The circularity of violence seen in a story that circles on itself. In Republic of Macedonia, during war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant. She wants permanence with her lover, a prize-winning Macedonian photographer just back from Bosnia, changed by the violence. He leaves abruptly for his village; he's not visited it in 16 years. There he tries to ignore bitter divisions between his Orthodox brethren and local Albanians, then tries to transcend them. Written by
Once You Know The Faces You Will Begin To Understand The Story
Did You Know?
First Macedonian movie to be nominated for an Oscar. See more
In the restaurant, over 30 shots are fired with a pistol without reloading. See more
With a shriek, birds flee across the black sky, people are silent, my blood aches from waiting.
The film begins with a pan over a Macedonian sky covered by dark clouds at dusk. We hear sounds of thunder, when an epigraph from the novel "Dervis i smrt" (The Dervish and Death) by Mesa Selimovic
appears on the screen, while a voice is heard reading it: "With a shriek birds flee across the black sky, people are silent, my blood aches from waiting". Afterwards, the titles appear. See more
References On the Waterfront