been ... See full summary »
Jean Louise O'Sullivan,
In a Stateside hotel during the height of World War II, young Danny Coogan dreams of joining the war effort. Following the murder of hotel guest Mr. Toulon by Nazi assassins, Danny finds ... See full summary »
Taylor M. Graham,
In the first half of this century, young Li Tienlu joines a travelling puppet theatre and subsequently makes a career as one of Taiwan's leading puppeteers. During World War II the Japanese... See full summary »
It's 1892 and Sutekh is hopping mad. It seems a 3,000 year old Egyptian sorcerer has stolen one of the God's secrets of life - that of instilling the souls of the dying into inanimate ... See full summary »
On the distant mining world of New Aries, a young colonist, Jim Marlowe, has acquired a native pet, a "roundhead" he names Willis, which can parrot speech and record visual information. As ... See full summary »
Strange aliens land in the Midwest, taking over people's minds in order to spread their dominion. Sam Nivens and Andrew Nivens, aided by Mary Sefton, are part of a government agency who must stop the the aliens before the aliens get to them... Written by
Steve Fenwick <email@example.com>
No less than nine writers worked on the script. Besides the credited writers Ted Elliott, Terry Rossio and David S. Goyer, work with also done by James Bonny, Richard Finney, Michael Engelberg, Neal Purvis, Robert Wade and the film's director, Stuart Orme. The final version mainly uses ideas from the Goyer and Orme rewrites. See more »
When the last alien gets killed by tail rotor of the chopper near the end of the film, it's clearly visible all of the blood and guts of the alien splattered over the tail of the chopper. After the chopper's landing, it's all gone. See more »
So if the two of you are being shot at, which bullet do I take?
Why you must try for both, of course.
See more »
Unfortunate enough to share a name with a brand of dirt-cheap Charles Band movies (but completely disconnected from them) I always figured that The Puppet Masters would be just as schlocky. It ain't art, but it is decent, low-brow, brainless entertainment.
A bunch of alien manta-rays land in Iowa in a confusing opening sequence. The authorities arrive and discover that the locals are slowly being turned into mindless slaves to their alien hosts. Sound like the X-Files? It very much does play out like a 3-part episode with virtually the exact same character dynamic and interaction. The tagline for the movie is even 'Trust no one'.
It also feels like a John Carpenter movie in some respects (the presence of Keith David, who really ought to be in every movie, only adds to this). And while it's a fairly non-epic movie it does feature some nice anamorphic Panavision photography and a bunch of character actors to keep you entertained in-between the silly plot developments.
As well as feeling the X-Files it also comes across as an Invasion of the Body Snatchers rip-off, odd since co-star Donald Sutherland was in one of those movies. Four years later another very similar film called The Faculty also featured mind-controlling alien parasites, as well as the Brain Slugs from Futurama. But apparently it's taken from a novel of the same name by Robert A. Heinlein but with little in common, perhaps thanks to a zillion re-writes.
These kinds of movies often have some kind of political subtext, but Puppet Masters embraces its low-brow but clever silliness and ends up a guilty pleasure.
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