Two nine-year-old girls report a flasher to the police even though they never saw him. Three filmmakers meet the only residents of a deserted village - an elderly brother and sister who ... See full summary »
Two parallel tales of redemption, a century apart. A burglar is held at gunpoint and forced to listen to a story. At the turn of the 20th Century, two brothers feud over a woman. She ... See full summary »
Determined to build the best football club in the country, Dimitry hires the German coach, Rudolph Spitz, to galvanize his rag tag team but - when the first Nazi tanks roll through the city and Rebecca, the beautiful daughter of a local banker, elopes with his star player, all Dimitry's plans must change.
After a quarrel with his wife, a man leaves their apartment with one suitcase only. Having slept in a train station, the police legitimates him and found him suspicious. Soon he'll find ... See full summary »
Stojan 'Stole' Arandjelovic
The circularity of violence seen in a story that circles on itself. In Republic of Macedonia, during war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant. She wants permanence with her lover, a prize-winning Macedonian photographer just back from Bosnia, changed by the violence. He leaves abruptly for his village; he's not visited it in 16 years. There he tries to ignore bitter divisions between his Orthodox brethren and local Albanians, then tries to transcend them. Written by
In the restaurant, over 30 shots are fired with a pistol without reloading. See more »
I wanted to take a vow of silence, like you. But this heavenly beauty merits words.
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The film begins with a pan over a Macedonian sky covered by dark clouds at dusk. We hear sounds of thunder, when an epigraph from the novel "Dervis i smrt" (The Dervish and Death) by Mesa Selimovic appears on the screen, while a voice is heard reading it: "With a shriek birds flee across the black sky, people are silent, my blood aches from waiting". Afterwards, the titles appear. See more »
Beautiful, hard hitting, but still both simple and realistic. One of the most beautiful movies I've ever seen. I saw it the first time in 1997 I think and I've seen it at least twenty times so far and it grows bigger every time. I love this movie and can't give any bad comments about it. Some amy say there are some
beautiful scenes here and some ugly scenes there, but I love it just like it is and it's hard to change that.
Firs, the the acting is excellent and the main character Rade Serbedzija does a wonderful work as a cynical, down-to-earth photographer, who knows he can't
escape his destiny and identity, Katrin Cartlidge does an equally impressive job, as well as a lot o the Macedonian bad and good guys of the film.
Secondly, the cinematography wonderfully depicts the harsh Macedonian
landscapes and sceneries, as well as the torn souls of the land. The music has the same impact and feels so natural with the cinematography.
Finally, I could never complaint about the directors excellent work. This was his debut if I'm not wrong and that was very promising, but I suppose this was his "Citizen Kane" and it'll probably be impossible to make anything similar.
One rarely sees anything from Macedonia.But this is not only good for
Macedonian cinema, it should have won the Oscar that year.
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