MOVIEmeter
Top 500
Up 45 this week

Pulp Fiction (1994)

9.0
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 9.0/10 from 999,342 users   Metascore: 94/100
Reviews: 1,930 user | 252 critic | 24 from Metacritic.com

The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

Director:

Writers:

(story), (story), 1 more credit »
Watch Trailer
0Check in
0Share...

Watch Now

$0.00 with Prime Instant Video

Editors' Spotlight

Live Chat with Keanu Reeves

We conducted a Live Chat with Keanu about his upcoming film John Wick.


User Lists

Related lists from IMDb users

a list of 30 titles
created 16 Jan 2011
 
a list of 39 titles
created 08 Apr 2012
 
a list of 22 titles
created 22 Jul 2012
 
a list of 31 titles
created 3 months ago
 
a list of 22 titles
created 1 month ago
 

Related Items

Search for "Pulp Fiction" on Amazon.com

Connect with IMDb


Share this Rating

Title: Pulp Fiction (1994)

Pulp Fiction (1994) on IMDb 9/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Pulp Fiction.

User Polls

Top 250 #5 | Won 1 Oscar. Another 63 wins & 47 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Fight Club (1999)
Drama
    1 2 3 4 5 6 7 8 9 10 8.9/10 X  

An insomniac office worker looking for a way to change his life crosses paths with a devil-may-care soap maker and they form an underground fight club that evolves into something much, much more...

Director: David Fincher
Stars: Brad Pitt, Edward Norton, Helena Bonham Carter
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 9.3/10 X  

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

Director: Frank Darabont
Stars: Tim Robbins, Morgan Freeman, Bob Gunton
The Godfather (1972)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 9.2/10 X  

The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.

Director: Francis Ford Coppola
Stars: Marlon Brando, Al Pacino, James Caan
Action | Adventure
    1 2 3 4 5 6 7 8 9 10 9/10 X  

When Batman, Gordon and Harvey Dent launch an assault on the mob, they let the clown out of the box, the Joker, bent on turning Gotham on itself and bringing any heroes down to his level.

Director: Christopher Nolan
Stars: Christian Bale, Heath Ledger, Aaron Eckhart
Forrest Gump (1994)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

Forrest Gump, while not intelligent, has accidentally been present at many historic moments, but his true love, Jenny Curran, eludes him.

Director: Robert Zemeckis
Stars: Tom Hanks, Robin Wright, Gary Sinise
Inception (2010)
Action | Mystery | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

A thief who steals corporate secrets through use of dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO.

Director: Christopher Nolan
Stars: Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.9/10 X  

In Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.

Director: Steven Spielberg
Stars: Liam Neeson, Ralph Fiennes, Ben Kingsley
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 9.1/10 X  

The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.

Director: Francis Ford Coppola
Stars: Al Pacino, Robert De Niro, Robert Duvall
The Matrix (1999)
Action | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  

A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers.

Directors: Andy Wachowski, Lana Wachowski
Stars: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss
Se7en (1995)
Drama | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  

Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his modus operandi.

Director: David Fincher
Stars: Morgan Freeman, Brad Pitt, Kevin Spacey
Action | Adventure | Fantasy
    1 2 3 4 5 6 7 8 9 10 8.9/10 X  

Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

Director: Peter Jackson
Stars: Elijah Wood, Viggo Mortensen, Ian McKellen
Action | Adventure | Fantasy
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

A meek hobbit of the Shire and eight companions set out on a journey to Mount Doom to destroy the One Ring and the dark lord Sauron.

Director: Peter Jackson
Stars: Elijah Wood, Ian McKellen, Orlando Bloom
Edit

Cast

Cast overview, first billed only:
...
...
Laura Lovelace ...
...
...
...
...
...
...
...
...
Paul / English Bob
...
...
...
...
Edit

Storyline

Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

From the creators of 'True Romance' & 'Reservoir Dogs' See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

|

Country:

Language:

| |

Release Date:

14 October 1994 (USA)  »

Also Known As:

Black Mask  »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

£4,243,233 (UK) (11 November 1994)

Gross:

£10,734,320 (UK) (24 February 1995)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (special edition)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

Quentin Tarantino hesitated over the choice between the character he was going to play: Jimmie or Lance. He ended up choosing Jimmie's role because he wanted to be behind the camera in Mia's overdose scene. See more »

Goofs

After the guy lying on the sofa in the apartment have been shot, he can clearly be seen breathing in the next shot when he is supposed to be dead. See more »

Quotes

[first lines]
Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
See more »

Crazy Credits

Long Haired Yuppie Scum - Lawrence Bender See more »

Connections

Featured in De wereld draait door: Episode #6.118 (2011) See more »

