Critic Reviews



Based on 13 critic reviews provided by
An unforgettable, poetic romance from Italy whose disarming humor, blushing encounters and bittersweet flavors are certain to set off a groundswell of smiles, tears and regret.
A charming piece of cinema that takes several comfortable formulas and expands upon them in ingenious and emotionally-satisfying ways.
The New York Times
A rueful, warmly affecting film featuring a wonderful performance by Mr. Troisi, The Postman would be attention-getting even without the sadness that overshadows it. [14 June 1995, p. C15]
Made under unique and wrenching circumstances, it gained poignancy and a kind of purity from its troubles, and an already affecting film ended up suffused with emotion.
Chicago Sun-Times
The beauty of the film is in its quietness.
The screenplay (which is credited to a small crowd: director Michael Radford, Anna Pavignano, Furio Scarpelli, Giacomo Scarpelli and Troisi) is refreshingly witty and restrained.
Austin Chronicle
With lyrical beauty and memorable performances, The Postman articulates many feelings that seem to defy explanation.
USA Today
The Postman (Il Postino) is slight, but it's tough to imagine anyone not liking it.
The film has a gentle political edge, knocking Marxists and Christian Democrats with equal cheerfulness, and Troisi's self-deprecating humor, sly delivery, and melancholic charm are inimitable.
Troisi, who was a star in Italy, hasn't been seen widely in the United States, and from this film it is difficult to be certain how he achieved his fame.

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