| Photos (See all 21 | slideshow) | Videos (see all 2) |
| Philippe Noiret | ... | Pablo Neruda | |
| Massimo Troisi | ... | Mario Ruoppolo | |
| Maria Grazia Cucinotta | ... | Beatrice Russo | |
| Renato Scarpa | ... | Telegrapher | |
| Linda Moretti | ... | Donna Rosa | |
| Sergio Solli | |||
| Carlo Di Maio | |||
| Nando Neri | |||
| Vincenzo Di Sauro | |||
| Orazio Stracuzzi | |||
| Alfredo Cozzolino | |||
| Mariano Rigillo | ... | Di Cosimo | |
| Anna Bonaiuto | ... | Matilde | |
| rest of cast listed alphabetically: | |||
| Simona Caparrini | ... | Elsa Morante (uncredited) | |
Directed by | |||
| Michael Radford | |||
Writing credits | ||
| Antonio Skármeta | (novel "Ardiente Paciencia") | |
| Furio Scarpelli | (story) & | |
| Giacomo Scarpelli | (story) | |
| Anna Pavignano | (screenplay) & | |
| Michael Radford | (screenplay) & | |
| Furio Scarpelli | (screenplay) & | |
| Giacomo Scarpelli | (screenplay) & | |
| Massimo Troisi | (screenplay) | |
Produced by | |||
| Mario Cecchi Gori | .... | producer | |
| Vittorio Cecchi Gori | .... | producer | |
| Gaetano Daniele | .... | producer | |
| Alberto Passone | .... | executive producer | |
Original Music by | |||
| Luis Bacalov | |||
Cinematography by | |||
| Franco Di Giacomo | |||
Film Editing by | |||
| Roberto Perpignani | |||
Production Design by | |||
| Lorenzo Baraldi | |||
Costume Design by | |||
| Gianna Gissi | |||
Makeup Department | |||
| Alfredo Marazzi | .... | makeup artist | |
| Simone Marazzi | .... | makeup artist | |
| Ferdinando Merolla | .... | hair stylist | |
| Léone Noël | .... | makeup artist | |
| Angelo Vannella | .... | hair stylist | |
Production Management | |||
| Federico Foti | .... | unit manager | |
| Vincenzo Testa | .... | production manager | |
| Raffaele Veneruso | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Gaia Gorrini | .... | assistant director | |
| Stefano Veneruso | .... | second assistant director | |
Art Department | |||
| Laura Casalini | .... | assistant production designer | |
| Roberto Magagnini | .... | lead person | |
| Riccardo Passanisi | .... | property master | |
| Luigi Sergianni | .... | construction manager | |
Sound Department | |||
| Paolo Amici | .... | sound effects | |
| Tullio Arcangeli | .... | sound effects | |
| Vince Caro | .... | sound recording engineer | |
| Giulio De Angeli | .... | sound effects (as Giulio D'Angeli) | |
| Franco Finetti | .... | sound | |
| Saverio Lancia | .... | sound effects | |
| George A. Lara | .... | foley mixer | |
| Massimo Loffredi | .... | sound | |
| Ettore Mancini | .... | boom operator | |
| Ezio Marcorin | .... | sound editor | |
| Ezio Marcorin | .... | sound effects | |
| Daniele Masini | .... | sound effects | |
| Nicoletta Negri | .... | dubbing assistant | |
| Augusto Penna | .... | sound effects | |
| Alessandra Perpignani | .... | sound supervisor | |
| Paolo Pucci | .... | sound effects editor | |
| Angelo Raguseo | .... | sound re-recording mixer | |
| Roberto Sterbini | .... | sound effects | |
| Marco Streccioni | .... | sound re-recording mixer | |
| Fabio Venturi | .... | sound | |
Costume and Wardrobe Department | |||
| Yvette Bonnay | .... | wardrobe | |
| Alberta Ceccarelli | .... | wardrobe | |
| Rita Cirilli | .... | wardrobe | |
| Luciana Morosetti | .... | assistant costumer | |
Editorial Department | |||
| Stefano Giovannini | .... | color technician | |
| Lidia Pascolini | .... | assistant editor | |
| Rita Triunveri | .... | assistant editor | |
Music Department | |||
| Luis Bacalov | .... | conductor | |
Other crew | |||
| Bruno Alessandro | .... | voice dubbing: Philippe Noiret | |
| Rodolfo Bianchi | .... | dubbing director | |
| Cristiana Caimmi | .... | publicist | |
| Anna Cenciarelli | .... | administrator | |
| Elide Cortesi | .... | script supervisor | |
| Christopher Gambale | .... | assistant to harvey weinstein | |
| Marco Mattei | .... | cashier | |
| Marco Mattei | .... | payroll clerk | |
| Gianluca Passone | .... | location manager | |
| Gianluca Passone | .... | production secretary | |
| Flavio Tallone | .... | production secretary | |
| Alfredo Veneruso | .... | production secretary | |
| David H. Kramer | .... | adr loop group (uncredited) | |
Thanks | |||
| Massimo Troisi | .... | dedicatee | |
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| Captain Corelli's Mandolin | Burning Patience | La grande strada azzurra | Seducing Doctor Lewis | The Wages of Fear |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Italy section |
Set in the early 1950s on a small Italian island, there are three central characters in this movie, one real and the other two fictional. The real one is Chilean poet Pablo Neruda (played by French actor Noiret who resembles Neruda quite nicely). Neruda died in 1973, but really did spend several years in exile in Italy, and really is a world-famous poet.
In this fictional story, simple and honest, but somewhat dim, 40-something Mario Ruoppolo (Massimo Troisi, who died of heart failure right before the movie was released) is the son of a small time fisherman. Mario really doesn't like the fishing, but has no job. At dad's encouragement, he finds a temporary job as a postman, "il postino." The famous poet is moving into the small village and a man with a bicycle is needed to deliver his mail daily. It pays very little in this poor village, but it is a job. And the friendship that eventually develops between Neruda and Mario changes their lives.
The third central character is pretty and sexy 20-something Beatrice (Maria Grazia Cucinotta) who works in her fiercely protective aunt's bar and restaurant. Mario admires her from afar, but Neruda's poetry gives Mario an entry. He tells Neruda later, "Poetry doesn't belong to those who write it, it is for those who need to use it."
A very charming and meaningful movie on DVD for those who don't mind reading English subtitles. Or, listen to it in Italian or French. Some of my favorite scenes were the conversations between Mario and the poet when the mail was delivered.
SPOILERS FOLLOW. Mario manages to win the affections of Beatrice through his poetry and they marry. The political climate changes in Chile allowing Neruda to return there. Mario is sad that Neruda does not seem to remember them. But he turns up perhaps 6 or 8 years later, meets Mario's young son and Beatrice, but finds that Mario had died in a rumble during a Communist rally in the square. The movie ends with Neruda on the beach where he and Mario had had so many wonderful conversations, reflecting on the beauty of the island and how it influenced his poetry. And the friendship with Mario.