Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by
Tarantino wrote the script in Amsterdam, in a hotel room and in the "coffee shop" (Dutch euphemism for hash-bar) Betty Boop. He stayed for several months, and left the video rental store "Cult Video" with an unpaid bill of about $150. This stay explains the references to Dutch culture and customs at the beginning of the movie. Vincent tells his heroin dealer that "I just got back from Amsterdam" and discusses it with Jules in their opening scene. In the conversation in the Jack Rabbit Slims restaurant, Mia mentions that she goes to Amsterdam to "chill out" for a month or two every now and again. In the same restaurant, Vincent smokes Drum, which is a Dutch rolling tobacco. Also, the book version of the movie's screenplay includes some cut dialogue between Vincent and Mia - he realizes that she was "the girl in the cowboy hat" in a photo at a hash bar they both visited, the Cobra, which is right across from the Anne Frank house in Amsterdam. Also Butch often calls Fabienne "tulip", a cultural symbol of the Netherlands. See more »
[2:07:26] When Winston Wolf departs from Monster Joe's in his Acura, he takes a hard corner, but the sound indicates continuous acceleration in a straight line. While the acceleration is possible, it would sound different going around a corner. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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In the opening credits, the music changes as if it were on the radio just as the credit for "Music Supervisor" appears on the screen. See more »
To put this in context, I am 34 years old and I have to say that this is the best film I have seen without doubt and I don't expect it will be beaten as far as I am concerned. Obviously times move on, and I acknowledge that due to its violence and one particularly uncomfortable scene this film is not for everyone, but I still remember watching it for the first time, and it blew me away. Anyone who watches it now has to remember that it actually changed the history of cinema. In context- it followed a decade or more of action films that always ended with a chase sequence where the hero saved the day - you could have written those films yourself. Pulp had you gripped and credited the audience with intelligence. There is not a line of wasted dialogue and the movie incorporates a number of complexities that are not immediately obvious. It also resurrected the career of Grease icon John Travolta and highlighted the acting talent of Samuel L Jackson. There are many films now that are edited out of sequence and have multiple plots etc but this is the one they all want to be, or all want to beat, but never will.
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