| Beverly D'Angelo | ... | Pixie Chandler | |
| Aron Eisenberg | ... | Tommy Chandler | |
| Barry Humphries | ... | Bert / Lady Shopper / Manager | |
| Brion James | ... | Salvador Dali / Sam | |
| Sharon Martin | ... | Jenny Chandler | |
| Stephen McHattie | ... | Dr. Egbert Drum | |
| Aleks Shaklin | ... | Dr. Zavenbrot | |
| Ron Soble | ... | Pablo Picasso | |
| Eddie Wilde | ... | Janensch | |
| Brad Wilson | ... | Dick Chandler | |
| Moon Unit Zappa | ... | Susie | |
| Carmine Zozzora | ... | Dr. Harold Harold | |
| Jonathan Ball | ... | Officer Othello | |
| Cabiria Cardinale | ... | Karen / Mrs. Goldberg | |
| Holley Chant | ... | Mrs. Hoffman | |
| Sonia Nassery Cole | ... | Mystic Woman (as Sonia Cole) | |
| Bruce Critchley | ... | Dr. Smegburger | |
| Danny Ferrington | ... | Stealth Bomber Pilot | |
| Douchan Gersi | ... | Thompson | |
| Francesca Hilton | ... | Helene | |
| Maxine John-James | ... | Michelle / Mrs.McKenzie | |
| Ruta Lee | ... | Mrs. Poole | |
| Floyd Levine | ... | Golf Partner | |
| Georges Mora | ... | Children | |
| Madeleine Mora | ... | Children | |
| Philippe Mora | ... | Dr. Louis Blum | |
| Tilo Pander | ... | Aerobics Instructor | |
| Barbara Stuart | ... | Mrs. Seidel |
Directed by | |||
| Philippe Mora | |||
Writing credits(in alphabetical order) | ||
| Philippe Mora | ||
Produced by | |||
| Scott Billups | .... | co-producer | |
| Bruce Critchley | .... | producer | |
| Beverly D'Angelo | .... | associate producer | |
| Brion James | .... | associate producer | |
| Philippe Mora | .... | producer | |
| Karen Penhale | .... | line producer | |
| John Remark | .... | producer | |
Original Music by | |||
| Roy Hay | |||
Cinematography by | |||
| Walter Bal | |||
Film Editing by | |||
| Ross Guidici | |||
Production Design by | |||
| Pamela Krause Mora | |||
Costume Design by | |||
| Reve Richards | |||
Makeup Department | |||
| Jaremy Aiello | .... | prosthetics | |
| Elaine Alexander | .... | prosthetics | |
| Kevin Brennan | .... | prosthetics | |
| Jill Cady | .... | key hair stylist | |
| Jill Cady | .... | key makeup artist | |
| William Czlapka | .... | prosthetics | |
| David Greathouse | .... | prosthetics | |
| Martina Kohl | .... | hair stylist | |
| Martina Kohl | .... | makeup artist | |
| Pamela Krause Mora | .... | hair stylist supervisor | |
| Pamela Krause Mora | .... | makeup supervisor | |
| Brian Sipe | .... | prosthetics | |
Production Management | |||
| Karen Penhale | .... | unit production manager | |
Sound Department | |||
| John H. Gilman | .... | production sound mixer | |
| LaNessa Phearson | .... | boom operator | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer | |
| Brian Slack | .... | supervising sound editor | |
Visual Effects by | |||
| Scott Billups | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Lincoln Morrison | .... | second unit (1997) | |
Other crew | |||
| Chuck Atkins | .... | production assistant | |
| Brett Born | .... | production assistant | |
| Matthew K. Grigsby | .... | production assistant | |
| Suzanne Wilson-Fellows | .... | production executive | |
| Licia Wolf | .... | script supervisor | |
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| Agnes Browne | An American Haunting | Brassed Off | Thank You for Smoking | Kids World |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I can understand how many people would find this movie a waste of 97 minutes of their lives, but I loved it. It didn't try to be a Hollywood blockbuster, which is certainly a good thing; low-budget films that aim too high only embarrass themselves. However, Pterodactyl Woman From Beverly Hills (PWFBH) laughed at itself for being a B-Movie (or perhaps a C-movie??). Whilst the storyline is quite lame, it is gentle and amusing; an archaeologist disturbs some bones, and is cursed by a voodoo man calling himself Salvador Dali ("What can I say? I like his work"). This curse causes his wife to turn into a pterodactyl every now and then (the transformations come at night, but the mannerisms remain through the daylight hours - eg. Swallowing live carp in a supermarket). If you are a die-hard, high-budget movie fan who likes big computer-generated explosions from Star Wars or tense, engaging chase films like The Fugitive, then chances are that you won't like PWFBH. On the other hand, if you like movies for the entertainment value, and are not scared to try something different, have a look at this film. Don't take it too seriously (which isn't hard with characters called Salvador Dali and Pablo Picasso), but sit back and enjoy. My personal favourite character was Sam ("Have you come....for a cocktail....with Sam?"), and favourite scene was the surreal but wonderful Blue Martini song. If I were to rate this film with a critic's eye, it would not come up too highly, but from a viewer P.O.V., it was enjoyable and, at times, hilarious, gaining about 8 or 9 out of 10. Keep an eye out for Barry Humphries as the supermarket salesman, and his famous character Dame Edna Everage in the background of the same scene.