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Directed by | |||
| Quentin Tarantino | |||
Writing credits | ||
| Quentin Tarantino | (story) and | |
| Roger Avary | (story) | |
| Quentin Tarantino | (written by) | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| Danny DeVito | .... | executive producer | |
| Richard N. Gladstein | .... | co-executive producer | |
| Michael Shamberg | .... | executive producer | |
| Stacey Sher | .... | executive producer | |
| Bob Weinstein | .... | co-executive producer | |
| Harvey Weinstein | .... | co-executive producer | |
Cinematography by | |||
| Andrzej Sekula | |||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Ronnie Yeskel | |||
| Gary M. Zuckerbrod | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Charles Collum | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Betsy Heimann | |||
Makeup Department | |||
| Linda Arnold | .... | assistant hair | |
| Christina Bartolucci | .... | assistant hair stylist | |
| Christina Bartolucci | .... | assistant makeup artist | |
| Thomas L. Bellissimo | .... | special makeup effects artist (as Tom Bellissimo) | |
| Michelle Bühler | .... | key makeup artist (as Michelle Buhler) | |
| Bill Fletcher | .... | wig maker | |
| Audrey Futterman-Stern | .... | key hair supervisor (as Audree Futterman) | |
| Erin Haggerty | .... | special makeup effects artist | |
| Theodore Haines | .... | special makeup effects artist (as Ted Haines) | |
| Iain Jones | .... | hair designer | |
| Douglas Noe | .... | special makeup effects artist | |
| David E. Smith | .... | special makeup effects artist (as David Smith) | |
| Wayne Toth | .... | special makeup effects artist | |
| Howard Berger | .... | special makeup supervisor (uncredited) | |
| Robert Kurtzman | .... | special makeup supervisor (uncredited) | |
| Michael Mosher | .... | prosthetics: Ed Sullivan (uncredited) | |
| Gregory Nicotero | .... | special makeup supervisor (uncredited) | |
Production Management | |||
| Paul Hellerman | .... | production manager | |
| Heidi Vogel | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| William Paul Clark | .... | additional second second assistant director | |
| John W. Hyde Jr. | .... | second second assistant director (as John 'Crash' Hyde Jr.) | |
| Kelly Kiernan | .... | second assistant director | |
| Francis R. Mahony III | .... | first assistant director (as Francis R. 'Sam' Mahony III) | |
Special Effects by | |||
| Stephen DeLollis | .... | special effects | |
| Pat Domenico | .... | special effects | |
| Larry Fioritto | .... | special effects coordinator | |
| Wes Mattox | .... | special effects (as Wesley Mattox) | |
| Evan Campbell | .... | special makeup effects (uncredited) | |
| Bruce Harris | .... | special effects propmaker (uncredited) | |
| Kevin McTurk | .... | special effects assistant (uncredited) | |
Stunts | |||
| Matthew Avila | .... | stunt safety | |
| Cameron | .... | stunts | |
| Christopher Doyle | .... | stunts (as Chris Doyle) | |
| Marcia Holley | .... | stunts | |
| Terry Jackson | .... | stunt double: Bruce Willis | |
| Terry Jackson | .... | stunts | |
| Melvin Jones | .... | stunts | |
| Linda Kaye | .... | stunts | |
| Hubie Kerns Jr. | .... | stunts | |
| Ken Lesco | .... | stunt coordinator | |
| Dennis Madalone | .... | stunts (as Dennis 'Danger' Madalone) | |
| Scott McElroy | .... | stunts | |
Animation Department | |||
| Russell Vossler | .... | character artist | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Ruth Lambert | .... | casting associate | |
| Jeff Olan | .... | extras casting: Rainbow Casting (uncredited) | |
Editorial Department | |||
| Liam Curtin | .... | post-production intern | |
| Andrew Dickler | .... | apprentice editor | |
| Jere Huggins | .... | assembly editor (as Jere P. Huggins) | |
| Donald Likovich | .... | assistant editor | |
| Katie Mack | .... | second assistant editor | |
| Kara Mazzola | .... | post-production coordinator | |
| Ray Neapolitan | .... | second assistant editor | |
| Ben Parker | .... | post-production assistant | |
| Tatiana S. Riegel | .... | first assistant editor | |
| John Sosnovski | .... | apprentice editor | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
| John Venzon | .... | consultant: Lightworks (uncredited) | |
Music Department | |||
| Kristen Becht | .... | assistant to music supervisor | |
| Billy Gottlieb | .... | assistant to music supervisor | |
| Rolf Johnson | .... | music editor | |
| Chuck Kelley | .... | music consultant | |
| Laura Lovelace | .... | music consultant | |
| The Marketts | .... | music performers | |
| Kathy Nelson | .... | music supervisor: MCA Records | |
| Karyn Rachtman | .... | music supervisor | |
| Mary Ramos | .... | music coordinator: Mind Your Music | |
| Frankii Elliott | .... | assistant: Karyn Rachtman (uncredited) | |
Transportation Department | |||
| Derek N. Alff 'DNA' | .... | driver production assistant | |
| Alonzo Brown Jr. | .... | driver | |
| Bruce Callahan | .... | driver | |
| Steve Earle | .... | driver | |
| Don Feeney | .... | driver | |
| Scotty Goudreau | .... | driver | |
| David Joseph | .... | driver: production van | |
| John Key | .... | driver | |
| Suzy Mae Martin | .... | driver production assistant | |
| Glenn McCraven | .... | driver | |
| Richard Middleton | .... | driver production assistant (as Richard C. Middleton) | |
| Derek Raser | .... | transportation coordinator | |
| George A. Sack | .... | driver: water truck (as George Sack) | |
