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Pulp Fiction (1994)

R  |   |  Crime, Drama  |  14 October 1994 (USA)
8.9
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Ratings: 8.9/10 from 1,164,660 users   Metascore: 94/100
Reviews: 2,068 user | 264 critic | 24 from Metacritic.com

The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

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Title: Pulp Fiction (1994)

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Top 250 #5 | Won 1 Oscar. Another 63 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Laura Lovelace ...
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Paul / English Bob
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Storyline

Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

From the creators of 'True Romance' & 'Reservoir Dogs' See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

Language:

| |

Release Date:

14 October 1994 (USA)  »

Also Known As:

Black Mask  »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

£4,243,233 (UK) (11 November 1994)

Gross:

£10,734,320 (UK) (24 February 1995)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

| (original cut)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

(at around 55 mins) When Vincent calls Lance on his cell phone, Lance is eating a bowl of Fruit Brute, a cereal from the older monster cereal family. Fruit Brute (which, along with Yummy Mummy, Frankenberry, Boo Berry, and Count Chocula, make up the monster cereals) was later discontinued, along with "Yummy Mummy." Quentin Tarantino has held onto a box and drops it into scenes from time to time. It appeared in Reservoir Dogs (1992), too. See more »

Goofs

(at around 47 mins) At Jack Rabbit Slim's, after taking a few bites of her burger, just before they go out to dance, the burger Mia is holding is whole again. See more »

Quotes

[first lines]
Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
See more »

Crazy Credits

Long Haired Yuppie Scum - Lawrence Bender See more »

Connections

Referenced in Frankenström (2001) See more »

Soundtracks

Son Of A Preacher Man
Written by John Hurley, Ronnie Wilkins
Performed by Dusty Springfield
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products & Polygram Record Operations Limited
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The rebirth of a genre – and film history
24 July 2014 | by (wherever good films play) – See all my reviews

I can only speak for myself, but I had never seen anything as stylish, cleverly constructed, well written and electrifying as this milestone when I first saw it in 1994. What really pulled me in right from the start is what we've now come to know as a Tarantino trademark: the dialogue. When gangsters Jules and Vincent talk to each other (or all the other characters, for that matter) there is a natural flow, a sense of realism and yet something slightly over the top and very theatrical about their lines – it's a mixture that immediately grabs your attention (even if it's just two dudes talking about what kind of hamburger they prefer, or contemplating the value of a foot-massage). Then there's the music: the songs Tarantino chose for his masterpiece fit their respective scenes so perfectly that most of those pieces of music are now immediately associated with 'Pulp Fiction'. And the narrative: the different story lines that come together, the elegantly used flashbacks, the use of "chapters" – there is so much playful creativity at play here, it's just a pure joy to watch.

If you're a bit of a film geek, you realize how much knowledge about film and love for the work of other greats – and inspiration from them

  • went into this (Leone, DePalma, Scorsese and, of course, dozens of


hyper-stylized Asian gangster flicks), but to those accusing Tarantino of copying or even "stealing" from other film-makers I can only say: There has never been an artist who adored his kind of art that was NOT inspired or influenced by his favorite artists. And if you watch Tarantino's masterpiece today, it's impossible not to recognize just what a breath of fresh air it was (still is, actually). Somehow, movies
  • especially gangster films - never looked quite the same after 'Pulp


Fiction'. Probably the most influential film of the last 20 years, it's got simply everything: amazing performances (especially Sam Jackson); it features some of the most sizzling, iconic dialogue ever written; it has arguably one of the best non-original soundtracks ever - it's such a crazy, cool, inspirational ride that you feel dizzy after watching it for the first time. It's – well: it's 'Pulp Fiction'. 10 stars out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/


29 of 36 people found this review helpful.  Was this review helpful to you?

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Who is the Tranny/ Hermaphrodite? danbonet80
Restaurant Scenes sir-aekal
Butch is the hero/protagonist of this film... loveorjustacrush
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The Wolf seemed pointless. What did he do exactly? Tunacrab
Marsellus and Butch Scene? aaronhutch2002
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