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Storyline
An idealistic young lawyer working for a Congressional subcommittee in the late 1950s discovers that TV quiz shows are being fixed. His investigation focuses on two contestants on the show "Twenty-One": Herbert Stempel, a brash working-class Jew from Queens, and Charles Van Doren, the patrician scion of one of America's leading literary families. Based on a true story. Written by
Tim Horrigan <horrigan@hanover-crrel.army.mil>
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Fifty million people watched, but no one saw a thing.
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Did You Know?
Trivia
When he first talks to James Snodgrass, Richard Goodwin mentions that he was on "Twenty-One," on January 13 (presumably 1958), before Van Doren. Van Doren was on the show from November 28, 1956-March 11, 1957; Snodgrass's games against Hank Bloomgarden came after that because the first known date for which Snodgrass wrote down everything he was supposed to do was for the May 20, 1957 broadcast.
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Goofs
The address written on Goodwin's legal pad does not match the street address when they visit.
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Quotes
Announcer:
Geritol. America's #1 tonic. Geritol, the fast-acting, high-potentcy tonic, that helps you feel... stronger... fast... presents the exciting quiz program..."Twenty-One." Brought to you by NBC, The National Broadcasting Company, broadcasting nationally coast to coast, from New York to Los Angeles, from Seattle to St. Petersburg... via a vast network of affiliates crisscrossing the country. Coming up next, "Twenty-One," starring master of ceremonies Jack Barry!
[
music cues build dramatically]
Announcer:
Two ...
[...]
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Crazy Credits
NBC and Geritol were never implicated in the quiz show scandals.
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Soundtracks
"MACK THE KNIFE"
Written by
Kurt Weill,
Bertolt Brecht and Marc Blitzstein
Performed by
Bobby Darin
Courtesy of Atco Records
By Arrangement with Warner Special Products
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I felt like it was very well done, great camera angles, some fairly creative shots that spoke for the characters when they themselves were silent...just a well done, quality film, that never drys out or leaves you in a lurch. John Turturro is outstanding as a neurotic, slightly obsessed and racially-sensitive Stempel, Rob Morrow carries the role of Goodwin as if he were the man himself, and Ralph Fiennes as Charles Van Doren was a better choice than anyone else I could imagine, also as if the role fit his personality so closely as to blur the line between actor and role. Hank Azaria had a relatively small part, but is always a good fit regardless of the subject matter, a phenomenal character actor who has finally made quite a name for himself; quite overdue, I feel. Paul Scofield handles his role as Charles' father without so much as the slightest effort, it comes so easily. David Paymer is a man who seems to receive so few accolades one might hardly notice him, but he also is tremendously talented (see Mr. Saturday Night for a strong example of Paymer's abilities as supporting actor opposite Billy Crystal and Julie Warner).
All in all, a wonderful film on a subject in which one might not normally find interest, but very well done and an outstanding yet understated collection of actors and actresses make this one:
4 out of 5 stars
Well worth seeing! I would highly recommend it!