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Storyline
An idealistic young lawyer working for a Congressional subcommittee in the late 1950s discovers that TV quiz shows are being fixed. His investigation focuses on two contestants on the show "Twenty-One": Herbert Stempel, a brash working-class Jew from Queens, and Charles Van Doren, the patrician scion of one of America's leading literary families. Based on a true story. Written by
Tim Horrigan <horrigan@hanover-crrel.army.mil>
Plot Summary
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Fifty million people watched, but no one saw a thing.
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Did You Know?
Trivia
Herb Stempel's son was actually only an infant at the time of the quiz show scandal.
Herb Stempel had been trying to tell people that the show was fixed long before he lost his run; it was only after the CBS game show
Dotto was exposed as rigged in May, 1958, did people start to listen to him, not publishing the accusations until August, 1958.
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Goofs
In the film, the "Today" studio is set in it's present-day location (Studio 1A), where it has existed since 1994. During the time period Quiz Show takes place in, "Today" was located farther down the block in the same building, meaning there would be no windowed corner and no view of Rockefeller Plaza.
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Quotes
Mark Van Doren:
Sixty-four thousand dollars for a question, I hope they are asking you the meaning of life.
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Crazy Credits
Albert Freedman works for Penthouse Magazine.
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Connections
Referenced in
Ocean's Eleven (2001)
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Soundtracks
"MACK THE KNIFE"
Written by
Kurt Weill,
Bertolt Brecht and Marc Blitzstein
Performed by
Bobby Darin
Courtesy of Atco Records
By Arrangement with Warner Special Products
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I felt like it was very well done, great camera angles, some fairly creative shots that spoke for the characters when they themselves were silent...just a well done, quality film, that never drys out or leaves you in a lurch. John Turturro is outstanding as a neurotic, slightly obsessed and racially-sensitive Stempel, Rob Morrow carries the role of Goodwin as if he were the man himself, and Ralph Fiennes as Charles Van Doren was a better choice than anyone else I could imagine, also as if the role fit his personality so closely as to blur the line between actor and role. Hank Azaria had a relatively small part, but is always a good fit regardless of the subject matter, a phenomenal character actor who has finally made quite a name for himself; quite overdue, I feel. Paul Scofield handles his role as Charles' father without so much as the slightest effort, it comes so easily. David Paymer is a man who seems to receive so few accolades one might hardly notice him, but he also is tremendously talented (see Mr. Saturday Night for a strong example of Paymer's abilities as supporting actor opposite Billy Crystal and Julie Warner).
All in all, a wonderful film on a subject in which one might not normally find interest, but very well done and an outstanding yet understated collection of actors and actresses make this one:
4 out of 5 stars
Well worth seeing! I would highly recommend it!