Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by
The most persistent theory (most usually attributed to a friend of a friend who saw it posted on a message board by someone whose brother had read a report of a radio interview with Tarantino himself) is that it is Marcellus Wallace's soul. The story goes that when the Devil takes a person's soul, it is removed through the back of the head (this isn't part of any known religion, but this is what the message board posters say). When we see the back of Marcellus's head he has a Band-Aid covering the precise spot indicated by tradition for soul removal. Perhaps Marcellus sold his soul to the devil which would also explain why the combination to open the briefcase is 666.
Quentin Tarantino has said that the band-aid on the back of Marsellus Wallace's neck had nothing to do with an allusion to the Devil stealing Marsellus's soul... but that the actor Ving Rhames had a scar on the back of his neck he wanted to cover up.
According to Roger Avary, who co-wrote the script with Quentin Tarantino, the original plan was to have the briefcase contain diamonds (urban legend has it that they were the diamonds from Resevoir Dogs). This seemed neither exciting nor original, so Avary and Tarantino decided to have the briefcase's contents never appear on screen; this way each film-goer could mentally "fill in the blank" with whatever struck his or her imagination as best fitting the description "so beautiful". The orange light bulb (projecting shimmering light onto the actors' faces) was a last-minute decision and added a completely unintended fantastic element.
In a radio interview with Howard Stern in late 2003, Quentin Tarantino was asked by a caller the contents of the briefcase, and he answered, "It's whatever the viewer wants it to be." See more »
When Butch is across the street from his apartment, the building is two-stories tall. Once Butch is inside the courtyard, the building is three-stories tall. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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The opening credits end with Produced by Lawrence Bender. Usually movies end opening credits with the Director's credit, however Written and Directed by Quentin Tarantino starts the end credits. See more »
To put this in context, I am 34 years old and I have to say that this is the best film I have seen without doubt and I don't expect it will be beaten as far as I am concerned. Obviously times move on, and I acknowledge that due to its violence and one particularly uncomfortable scene this film is not for everyone, but I still remember watching it for the first time, and it blew me away. Anyone who watches it now has to remember that it actually changed the history of cinema. In context- it followed a decade or more of action films that always ended with a chase sequence where the hero saved the day - you could have written those films yourself. Pulp had you gripped and credited the audience with intelligence. There is not a line of wasted dialogue and the movie incorporates a number of complexities that are not immediately obvious. It also resurrected the career of Grease icon John Travolta and highlighted the acting talent of Samuel L Jackson. There are many films now that are edited out of sequence and have multiple plots etc but this is the one they all want to be, or all want to beat, but never will.
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