A young man steals a car and ends up involved in a pedestrian fatality. The only witness is a girl he had just met. He threatens her life if she talks, so when she refuses to tell what she knows she is sent to reform school.
Slave traders bring back an evil voodoo entity that is accidentally freed by the Confederate army during the Civil War. The entity possesses the bodies of the dead soldiers to create an ... See full summary »
Framed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars ... See full summary »
Six female prisoners are given a weekend furlough to prepare them for their upcoming parole. While out, they all have miscellaneous sexual experiences, some good, some bad. One returns to ... See full summary »
Kevin Keegan is a recently divorced TV news photographer who quits his job and returns to Roosevelt High School to teach the kids how to make a weekly cable TV show. Principal Steadman ... See full summary »
She does more than just make friends while inside, she starts a lesbian love affair that draws the wrath of the warden, an ex-Olympic athlete who looks for track and field capabilities in her girls. Meanwhile the rat of a boy friend she protected threatens her younger sister to force her to maintain her silence. Written by
John Sacksteder <email@example.com>
You might expect a made-for-TV remake of a 1950's exploitation flick to be a camp spoof but instead it turns out to be a rather enjoyable, if simplistic, prison movie.
The tone is little uneven, with some of the older actors playing up the melodrama while the younger cast members take it all seriously, but the result is an enjoyable genre romp. Pre-Friends Matt LeBlanc plays the bad-boy teen Vince who leads innocent schoolgirl Donna (Aimee Graham) astray and gives an insight to how his career might have developed if he hadn't been forever entwined with the character of Joey. The most surprising aspect is the tender lesbian love scene between Donna and Carmen (Teresa DiSpina). Fairly explicit and very erotic it is the outstanding scene in the film and totally unexpected in a US TV drama.
It's is true to say to say that the story is fairly shallow and trite but this is pulp fiction not Shakespeare and the film is never less than entertaining. This review is based on the version aired on UK television with a running time of around 6 minutes less than the 85 minutes shown at IMDb.
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