Soundtracks

Lonesome Town
Written by Baker Knight
Performed by Ricky Nelson
Courtesy of EMI Records USA, A Division of ERG
Under License From CEMA Special Markets
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The masterpiece without a message
17 November 2005 | by (Baltimore, MD) – See all my reviews

One of the early scenes in "Pulp Fiction" features two hit-men discussing what a Big Mac is called in other countries. Their dialogue is witty and entertaining, and it's also disarming, because it makes these two thugs seem all too normal. If you didn't know better, you might assume these were regular guys having chit-chat on their way to work. Other than the comic payoff at the end of the scene, in which they use parts of this conversation to taunt their victims, their talk has no relevance to anything in the film, or to anything else, for that matter. Yet without such scenes, "Pulp Fiction" wouldn't be "Pulp Fiction." I get the sense that Tarantino put into the film whatever struck his fancy, and somehow the final product is not only coherent but wonderfully textured.

It's no wonder that fans spend so much time debating what was in the suitcase, reading far more into the story than Tarantino probably intended. The film is so intricately structured, with so many astonishing details, many of which you won't pick up on the first viewing, that it seems to cry out for some deeper explanation. But there is no deeper explanation. "Pulp Fiction," is, as the title indicates, purely an exercise in technique and style, albeit a brilliant and layered one. Containing numerous references to other films, it is like a great work of abstract art, or "art about art." It has all the characteristics we associate with great movies: fine writing, first-rate acting, unforgettable characters, and one of the most well-constructed narratives I've ever seen in a film. But to what end? The self-contained story does not seem to have bearing on anything but itself.

The movie becomes a bit easier to understand once you realize that it's essentially a black comedy dressed up as a crime drama. Each of the three main story threads begins with a situation that could easily form the subplot of any standard gangster movie. But something always goes wrong, some small unexpected accident that causes the whole situation to come tumbling down, leading the increasingly desperate characters to absurd measures. Tarantino's originality stems from his ability to focus on small details and follow them where they lead, even if they move the story away from conventional plot developments.

Perhaps no screenplay has ever found a better use for digressions. Indeed, the whole film seems to consist of digressions. No character ever says anything in a simple, straightforward manner. Jules could have simply told Yolanda, "Be cool and no one's going to get hurt," which is just the type of line you'd find in a generic, run-of-the-mill action flick. Instead, he goes off on a tangent about what Fonzie is like. Tarantino savors every word of his characters, finding a potential wisecrack in every statement and infusing the dialogue with clever pop culture references. But the lines aren't just witty; they are full of intelligent observations about human behavior. Think of Mia's statement to Vincent, "That's when you know you've found somebody special: when you can just shut the f--- up for a minute and comfortably enjoy the silence."

What is the movie's purpose exactly? I'm not sure, but it does deal a lot with the theme of power. Marsellus is the sort of character who looms over the entire film while being invisible most of the time. The whole point of the big date sequence, which happens to be my favorite section of the film, is the power that Marsellus has over his men without even being present. This power is what gets Vincent to act in ways you would not ordinarily expect from a dumb, stoned gangster faced with an attractive woman whose husband has gone away. The power theme also helps explain one of the more controversial aspects of the film, its liberal use of the N-word. In this film, the word isn't just used as an epithet to describe blacks: Jules, for instance, at one point applies the term to Vincent. It has more to do with power than with race. The powerful characters utter the word to express their dominance over weaker characters. Most of these gangsters are not racist in practice. Indeed, they are intermingled racially, and have achieved a level of equality that surpasses the habits of many law-abiding citizens in our society. They resort to racial epithets because it's a patter that establishes their separateness from the non-criminal world.

There's a nice moral progression to the stories. We presume that Vincent hesitates to sleep with Mia out of fear rather than loyalty. Later, Butch's act of heroism could be motivated by honor, but we're never sure. The film ends, however, with Jules making a clear moral choice. Thus, the movie seems to be exploring whether violent outlaws can act other than for self-preservation.

Still, it's hard to find much of a larger meaning tying together these eccentric set of stories. None of the stories are really "about" anything. They certainly are not about hit-men pontificating about burgers. Nor is the film really a satire or a farce, although it contains elements of both. At times, it feels like a tale that didn't need to be told, but for whatever reason this movie tells it and does a better job than most films of its kind, or of any other kind.


1,120 of 1,308 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Message of the Movie aaronhutch2002
Most Evil Character(s) in this Movie? aaronhutch2002
I just don't understand this film. crustaceous
Jayne Mansfield's night off peterdrew1
DNS - Jimmie's racial rant to Jules. old-skool101
Best scene of the movie mustangguy809
Discuss Pulp Fiction (1994) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?