Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class.
Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas who finds his idealist life beginning to fall apart starting when his wife, Kate, ... See full summary »
A fashion show in Paris draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Lots of unconnected stories which all revolve around this show, and an all-star cast. Written by
In the hotel room, Anne Eisenhower lifts a glass of wine from Joe Flynn's dining cart with her left hand and takes a drink. Joe makes a comment and it can be seen that Anne's left arm is up to her face (she is visible from the chest down), but when we cut back to Anne the glass is in her right hand as she puts it down. See more »
[subtitled version - opening lines are in French, the English subtitles are a very rough translation]
Olivier de la Fontaine:
Moscow? What's this about? Put that on the desk. Dear Mr. de la Fontaine: blah, blah, blah, blah... blah, blah, blah, blah...
Isabella de la Fontaine:
Robin. Robin. I told you not to! It's dirty. You shouldn't do that. Not in the house.
[to Olivier de la Fontaine]
Isabella de la Fontaine:
You're a shit.
See more »
The film's opening scene where Mastroianni buys the 2 Dior ties is set in Moscow's Red Square and the first 2 lines of credits (a Miramax production and a Robert Altman film) appear solely in Cyrillic characters See more »
Mr. Altman, wherever you are, we'll always remember you
Robert Altman's death three days ago brings to mind not only his movies, but his unique style: letting people develop the characters themselves, and overlapping dialogue. In that sense, "Pret-a-Porter/Ready to Wear" is possibly the best example of his movies. One really gets the feeling that they just filmed whatever happened here. This story of a murder in the midst of a Paris fashion show pretty much does whatever it wants, and does a worthwhile job with it. Starring Marcello Mastroianni, Sophia Loren, and a too-long-to-name list of other people.
So, in conclusion: thanks for everything, Mr. Altman! You were one of the greatest directors of all time!
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