Two nine-year-old girls report a flasher to the police even though they never saw him. Three filmmakers meet the only residents of a deserted village - an elderly brother and sister who ... See full summary »
Two parallel tales of redemption, a century apart. A burglar is held at gunpoint and forced to listen to a story. At the turn of the 20th Century, two brothers feud over a woman. She ... See full summary »
Determined to build the best football club in the country, Dimitry hires the German coach, Rudolph Spitz, to galvanize his rag tag team but - when the first Nazi tanks roll through the city and Rebecca, the beautiful daughter of a local banker, elopes with his star player, all Dimitry's plans must change.
There were times when stealing girls in these lands has been a worthy vocation, was a habit and a sort of custom in Bulgaria. Only the strongest and most experienced men took the profession... See full summary »
The circularity of violence seen in a story that circles on itself. In Republic of Macedonia, during war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant. She wants permanence with her lover, a prize-winning Macedonian photographer just back from Bosnia, changed by the violence. He leaves abruptly for his village; he's not visited it in 16 years. There he tries to ignore bitter divisions between his Orthodox brethren and local Albanians, then tries to transcend them. Written by
The film begins with a pan over a Macedonian sky covered by dark clouds at dusk. We hear sounds of thunder, when an epigraph from the novel "Dervis i smrt" (The Dervish and Death) by Mesa Selimovic appears on the screen, while a voice is heard reading it: "With a shriek birds flee across the black sky, people are silent, my blood aches from waiting". Afterwards, the titles appear. See more »
The very structure of this film perfectly describes its philosophy - a never ending circle. And it's the structure that makes this film work so powerfully. From the shattering opening section, to the startling second part, to the third story that brings it all together, this is a great film. It's been overlooked for some reason, mentioned rarely in film magazines and in best of the decade lists. But it's a phenomenal work, one that needs to be seen.
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