A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by
The book that Vincent reads when he goes to the bathroom is "Modesty Blaise" by Peter O'Donnell. "Modesty Blaise" was a popular British comic strip featuring a female secret agent. Quentin Tarantino is a big fan of the character and wants to someday make a film based on it. See more »
When Jody comes out of the room Lance has been in looking for the medical manual, she does not have any of her jewelry piercings in her face. A few moments later when they're about to give Mia the adrenaline shot, the jewelry has appeared on her face. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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In the opening credits, the music changes as if it were on the radio just as the credit for "Music Supervisor" appears on the screen. See more »
Great director. Great story. Great characters. A masterpiece
Tarantino is without a doubt one of the best directors of all time and maybe the best of the 90's. His first film, Reservoir Dogs was amazing and claustrophobic, his segment in Four Rooms was by far the greatest (even though Rodriguez's was excellent too)and Jackie Brown is a wonderful homage to the Blaxploitation films of the 70's. However, Pulp Fiction remains my favourite.
It was nominated for so many Oscars that I still find it hard to believe that it only got one: Best original script. I'm not complaining because Forrest Gump got best picture, since that film was also Oscar-worthy, but come on, movies like Tarantino's or the Shawshank Redemption deserved much more.
Anyway, going back to the movie, I particularly liked the first and second chapters, and that's really a contradiction because one of the movie's finest characters, Mr. Wolf, appears on the third. Bruce Willis also does a great job, and as far as I'm concerned he fell in love with the movie right after having read the script. I like the way his character gives a "tough guy" image at the beginning and then we discover he's so affectionate and tender to his wife. Travolta is obviously the star of the movie and his second encounter with Bruce Willis in the kitchen along with the scene where he dances with Uma Thurman is when the movie reaches it's highest point.
The other star is Samuel L. Jackson, who plays a wise assassin that obviously knows how to handle situations. "And I will strike down upon thee with great vengeance and furious anger..." is my favourite quote.
Summarizing, Pulp Fiction is a modern classic and a must-see for anyone who is at least aware of what a movie is. I give it a 9 out of 10.
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