In 1939, WBN, a fourth radio network, is about to take to America's airwaves. As if the confusion of the premiere night wasn't enough, Penny Henderson, the owner's secretary, must deal with...
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In 1939, WBN, a fourth radio network, is about to take to America's airwaves. As if the confusion of the premiere night wasn't enough, Penny Henderson, the owner's secretary, must deal with an unhappy sponsor, an overbearing boss and a soon-to-be ex-husband who desperately wants her back. As the broadcast begins, a mysterious voice breaks the broadcast and suddenly members of the cast turn up dead. It's up to her husband Roger, to find out whodunit as the police chase him through the halls of WBN. Written by
This film is a niche film, in that it IS a who-dunnit, but deeper than that, there seems to be a gap between modern audiences and the pre-television world of pop-culture radio. This, in part, accounts for some of the lack of popularity this film experienced.
This film is intriguing in that it features some great performances, manic and frantic dialog indicative of the behind-the-scenes and on-the-air intonations of the age, and a slick style which elevates this work far above the rating it currently enjoys here at IMDb.
The filming style is mesmerizing. The long shots of the outside of the radio building contributes to the feeling of isolation from the rest of the world, as the body count begins to accumulate. The sponsors just won't be sold on the station, everything which can go wrong is, and the station is dying to go into national syndication. All while the intrigue builds into suspense without generating the atmosphere of a thriller, which this is not. It was a difficult balance to maintain, but it never slips, never fails.
I have no idea why this was universally thrashed. This was delightful! It rates an 8.9/10 from...
the Fiend :.
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