| Photos (see all 19 | slideshow) | Videos |
| Jason Scott Lee | ... | Noro | |
| Esai Morales | ... | Make | |
| Sandrine Holt | ... | Ramana | |
| Eru Potaka-Dewes | ... | Ariki-mau | |
| Emilio Tuki Hito | ... | Messenger | |
| Gordon Hatfield | ... | Riro | |
| Frenxa Reuben | ... | Heke | |
| Hori Ahipene | ... | Overseer | |
| Chiefy Elkington | ... | Fisherman | |
| Ruihana Rewa | ... | Old Woman | |
| George Henare | ... | Tupa | |
| Rawiri Paratene | ... | Priest | |
| Pete Smith | ... | Priest | |
| Mario Gaia | ... | Short Ears | |
| Cliff Curtis | ... | Short Ears | |
| Willie Davis | ... | Short Ears | |
| Lawrence Makoare | ... | Atta | |
| Te Whatanui Skipwith | ... | Old Short Ears | |
| Nathaniel Lees | ... | Long Ear Chief | |
| Grant McFarland | ... | Long Ear Chief | |
| Wassie Shortland | ... | Long Ear Chief | |
| Tania Simon | ... | Koreto | |
| Rena Owen | ... | Hitirenga | |
| Anzac Wallace | ... | Haoa (as Zac Wallace) | |
| Rakai Karaitiana | ... | Pure White | |
| Shane Dawson | ... | Mud Colour | |
| Henry Vaeoso | ... | Half & Half | |
| Angela Gribben | ... | Long Ear Girl | |
| Karaitiana Beazley | ... | Makita | |
| Jade Clayton | ... | Ngaara | |
| Jenni Heka | ... | Long Ear Girl | |
| Pitake Tuki | ... | Timid Short Ear | |
| Liseli Mutti | ... | Pua | |
| Michael Yost | ... | Young Long Ear Boy |
Directed by | |||
| Kevin Reynolds | |||
Writing credits(WGA) | ||
| Kevin Reynolds | (story) | |
| Tim Rose Price | (screenplay) and | |
| Kevin Reynolds | (screenplay) | |
Produced by | |||
| Kevin Costner | .... | producer | |
| Guy East | .... | executive producer | |
| Barrie M. Osborne | .... | executive producer | |
| Jim Wilson | .... | producer | |
Original Music by | |||
| Stewart Copeland | |||
Cinematography by | |||
| Stephen F. Windon | |||
Film Editing by | |||
| Peter Boyle | |||
Production Design by | |||
| George Liddle | |||
Set Decoration by | |||
| Brian Edmonds | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| Peter Frampton | .... | makeup artist | |
| Nikki Gooley | .... | assistant makeup artist | |
| Paul Pattison | .... | key hair stylist | |
Production Management | |||
| Rosemary Dority | .... | post-production supervisor | |
| Zane Weiner | .... | unit production manager | |
Art Department | |||
| John Rann | .... | construction manager | |
Sound Department | |||
| Julius Chan | .... | sound effects editor | |
| Gethin Creagh | .... | foley pre-mixer | |
| Greg Fitzgerald | .... | sound pre mix assistant | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Libby Villa | .... | dialogue editor | |
| Karin Whittington | .... | dialogue editor | |
| Jay Wilkinson | .... | sound editor | |
Special Effects by | |||
| Michael Clifford | .... | special effects technician | |
| Steven Richard Courtley | .... | special effects | |
| John Eggett | .... | special effects | |
| Ken Gorrell | .... | special effects technician | |
| Bruce E. Merlin | .... | special effects foreman | |
| Dan Oliver | .... | special effects technician | |
| Peter 'Babylon' Owens | .... | special effects technician | |
| David Pride | .... | special effects technician | |
| Arthur Spink Jr. | .... | special effects technician | |
Stunts | |||
| Lou Horvath | .... | second unit safety rigger | |
| Lou Horvath | .... | stunts | |
| Bernadette Van Gyen | .... | stunts | |
| Rikki Van Gyen | .... | stunt performer | |
Camera and Electrical Department | |||
| Ray Brown | .... | key grip | |
| Reg Garside | .... | gaffer | |
| Barry Idoine | .... | first assistant camera: second unit | |
| Calum McFarlane | .... | assistant camera | |
| Marc Spicer | .... | camera operator | |
| Michael Vivian | .... | key grip: second unit | |
| Ben Glass | .... | still photographer (uncredited) | |
Editorial Department | |||
| John Lee | .... | assistant editor | |
| Jonathan Lucas | .... | first assistant editor | |
Music Department | |||
| Michael Dittrick | .... | music editor | |
| Blake Martin Moulin | .... | assistant music editor | |
Other crew | |||
| Kevin Richard Buxbaum | .... | production accountant | |
| Phil M. Castaneda | .... | assistant accountant | |
| Edward Gorsuch | .... | unit publicist | |
| Carol Kim | .... | production coordinator | |
| Samantha C. Kirkeby | .... | script supervisor | |
| Neil Ravan | .... | location manager | |
| Kathleen Switzer | .... | assistant: Kevin Reynolds (as Kathleen A. Switzer) | |
| Tristan Whalley | .... | marketing/publicity | |
| James M. Robinson | .... | projectionist: sound post-production (uncredited) | |
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To understand this movie needs a bit of homework. Thor Heyerdahl worked on Easter Island for a year, discovering the secrets of the people who live there. His book "Aku-aku" is a good read any day, as is the better-known "Kon Tiki".
There were two tribes, the Long ears who were the ruling tribe and the Short ears, who carved the statues. The carving kept the Short ears busy, but transporting the statues from the quarry to the erection site used more wood than the small island could sustainably supply. One day, all the trees were gone, and there was not enough food. The Short ears rebelled, killing all the Long ears, save one.
The movie tells the story of the rebellion and the custom of the annual "Bird Man" races to "elect" a new leader. It leaves no doubt that cannibalism became a way of life for the survivors. It does not explain the development of the cave refuge system and how that has forged the secretive society that exists on the island to this day.
The movie is almost a documentary in the details of life on Easter Island, given that it is a movie and has to be "dumbed down" a little for dramatic purposes.
One complaint seems to be that there were a lot of white faces in the cast, but this is not accurate. Thor Heyerdahl mentions in his book that there has always been a mixture of ethnic origins on the island. some people have white skins, blonde hair and blue eyes, while some are definitely dark-skinned and some have bright red hair unlike any other local ethnic group. He suggests that there could be a mixture of Nordic, Egyptian and Polynesian/Micronesian blood on the Easter Island, as a result of a series of at least three waves of immigration.
The movie is an engaging love story, based on a relationship between a Long-ear man and a Short-ear woman. There was in fact one last Long-ear (Ororoina) whose descendants live on Easter island to this day, still believing themselves to be a cut above the ordinary.
I would love to write more, but my Aku-aku says its time for bed and if there's one thing I learned from reading Thor Heyerdahl, it is that you don't screw around with your Aku-aku.
Rent the VHS tape and enjoy the movie. Just don't eat underdone pork roast for supper beforehand.