In this study of Generation X manners, Lelaina, the valedictorian of her college class, camcords her friends in a mock documentary of posteducation life. Troy is her best friend, a perpetually unemployed musical slacker. Vickie is a manager at the Gap who worries about the results of an AIDS test, while Sammy has problems grappling with his sexuality. When Lelaina meets Michael, an earnest video executive who takes her homemade video to his MTV-like station, she must decide what she values--the materialism of yuppie Michael or the philosophical musings of Troy. Written by
Rick Gregory <email@example.com>
Lelaina sabotages Grant Gubler's program by tampering with his cue cards. At the beginning of the film, when delivering her Valedictorian speech at the Graduation ceremony, she herself experiences some cue card trouble, the end of her speech has gone missing ("The answer is.... I don't know.") See more »
The camera angle changes in the final camcorder shot of Lelaina saying "...and you wondered why we never got involved." See more »
[On answering machine]
At the beep, please leave your name, number, and a brief justification for the ontological necessity of modern man's existential dilemma, and we'll get back to you
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I really do have difficulty with the short shrift this film seems to get. Admittedly, Ethan Hawke's appaling "I'm nuthin'" doesn't really do the film any favours but that asides, Reality Bites always has me in tears. The basic storyline, centering on a love that both people know exist but due to circumstance and fear has not manifested is so universal, and so well done. The 'my life is falling apart' endless phone calls to the psychic 0900 number part is so tragi-comedic, and the entire movie is full of continuous great scenes. Admittedly, being a single 25 year old white male who originally saw the film a few years back, I was probably caught at the optimal time for it to have an emotional impact, but I find myself going back to it again and again. Winona has never been better, and Janeane Garofalo is stunning as the low self-esteem serial one night stander with the AIDS paranoia and over-full shag book. Also, great cameos from the Soul Asylum geezer and Evan Dando's stunning turn during the end credits add to the film. Overall a stunning film, admittedly which will probably only be appreciated by a relatively narrow demographic.
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