Prêt-à-Porter (1994)

Director:

Robert Altman

Writers (WGA):

Robert Altman (written by) &
Barbara Shulgasser (written by)

Release Date:

25 December 1994 (USA)

Genre:

Comedy | Drama

Tagline:

The year's most seductive comedy!

Plot:

A fashion show in Paris draws the usual bunch of people; designers, reporters, models, magazine editors...

Plot Keywords:

Fashion Show | Fashion | Multiple Cameos | Pregnant Woman Nude | Female Frontal Nudity

Awards:

Nominated for 2 Golden Globes. Another 1 win

Cast

Marcello Mastroianni	...	Sergei / Sergio
Sophia Loren	...	Isabella de la Fontaine
Jean-Pierre Cassel	...	Olivier de la Fontaine
Kim Basinger	...	Kitty Potter
Chiara Mastroianni	...	Sophie Choiset
Stephen Rea	...	Milo O'Brannigan
Anouk Aimée	...	Simone Lowenthal (as Anouk Aimee)
Rupert Everett	...	Jack Lowenthal
Rossy de Palma	...	Pilar (as Rossy De Palma)
Tara Leon	...	Kiki Simpson
Georgianna Robertson	...	Dane Simpson
Lili Taylor	...	Fiona Ulrich
Ute Lemper	...	Albertine
Forest Whitaker	...	Cy Bianco
Tom Novembre	...	Reggie

Also Known As:

Prêt-à-Porter: Ready to Wear (Canada: English title)
Ready to Wear

Runtime:

133 min

Country:

USA

Language:

English | French | Italian | Russian | Spanish

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Portugal:M/12 | Singapore:M18 | Netherlands:16 | South Korea:18 | Philippines:R-18 | Argentina:13 | Australia:M | Finland:K-12 | Germany:6 (bw) | Iceland:L | Israel:PG | Spain:13 | Sweden:11 | UK:15 | USA:R

Filming Locations:

Moscow, Russia

Company:

Miramax Films

Trivia:

Robert Altman filmed extensively during the real Parisian fashion catwalks, capturing the real spring collections of that year and a host of real-life celebrities. Altman and his writer Barbara Shulgasser then integrated several different storylines into the footage that they had acquired.

Goofs:

Continuity: In the hotel room, Anne Eisenhower lifts a glass of wine from Joe Flynn's dining cart with her left hand and takes a drink. Joe makes a comment and it can be seen that Anne's left arm is up to her face (she is visible from the chest down), but when we cut back to Anne the glass is in her right hand as she puts it down.

Movie Connections:

References Local Hero (1983)

Soundtrack:

I'm Too Sexy

Unfairly Maligned. Far better than people give it credit for

And that's not saying that it's great either. It is not. But it's tremendously low imdb rating makes me wonder who the heck is voting here. Pret-a-Porter is a pretty good Robert Altman film that is no better or worse than Short Cuts, which, while I feel it is a good film, I also think it is overrated. This one is, however, heavily underrated, and they both got the same imdb score from me: 7/10 = 3/4 stars.

This is another attempt to make another Nashville. There's a humongous ensemble cast of actors, some of the best on the planet, a couple of the best who ever lived. The screenwriter doesn't connect it all very well, and lots of the characters seem superfluous or underdeveloped, unlike in Nashville where even the characters who are only in a couple of scenes are as familiar to the viewer as a close friend. I would particularly have liked the Danny Aiello/Teri Garr section to have been removed. It falls pretty flat. The Sophia Loren/Marcello Mastrioanni section, the section that most film buffs are going to be excited for, also plops by its end. And Kim Basinger, a good actress, truly deserving her L.A. Confidential Oscar, is not very good as the Southern U.S. reporter: her accent is difficult to get around, and her character is often annoying, too. Sometimes, though, her pieces succeed.

Many other of the vignettes succeed quite well, although there are never any fireworks about to shoot off. The Tim Robbins/Julia Roberts plot is very funny. The three publishers, Sally Kellerman, Tracy Ullman, and Linda Hunt's attempts to sign photographer Milo (Stephen Rea) to their magazine are all very humorous. The love quadrangle between the two designers, Forest Whitaker and Richard E. Grant, and their lovers is very good, also. Anouk Aimee's section is also great, maybe the best part (Rupet Everett is good, also). I loved her so much in La Dolce Vita and 8 1/2. I was aching for her and Marcello Mastrioanni to interact.

The ending is truly fantastic. It is very well directed and filmed. It's a good film.