| Photos (see all 20 | slideshow) |
Directed by | |||
| Patrice Chéreau | |||
Writing credits | ||
| Alexandre Dumas père | (novel) (as Alexandre Dumas) | |
| Danièle Thompson | (scenario & adaptation) and | |
| Patrice Chéreau | (scenario & adaptation) | |
| Danièle Thompson | (dialogue) | |
Produced by | |||
| Claude Berri | .... | producer | |
| Pierre Grunstein | .... | executive producer | |
| Carsten Meyer-Grohbrügge | .... | assistant producer | |
| Paulo Trancoso | .... | co-producer | |
Original Music by | |||
| Goran Bregovic | |||
Cinematography by | |||
| Philippe Rousselot | |||
Film Editing by | |||
| François Gédigier | |||
| Hélène Viard | |||
Casting by | |||
| Margot Capelier | |||
Production Design by | |||
| Richard Peduzzi | |||
| Olivier Radot | |||
Costume Design by | |||
| Moidele Bickel | |||
Makeup Department | |||
| Sano De Perpessac | .... | key hair stylist: Portugal | |
| Thi Thanh Tu Nguyen | .... | makeup artist | |
| Kuno Schlegelmilch | .... | special makeup effects | |
Production Management | |||
| Jean-Claude Bourlat | .... | production manager | |
| Mederic Bourlat | .... | assistant unit manager | |
| Catherine Pierrat | .... | unit production manager | |
| Antónia Seabra | .... | production manager: Portugal | |
Art Department | |||
| Fernando Areal | .... | scenic artist | |
| Frédéric Bénard | .... | assistant art director | |
| Lionel Callari | .... | property master | |
| Antoine Fontaine | .... | painter | |
| Mathieu Junot | .... | property master | |
| Augusto Mayer | .... | art director: Portugal | |
| Christophe Offret | .... | ripper | |
| Maxime Rebière | .... | storyboard artist | |
| Patrick Schmitt | .... | prop buyer | |
Sound Department | |||
| Olivier Burgaud | .... | boom operator | |
| Pascal Chauvin | .... | foley artist | |
| Michel Filippi | .... | adr supervisor | |
| Sylvie Gadmer | .... | sound editor | |
| Gérard Hardy | .... | sound editor | |
| Dominique Hennequin | .... | sound | |
| Corinne Rozenberg | .... | assistant sound editor | |
| Corinne Rozenberg | .... | sound editor | |
| Guillaume Sciama | .... | sound | |
Special Effects by | |||
| Georges Demétrau | .... | special effects | |
Visual Effects by | |||
| Alan Church | .... | optical camera | |
| Frederic Moreau | .... | visual effects | |
| Christian Rajaud | .... | digital compositor | |
Stunts | |||
| Gilles Conseil | .... | stunts | |
| Frédéric Vallet | .... | stunts | |
| Olivier Vitrant | .... | stunts | |
Costume and Wardrobe Department | |||
| Nathalie Chesnais | .... | costumer | |
| Christophe Giraud | .... | costume painter | |
| Tess Hammami | .... | costumer | |
| Jean-Daniel Vuillermoz | .... | costumer assistant | |
Editorial Department | |||
| Xavier Loutreuil | .... | assistant editor | |
| Laure Mercier | .... | assistant editor | |
| Claire Sels | .... | assistant editor | |
Music Department | |||
| Srdjan Kurpjel | .... | music arranger | |
| Daniel Masson | .... | composer: additional music | |
Other crew | |||
| Yves Boonen | .... | director trainee | |
| Antoinette de Robien | .... | script trainee | |
| Sandrine Douat | .... | trainee | |
| Danielle Dumanoir | .... | production coordinator | |
| Suzanne Durrenberger | .... | script supervisor | |
| Hervé Grandsart | .... | historical advisor | |
| João Milagre | .... | production assistant | |
| Elisa Rodrigues | .... | production secretary: Portugal | |
| Vicente Trindade | .... | choreographer | |
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"Queen Margot" is a French epic drama which tells of the political forces at work in France at the time of the St. Bartholomew's Day massacre which signaled the beginning of the end of the "religious wars" raging in France in the early to mid 16th century. Queen Margot (Adjani) is at the center of this maelstrom of wickedness and treachery which looks at everything from poison lip rouge to a bloody holocaust. An elaborate award winning production, "Queen Margot" presents its history realistically with no clear sense of good or evil - unlike "Braveheart", for example - with countless extras, spectacular costuming, and artistry in cinematography. Well worth its 2.5 hour run, this dark film, based on the novel by A. Dumas, is lacking in the didactic and will be difficult to follow for all but those with historical knowledge of the place and time. A little research prior to watching the film can go a long way toward understanding the complexities of the story.