A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by
The most persistent theory (most usually attributed to a friend of a friend who saw it posted on a message board by someone whose brother had read a report of a radio interview with Tarantino himself) is that it is Marcellus Wallace's soul. The story goes that when the Devil takes a person's soul, it is removed through the back of the head (this isn't part of any known religion, but this is what the message board posters say). When we see the back of Marcellus's head he has a Band-Aid covering the precise spot indicated by tradition for soul removal. Perhaps Marcellus sold his soul to the devil which would also explain why the combination to open the briefcase is 666.
Quentin Tarantino has said that the band-aid on the back of Marsellus Wallace's neck had nothing to do with an allusion to the Devil stealing Marsellus's soul... but that the actor Ving Rhames had a scar on the back of his neck he wanted to cover up.
Or could it be simply a 20-watt light bulb?
According to Roger Avary, who co-wrote the script with Quentin Tarantino, the original plan was to have the briefcase contain diamonds. This seemed neither exciting nor original, so Avary and Tarantino decided to have the briefcase's contents never appear on screen; this way each film-goer could mentally "fill in the blank" with whatever struck his or her imagination as best fitting the description "so beautiful". The orange light bulb (projecting shimmering light onto the actors' faces) was a last-minute decision and added a completely unintended fantastic element.
In a radio interview with Howard Stern in late 2003, Quentin Tarantino was asked by a caller the contents of the briefcase, and he answered, "It's whatever the viewer wants it to be."
When Vince and Mia come through the door of Mia's house after going to Jack Rabbit Slims, it is quite clearly daylight, as if they have been out all night. The same when Vince is in the Bathroom, the light from the window suggests it is day. However, for the rest of the scene it is still night. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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In the opening credits, the music changes as if it were on the radio just as the credit for "Music Supervisor" appears on the screen. See more »
Great director. Great story. Great characters. A masterpiece
Tarantino is without a doubt one of the best directors of all time and maybe the best of the 90's. His first film, Reservoir Dogs was amazing and claustrophobic, his segment in Four Rooms was by far the greatest (even though Rodriguez's was excellent too)and Jackie Brown is a wonderful homage to the Blaxploitation films of the 70's. However, Pulp Fiction remains my favourite.
It was nominated for so many Oscars that I still find it hard to believe that it only got one: Best original script. I'm not complaining because Forrest Gump got best picture, since that film was also Oscar-worthy, but come on, movies like Tarantino's or the Shawshank Redemption deserved much more.
Anyway, going back to the movie, I particularly liked the first and second chapters, and that's really a contradiction because one of the movie's finest characters, Mr. Wolf, appears on the third. Bruce Willis also does a great job, and as far as I'm concerned he fell in love with the movie right after having read the script. I like the way his character gives a "tough guy" image at the beginning and then we discover he's so affectionate and tender to his wife. Travolta is obviously the star of the movie and his second encounter with Bruce Willis in the kitchen along with the scene where he dances with Uma Thurman is when the movie reaches it's highest point.
The other star is Samuel L. Jackson, who plays a wise assassin that obviously knows how to handle situations. "And I will strike down upon thee with great vengeance and furious anger..." is my favourite quote.
Summarizing, Pulp Fiction is a modern classic and a must-see for anyone who is at least aware of what a movie is. I give it a 9 out of 10.
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