At one point Chin Kar-lok's character is warned of the dangers of revealing his secret identity, with lam Ching-ying's character reminding him of what happened to the 1960's Kato (Bruce Lee) after he revealed his identity. See more »
That is: jumping, kicking, and doing a general acrobatic assault on his opponent. He is a one-man fireworks display. Few besides his brother can jump like he can without wires. Of other interest is seeing the late, great Lam Ching-Ying not only in one of his last performances, but his few takes in the director's seat. While story is pretty tired, the tightly choreographed fight scenes rise above the anemic plot structure. A must for Lam Ching-Ying and Chin Kar-Lok fanatics alike.
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