| J.T. Thayer | .... | transportation captain (as J.T. Thayer II) | |
| Earl Thielen | .... | driver (as Earl 'Mr. Blonde' Thielen) | |
| Tracy Thielen | .... | driver (as Tracy 'Ace' Thielen) | |
| Gregg Willis | .... | driver | |
| Paul Burlin | .... | driver (uncredited) | |
Other crew | |||
| Toni Baffo | .... | assistant to producer | |
| Jay Beattie | .... | office production assistant | |
| Cheryl Cain | .... | assistant production coordinator | |
| Cameron | .... | stand-in | |
| Cullen G. Chambers | .... | stand-in: Samuel L. Jackson (as Cullen Chambers) | |
| Vicki Cherkas | .... | legal: Miramax Films | |
| Ruben Cortez | .... | set security supervisor | |
| Angelique A. Costanza | .... | post-production accountant | |
| Angelique A. Costanza | .... | production auditor | |
| Robert Earl Craft | .... | location manager | |
| Rory Dauson | .... | stand-in (as Rory K. Dauson) | |
| Steve Earle | .... | mechanic | |
| Nathan Easterling | .... | office production assistant | |
| Robert Fraade | .... | immigration legal services (as Robert Fraade Esq.) | |
| Carlos K. Goodman | .... | production legal services (as Carlos Goodman) | |
| Michael Haddad | .... | assistant craft service | |
| Cynthia Harding | .... | accounting intern | |
| Derek Hurd | .... | craft service | |
| Gloria Hylton | .... | stand-in | |
| John A. Johnston | .... | assistant location manager | |
| Scott Johnston | .... | stand-in | |
| Iain Jones | .... | set production assistant | |
| Sarah Kelly | .... | set production assistant | |
| Martin Kitrosser | .... | script supervisor | |
| Richard W. Kopenhefer | .... | labor legal services | |
| Victoria Lucai | .... | assistant to director | |
| Alicia Magnant | .... | office production assistant | |
| Thomas Magno | .... | set production assistant | |
| Stevie Maislen | .... | set production assistant | |
| Francesca McCaffery | .... | office production assistant | |
| Courtney McDonnell | .... | assistant to producer: post-production | |
| Bradley Morris | .... | production secretary | |
| Anna-Lisa Nilsson | .... | production coordinator | |
| Cathy Ragona | .... | coordinator: Miramax (as Cathy Agcayab Ragona) | |
| Tonya Richardson | .... | set production assistant (as Tanya Richardson) | |
| Tristan Sharp | .... | office production assistant | |
| Abigail Sheiner | .... | accounting assistant | |
| Jeffrey Stephan | .... | stand-in | |
| Haley Sweet | .... | location assistant (as Haley B. Sweet) | |
| James 'Chip' Weis | .... | key office production assistant (as Jim Weis) | |
| Kurt Woolner | .... | completion guarantee | |
| Deborah Wuliger | .... | unit publicist | |
| Zane | .... | assistant accountant | |
| Julia Zane | .... | production accountant | |
| Don Asher | .... | clearance supervisor (uncredited) | |
| Stephen J. Eads | .... | assistant: Bruce Willis (uncredited) | |
| Christopher Gambale | .... | assistant to Harvey Weinstein (uncredited) | |
| Craig Hamann | .... | consultant (uncredited) | |
| Malle Jensen | .... | assistant: Mr. Keitel (uncredited) | |
| Tony Kerum | .... | caterer (uncredited) | |
| Ante Novakovic | .... | trainer: Harvey Keitel (uncredited) | |
Thanks | |||
| Lou Arkoff | .... | special thanks | |
| Emporio Armani | .... | special thanks | |
| Agnès B. | .... | special thanks (as Agnes B.) | |
| Jennifer Beals | .... | special thanks | |
| Linda R. Chen | .... | special thanks (as Linda Chen) | |
| Jim Hannafan | .... | special thanks | |
| Cathryn Jaymes | .... | special thanks | |
| Cindy Lou Johnson | .... | special thanks | |
| John Logigian | .... | special thanks | |
| Stephen Martines | .... | special thanks (as Coltin Scott) | |
| Ricardo Mestres | .... | special thanks | |
| Rozann Newman | .... | special thanks | |
| Mike Simpson | .... | special thanks | |
| Scott Spiegel | .... | special thanks | |
| Cindy Jo Stanberry | .... | special thanks | |
| Emanuel Steward | .... | special thanks | |
| Lee Stollman | .... | special thanks | |
| Jamie Toscas | .... | special thanks | |
| Bill Unger | .... | special thanks | |
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Quentin Tarantino's Pulp Fiction is a terrific film. It also gets better with each viewing, especially if one of those happens to be on a big theatrical screen where all of the BIG compositions get bigger and more detailed. How much else is there to talk about it after all these years? It's filled with dynamite, sudden and always interesting action, great and naturally clever dialogue, and memorable characters. Also, the acting is always something to behold as by turns straightforward, over the top, subtle, and just downright menacing and spot-on. The directing is one of the strongest that we've seen from Tarantino, as he makes his choices in pacing with shots in unconventional ways but never in a way that would be distracting. And writing, already noted, has been copied by many, and only equaled by a select few.
The dance sequence. Samuel L. Jackson's superlative monologuing. It has loyalty among low lifes, and many other odd characters that are all bad and not one is a villain or hero. And somehow even after years of parody and terrible rip-offs, it holds its own and- as one can say after seeing it at a midnight screening- holds its audience as much as it had the countless times before they saw it (or if they are, the first time). The first time you're surprised, the second time you look for the clues or other ambiguity, and then the third time you laugh you head off. The fourth time... I'll leave to you.