Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, ... See full summary »
A fashion show in Paris draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Lots of unconnected stories which all revolve around this show, and an all-star cast. Written by
In the hotel room, Anne Eisenhower lifts a glass of wine from Joe Flynn's dining cart with her left hand and takes a drink. Joe makes a comment and it can be seen that Anne's left arm is up to her face (she is visible from the chest down), but when we cut back to Anne the glass is in her right hand as she puts it down. See more »
[subtitled version - opening lines are in French, the English subtitles are a very rough translation]
Olivier de la Fontaine:
Moscow? What's this about? Put that on the desk. Dear Mr. de la Fontaine: blah, blah, blah, blah... blah, blah, blah, blah...
Isabella de la Fontaine:
Robin. Robin. I told you not to! It's dirty. You shouldn't do that. Not in the house.
[to Olivier de la Fontaine]
Isabella de la Fontaine:
You're a shit.
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The film's opening scene where Mastroianni buys the 2 Dior ties is set in Moscow's Red Square and the first 2 lines of credits (a Miramax production and a Robert Altman film) appear solely in Cyrillic characters See more »
There's one thing in this film that I love in a very film nerdish sort of way and that is Danny Aiello's character, which is, in a strange way, a homage to an earlier character in Altman's California Split (a film well worth revisiting). And while some of the characters may seem over the top, my own experience in the fashion world would attest to them being pretty realistic. While it feels as fragmented as any Altman, there is a story here, and it's a pretty subtle one, but perfectly satisfactory in my opinion. I think the film, overall, is woefully under-rated. I feel like everyone got caught up in the idea of "ALTMAN" and then got confused by "THE STARS" and then didn't really bother to look at the movie, which has some lovely grace and is well worth the time. Then again, why listen to me, I liked Ishtar.
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