An insomniac office worker, looking for a way to change his life, crosses paths with a alter-ego devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...
Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by
In an interview with James Lipton on Inside the Actors Studio (1994), John Travolta went into details of the many obstacles of tackling his role as Vincent Vega. The most challenging being that of how he was going to show the essence of his character as that of a heroin addict. Never using the drug himself, director Quentin Tarantino had Travolta research his character's addiction by speaking to a recovering heroin addict that he (Quentin) knew personally. Travolta asked Tarantino's friend to tell him how could he know what it felt like to be on heroin (without actually using it of course). Tarantino's friend explained "If you want to get the 'bottom envelope' feeling of that, get plastered on Tequila, and lie down in a hot pool. Then you will have barely touched the feeling of what it might be like to be on heroin." John Travolta then explained that he was ecstatic to tell his wife that he was "told" in order to research aspects of his upcoming roles' character, he had to get plastered on Tequila and lie in a hot pool. He stated she happily joined him at the hotel hot tub which had shots of Tequila lined from end to end on the railings to assist him in his "research". See more »
(at around 22 mins) While the camera is focused on Butch, it abruptly moves to the right and then back to its original position. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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The coffee shop manager in the robbery scene at the end is credited as "Coffee Shop" because he is cut off as he speaks: "I am not a hero, I'm just a coffee shop--" See more »
One of the Best Film's I've Seen In A LONG Time... and still is
Quentin Tarantino's Pulp Fiction is a terrific film. It also gets better with each viewing, especially if one of those happens to be on a big theatrical screen where all of the BIG compositions get bigger and more detailed. How much else is there to talk about it after all these years? It's filled with dynamite, sudden and always interesting action, great and naturally clever dialogue, and memorable characters. Also, the acting is always something to behold as by turns straightforward, over the top, subtle, and just downright menacing and spot-on. The directing is one of the strongest that we've seen from Tarantino, as he makes his choices in pacing with shots in unconventional ways but never in a way that would be distracting. And writing, already noted, has been copied by many, and only equaled by a select few.
The dance sequence. Samuel L. Jackson's superlative monologuing. It has loyalty among low lifes, and many other odd characters that are all bad and not one is a villain or hero. And somehow even after years of parody and terrible rip-offs, it holds its own and- as one can say after seeing it at a midnight screening- holds its audience as much as it had the countless times before they saw it (or if they are, the first time). The first time you're surprised, the second time you look for the clues or other ambiguity, and then the third time you laugh you head off. The fourth time... I'll leave to you.
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