A slumdog named Chandu teams up with Malik, a low-level enforcer for a criminal syndicate. Together they eliminate all their enemies, becoming the most feared gangsters in Mumbai before jealousy and anger turn them against each other.
Mark and Jez are a couple of twenty-something roommates who have nothing in common - except for the fact that their lives are anything but normal. Mayhem ensues as the pair strive to cope with day-to-day life.
In the 1970s, Om, an aspiring actor, is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
Shah Rukh Khan,
Since gaining independence in 1947, India has been a secular state. But now, as religious fundamentalism grips much of India's population, the greatest danger to the nation's extremely ... See full summary »
Anand Patwardhan's most sophisticated documentary to date
I recently had the good fortune of being able to see a number of Anand Patwardhan's films at a retrospective of his work in San Francisco. I had heard a lot about his work as one of the most controversial film makers in India. As he puts it, none of his films have been shown in India without a court order. I could see why. He is one of the few film makers from India who has the courage of conviction to take a very hard look at India and its complex social and political problems. Very clearly he is an activist and his films take on the definite bias of his political views.
In Father, Son and The Holy War he examines Indian patriarchy and machismo and the attitudes it generates towards women and minorities in India. He expounds his thesis using various topics ranging from the Deorala Sati incident and the 1993 Bombay riots to the hilarious scene of a street vendor hawking sexual aids. The film is extremely hard hitting and it invokes a profound sense of disquiet. A must see for any one interested in India beyond its exoticised image.
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