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Prêt-à-Porter (1994)

 -  Comedy | Drama  -  25 December 1994 (USA)
5.0
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Ratings: 5.0/10 from 11,211 users   Metascore: 48/100
Reviews: 50 user | 23 critic | 21 from Metacritic.com

A chronicle of the interconnected lives of a group of people in the lead up to Paris Fashion Week.

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Title: Prêt-à-Porter (1994)

Prêt-à-Porter (1994) on IMDb 5/10

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Nominated for 2 Golden Globes. Another 2 wins. See more awards »

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Cast

Cast overview, first billed only:
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...
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Olivier de la Fontaine
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Sophie Choiset
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Milo O'Brannigan
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Simone Lowenthal (as Anouk Aimee)
...
Jack Lowenthal
...
Pilar (as Rossy De Palma)
Tara Leon ...
Kiki Simpson
...
Dane Simpson
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Fiona Ulrich
Ute Lemper ...
Albertine
...
Cy Bianco
Tom Novembre ...
Reggie
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Storyline

A fashion show in Paris draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Lots of unconnected stories which all revolve around this show, and an all-star cast. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

The year's most seductive comedy!

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and nudity | See all certifications »
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Details

Official Sites:

Country:

Language:

| | | |

Release Date:

25 December 1994 (USA)  »

Also Known As:

Prêt-à-Porter  »

Box Office

Gross:

£1,120,302 (UK) (17 March 1995)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Robert Altman filmed extensively during the real Parisian fashion catwalks, capturing the real spring collections of that year and a host of real-life celebrities. Altman and his writer Barbara Shulgasser then integrated several different storylines into the footage that they had acquired. See more »

Goofs

In the hotel room, Anne Eisenhower lifts a glass of wine from Joe Flynn's dining cart with her left hand and takes a drink. Joe makes a comment and it can be seen that Anne's left arm is up to her face (she is visible from the chest down), but when we cut back to Anne the glass is in her right hand as she puts it down. See more »

Quotes

[first lines]
[subtitled version - opening lines are in French, the English subtitles are a very rough translation]
Olivier de la Fontaine: [opening letter] Moscow? What's this about? Put that on the desk. Dear Mr. de la Fontaine: blah, blah, blah, blah... blah, blah, blah, blah...
Isabella de la Fontaine: [to dog] Robin. Robin. I told you not to! It's dirty. You shouldn't do that. Not in the house.
[to Olivier de la Fontaine]
Isabella de la Fontaine: You're a shit.
See more »

Crazy Credits

The film's opening scene where Mastroianni buys the 2 Dior ties is set in Moscow's Red Square and the first 2 lines of credits (a Miramax production and a Robert Altman film) appear solely in Cyrillic characters See more »

Connections

Referenced in Biography: Sophia Loren: Actress Italian Style (1997) See more »

Soundtracks

Here We Go
Written by Stakka Bo and Jonas Von Der Burg
Performed by Stakka Bo
See more »

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User Reviews

 
Interesting Homage
30 August 2006 | by (United States) – See all my reviews

This is an interesting homage to the filmmakers who have gone before Altman and to the careers of many who dress up his celluloid clips. The writing misses, not that it doesn't create interesting sequences or moments, but it seems to go no where. But no one does this type of film better than Altman and even when Altman is bad there is always a lot to look at.

The film moves quickly but it always leaves you wanting more. The characters of Kellerman, Ullman and Hunt had they been developed could have been a film within a film and been an interesting comedic farce. Unfortunately that possibility is never realized. Stephen Rea's character is just plain annoying, there's no exaggeration and no depth and it appears he has one expression. Forest Whitaker is always a pleasure to watch because of the depth of his persona. Ruppert Everett does nothing more than come off as a spoiled little boy playing in an adult world. One bright note is Chiara Mastrioanni.

But then you move to the pro's. Loren and Mastroianni are delicious to watch. You can't help but watch the Diva Loren walk and talk. Mastroianni's puppy dog routine is endearing because it harks back to the film history they have created together. The homage to Yesterday, Today and Tomorrow is particularly of note, not just because one is amazed at how well Loren still looks but because Altman takes the scene and puts a rather timely note to it. Lauren Bacall seems totally wasted as she wanders in and out of the goings on with no purpose. Jean Rochefort and Anouk Aimee probably get the acting laurels because they both manage to underplay while everyone else is over blown. Julia Roberts and Tim Robbins although set in an interesting situation become tiresome and their characters rather void of any color. Kim Bassinger is perfect as the announcer because she completely conveys her inability to comprehend the fashion world and still be in awe of those who inhabit that world. Danny Aiello's turn is probably the best realized character for laughs in the film while Teri Garr is totally wasted.

But that's the point of the movie. The fashion world is over blown and Altman has chronicled that in this film and yet at the same time managed to pay homage to some incredible film careers, films, and legends.


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