An idealistic young lawyer working for a Congressional subcommittee in the late 1950s discovers that TV quiz shows are being fixed. His investigation focuses on two contestants on the show "Twenty-One": Herbert Stempel, a brash working-class Jew from Queens, and Charles Van Doren, the patrician scion of one of America's leading literary families. Based on a true story. Written by
Tim Horrigan <firstname.lastname@example.org>
No part of the game show cover up was against any law, and no one went to prison. Individuals were prosecuted for obstruction of justice and perjury for their part in covering it up. It led to massive changes in laws regarding contests. Most quiz shows were canceled, and the genre nearly died. One of the few to survive was a bowling show; the sport is difficult to fix on television. In the 1970s, a new generation of game shows used puzzles and word play rather than trivial knowledge. Limits restricted the length of a championship run and amount that could be won. See more »
When Enright and Freedman attempt to convince Van Doren to appear on 21, they ask him how much does he think Bozo the Clown makes. Bozo's first TV show was in 1949 on Los Angeles's KTTV. However, Bozo did not gain national prominence until Larry Harmon established Bozo shows in various markets. The first was in LA in 1959, with the New York show also starting that year. Since Van Doren's conversation would have occurred in 1956, Bozo was not yet well known among adults or a high grossing star. See more »
TV's age of innocence ended with Quiz Show scandal...
Robert Redford's brilliant direction and a quartet of expert performances make QUIZ SHOW a highly interesting, thought-provoking experience. Unfortunately, the end of TV innocence in the '50s brought us other game shows in recent years and real life survivor series that are guilty of shortcomings just as egregious in other ways but not to be discussed here. Manners and morals began a fast decline in the late '50s and only got worse with each decade, in my opinion.
The real-life story of Professor Charles Van Doren (Ralph Fiennes), son of a famous scholar, Mark Van Doren (Paul Scofield) is told in a lively and detailed way with many sights and sounds of the '50s making the atmosphere look very authentic. When the less than charming winner of a TV show, Herb Stempel (John Turturro) is dumped in favor of the more charismatic Charles Van Doren, the story goes swiftly through a series of expertly written scenes in which all of the behind-the-scenes goings on are revealed and characterizations are sharply defined. In truth, the ratings game between Van Doren and Herb Stempel went on for many weeks before a showdown was reached.
An especially touching scene shows Charles wanting to reveal to his father the truth about his upcoming appearance before an investigative committee--relaxing as the two have an informal midnight snack in the kitchen, but unable to tell his father (played to perfection by Paul Scofield) who is a symbol of unwavering integrity. In fact, Scofield is so good in his supporting role that it's a pity the script didn't expand his role to give him more screen time.
John Turturro as Herb Stempel has the unfortunate task of appearing to be an obnoxious nerd, whose only redeeming moment comes at the end of the film when he realizes how destroyed Charles Van Doren is by the revelations. He never tries to make the character anything less than the boorish, self-absorbed fool he is and does an excellent job. Rob Morrow is sometimes less than convincing as the tenacious investigator.
Despite its lengthy running time, it all moves along at a brisk pace under Robert Redford's outstanding direction. Well worth your time, although I can't say television has raised the bar very much since its fall from grace, especially with regard to daytime talk or game shows. Are audiences any wiser today? Maybe only Regis Philbin knows...
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