Slave traders bring back an evil voodoo entity that is accidentally freed by the Confederate army during the Civil War. The entity possesses the bodies of the dead soldiers to create an ... See full summary »
A young man steals a car and ends up involved in a pedestrian fatality. The only witness is a girl he had just met. He threatens her life if she talks, so when she refuses to tell what she knows she is sent to reform school.
Framed for the murder of a record company president in 1952 Hollywood, young, aspiring singer Aggie O'Hanlon is sentenced to life in prison and tries to adjust to her life life behind bars ... See full summary »
Johnny is a bad guy whom is trying to go straight whom becomes smitten with Laura, a wealthy good girl whom is rebelling against her parents by pretending to go steady with him, all set among the backdrop of 1950s Los Angeles.
Natasha Gregson Wagner,
A spinoff with characters from the "Married...with Children" series. Intellectually challenged Vinnie and his chronically unemployed father share an apartment. Re-worked the following year ... See full summary »
Joey Lauren Adams
She does more than just make friends while inside, she starts a lesbian love affair that draws the wrath of the warden, an ex-Olympic athlete who looks for track and field capabilities in her girls. Meanwhile the rat of a boy friend she protected threatens her younger sister to force her to maintain her silence. Written by
John Sacksteder <email@example.com>
This film, directed by New World Pictures alumnus Jonathan Kaplan and starring cult favorite Aimee Graham, is part of the "Rebel Highway" series of remakes of 1950s juvenile-delinquent films.
For what was basically a chance for the filmmakers to have fun, _Reform School Girl_ is quite watchable. There are the allusions to McCarthyism characteristic of the "Rebel Highway" series (and a well-done general 50s ambiance), and the usual array of interesting types we meet in women-in-prison films. This one is nowhere near as graphic as a typical entry in that genre, but there is one lesbian love scene that is strikingly filmed and acted, suprisingly graphic for such young-looking actresses, and really kind of a tonal shift from the rest of the film. Unfortunately, the film never really resolves the lesbian relationship.
The only time I really cringed was the scene where Donna (Aimee Graham) started dancing and singing with the mop, and the camera began moving around and getting in the faces of the onlookers. This was a totally ridiculous scene (but I guess it's hard to pad these things out to 80 minutes).
Graham is stellar in the title role, a girl who has had to deal with abuse and, while in reform school, awakens to more positive sexual experiences. I really wish Hollywood would take more notice of her.
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