Radioland Murders (1994)

PG  |   |  Comedy, Crime, Drama  |  21 October 1994 (USA)
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Ratings: 6.2/10 from 2,758 users  
Reviews: 49 user | 24 critic

In 1939, WBN, a fourth radio network, is about to take to America's airwaves. As if the confusion of the premiere night wasn't enough, Penny Henderson, the owner's secretary, must deal with... See full summary »



(story), (screenplay), 3 more credits »
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Cast overview, first billed only:
Dexter Morris


In 1939, WBN, a fourth radio network, is about to take to America's airwaves. As if the confusion of the premiere night wasn't enough, Penny Henderson, the owner's secretary, must deal with an unhappy sponsor, an overbearing boss and a soon-to-be ex-husband who desperately wants her back. As the broadcast begins, a mysterious voice breaks the broadcast and suddenly members of the cast turn up dead. It's up to her husband Roger, to find out whodunit as the police chase him through the halls of WBN. Written by Kevin <>

Plot Summary | Add Synopsis


At station WBN, the hits just keep on coming.

Motion Picture Rating (MPAA)

Rated PG for mild language, some farcical violence and brief nudity | See all certifications »

Parents Guide:





Release Date:

21 October 1994 (USA)  »

Also Known As:

Asesinatos en la radio  »

Box Office


$1,299,060 (USA)

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


George Lucas has stated that the two main characters, Roger and Penny Henderson, are actually the parents of Richard Dreyfuss's character from Lucas' American Graffiti (1973); making this film a bit of a semi-prequel. See more »


When Penny and Roger are first arguing, they go through swinging doors onto the stage. When the cut is made, in the middle of the conversation, they are suddenly in the middle of the stage and the doors are nowhere to be seen. See more »


Zoltan: [stabbing a knife into a watermelon] The knife in the back.
[Grabs a mallet]
Zoltan: The sound of the human head smashing.
[Smashes the watermelon and pauses]
Zoltan: Hmmm... something is not quite right.
Morgana: Try honeydew.
Zoltan: Good idea!
See more »


References King Kong (1933) See more »


Back in the Saddle Again
Written by Gene Autry and Ray Whitley
Performed by Tracy Byrd
Courtesy of Western Music Company
See more »

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User Reviews

Didn't deserve to flop
13 March 2002 | by (Canberra, Australia) – See all my reviews

You can see what critics in 1994 were complaining about. You can get a headache from this movie. Gags are too snappy (too packaged), editing is too rapid (if someone trips over the shot is only just long enough to cover the actual tripping over - we don't see the crucial bit at the start where they don't trip over, or the bit at the end after they trip over), and there's not a single moment of still contemplation which would allow all the feverish activity to be as funny as it deserves to be. And while it's nice to see a film that doesn't milk its gags for more than they're worth, at least that would be a fault on the right side. Some of the comic ideas are just begging to be WALLOWED in. For example (I'm going to end up recommending this film, so if you don't want its best sight gag ruined, for God's sake skip the next paragraph)...

One of the radio serials is about an aristocratic English explorer and his native jungle sidekick. We hear the former saying things like `What ho, I mean to say, steady on, old chap', while the latter is going, `Ooga booga - me mongo mongo man' - then we see that the African is being played by a dopey-looking white man, and the Englishman is being played by a black (in a tuxedo). It's a glorious moment. We realise what if their roles had been reversed they would BOTH have been demeaned ... as it is, they merely look like a couple of prize wallies. Unfortunately, that's IT. If we'd seen more of this radio play - and got to watch the bemused/assured/disgusted/bored expressions on the faces of the two voice actors - it would have continued to be funny; it would have got even funnier. But we cut to some other zany thing or other and the moment is lost.

(To be fair, some throwaway gags - like the one involving the policemen and television - are true throwaway gags: snappiness suits them.)

But it works, on the whole. There are plenty of good jokes, many of which have been weakened by the style of presentation, but by no means destroyed. The radio performances are amazingly polished and varied - you'd swear that Lucas sent talent scouts back in time to 1939. Sure, the film wants to be more than a highly entertaining comedy variety show (it's also trying for murder mystery, love story, nostalgic reverie, and social commentary), so it fails on its own terms, but it IS a highly entertaining comedy variety show, which is good enough.

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