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Directed by | |||
| Milcho Manchevski | |||
Writing credits(in alphabetical order) | ||
| Milcho Manchevski | ||
Produced by | |||
| Marc Baschet | .... | co-producer | |
| Judy Counihan | .... | producer | |
| Frédérique Dumas-Zajdela | .... | co-producer | |
| Cédomir Kolar | .... | producer | |
| Sheila Fraser Milne | .... | associate producer | |
| David Redman | .... | associate producer | |
| Paul Sarony | .... | line producer | |
| Sam Taylor | .... | producer | |
| Chris Thompson | .... | line producer | |
| Goran Tozija | .... | co-producer (as Gordon Tozija) | |
| Cat Villiers | .... | producer | |
Original Music by | |||
| Zlatko Origjanski | |||
| Zoran Spasovski | |||
| Goran Trajkoski | |||
Cinematography by | |||
| Manuel Teran | |||
Film Editing by | |||
| Nicolas Gaster | |||
Casting by | |||
| Moni Damevski | |||
Production Design by | |||
| Sharon Lomofsky | |||
| David Munns | |||
Costume Design by | |||
| Caroline Harris | |||
| Sue Yelland | |||
Makeup Department | |||
| Joan Hills | .... | makeup artist | |
| Sandra Ivatovic | .... | assistant hair stylist (as Sandra Todorovic) | |
| Morag Ross | .... | makeup artist | |
| Radmila Todorovic | .... | assistant makeup artist | |
Production Management | |||
| Stevan Acevski | .... | production manager (as Stevce Acevski) | |
| Stevce Acevski | .... | production manager | |
| Simon Hardy | .... | production manager | |
| Nikola Popovic | .... | production supervisor | |
Art Department | |||
| Nicole Albert | .... | set dresser | |
| St. John Bowman | .... | prop master | |
| Annabel Hands | .... | stand-by props | |
| Mike Houseman | .... | construction manager | |
| Colin Hutton | .... | art department assistant | |
| Robert Jazadziski | .... | art department assistant | |
| Nikola Lazarevski | .... | assistant art director | |
| Vangel Mijovski | .... | stand-by props | |
| Pance Minov | .... | assistant art director | |
| Pance Minov | .... | set dresser | |
| Michael T. Roberts | .... | assistant art director | |
| Gico Stratiev | .... | prop master | |
| Gary Cergol | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Polly Aitken | .... | footsteps editor | |
| Peter Baldock | .... | sound | |
| Simon Cox | .... | boom operator | |
| Peter Elliott | .... | dialogue editor | |
| Aidan Hobbs | .... | sound recordist | |
| Derek Holding | .... | dialogue editor | |
| Marton Jankov-Tomica | .... | boom operator (as Morton Jankov) | |
| Keith Lowes | .... | dubbing associate | |
| Laurie McDowell | .... | sound: second unit | |
| Clive Pendry | .... | assistant sound mixer | |
| Jack Stew | .... | foley artist | |
| Hugh Strain | .... | sound re-recording mixer | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Special Effects by | |||
| John Fontana | .... | special effects | |
| Valentin Lozev | .... | special effects | |
Stunts | |||
| Parvan Parvanov | .... | stunt coordinator | |
| Rod Woodruff | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alex Bailey | .... | still photographer | |
| Sead Bihorac | .... | grip assistant | |
| Petar Bogoeski | .... | gaffer | |
| Fero Brant | .... | assistant camera | |
| John Donne | .... | key grip | |
| Rémy Fourneron | .... | focus puller | |
| Bob Horsefield | .... | best boy | |
| Milisav Krstevski | .... | best boy | |
| Philippe Le Sourd | .... | camera operator: second unit | |
| Philippe Le Sourd | .... | focus puller | |
| Mane Naskov | .... | grip assistant | |
| Jason Olive | .... | clapper loader | |
| Sreten Pakovski | .... | assistant camera | |
| John Pardue | .... | assistant camera | |
| Thierry Pouget | .... | focus puller | |
| Simon Reeves | .... | camera operator: second unit | |
| Dragan Salkovski | .... | camera operator: second unit | |
| Vladimir Samoilovski | .... | Steadicam operator | |
| Kenny Sykes | .... | gaffer | |
Costume and Wardrobe Department | |||
| Tina Foster | .... | wardrobe assistant | |
| Katya Ivanova | .... | wardrobe assistant | |
| Zaklina Krstevska | .... | assistant costume designer | |
Editorial Department | |||
| Kim Gaster | .... | second assistant editor | |
| Laurie McDowell | .... | first assistant editor | |
| Anne Sopel | .... | associate editor | |
Transportation Department | |||
| Zoran Risteski | .... | transportation coordinator | |
Other crew | |||
| Leonard Vigas Dos Santos | .... | production assistant | |
| Renée Glynne | .... | continuity | |
| Renée Glynne | .... | script supervisor | |
| Eve Heeks | .... | assistant accountant | |
| Biki Jandrevska | .... | production assistant | |
| Catherine Lecompte | .... | production accountant | |
| Biljana Mirkovic | .... | script supervisor | |
| Mira Nikcevska | .... | production secretary | |
| Tori Parry | .... | production coordinator | |
| David Pinnington | .... | unit location manager | |
| Patrice Salja | .... | production assistant | |
| Chloe Sizer | .... | production associate | |
| Matthew Wilson | .... | chief executive: Aim Productions | |
Thanks | |||
| Kim Ballard | .... | special thanks | |
| Mike Downey | .... | special thanks | |
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| Munich | Defiance | The Quiet American | Three Brothers | The Interpreter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Republic of Macedonia section |
A poignant tragedy about hatred, war, love and taking sides.
Time is not linear in the movie, but the director blatantly tells us that time is not a circle, so what is? The story is, and perhaps war is.
The story is told in three parts, with highly ironic titles: Words, Faces, and Pictures. Each story has meticulously planned, but highly disturbing parallels. The story-telling of the movie requires diligent planning, down to every single detail, exceptional creativity, and extraordinary persistence. Perhaps that's why the director Milcho Manchevski was fired by both commercial producers Warner Brothers and 20th Century Fox for "creative differences"
Before the Rain talks about hate, and how the power of hate can rise above love. It talks about taking sides, the central character in each section tries not to take sides, but circumstances often prove such efforts futile. As with Kiril and Aleksander.
In the film, all events happened before the rain, this sense of urgency, this beautiful sadness, and this inevitable tragedy. Before the Rain is my all time favourite movie.