| Véra Briole | ... | Véra | |
| Francis Renaud | ... | Fifi | |
| Raymond Gil | ... | Fernande | |
| Bobby Pacha | ... | Pacha | |
| Blanca Li | ... | Divine | |
| Philippe Ambrosini | ... | Malfait | |
| Younesse Boudache | ... | Mustaf | |
| Jean-Michel Fête | ... | P'tit Fred | |
| Christian Saunier | ... | Cri-Cri | |
| Christian Auger | ... | René | |
| Olindo Cavadini | ... | Polo | |
| Roger Desprez | ... | Elegant Roger | |
| Patrick Chauvel | ... | Jésus le Gitan | |
| Jean-Claude Grenier | ... | The Emperor | |
| Jean-Jacques Jauffret | ... | Marc-Antoine | |
| Jacky Bapps | ... | Forceps | |
| rest of cast listed alphabetically: | |||
| Philippe Nahon | |||
Directed by | |||
| Karim Dridi | |||
Writing credits(in alphabetical order) | ||
| Karim Dridi | ||
Produced by | |||
| Pierre Assouline | .... | co-producer | |
| Romain Brémond | .... | producer | |
| Patrice Haddad | .... | producer | |
Original Music by | |||
| Antidote | |||
| Alain Bashung | |||
Cinematography by | |||
| John Mathieson | |||
Film Editing by | |||
| Lise Beaulieu | |||
Production Design by | |||
| Gilles Bontemps | |||
Makeup Department | |||
| Hue Lan Van Duc | .... | key makeup artist | |
Sound Department | |||
| Louis Gimel | .... | sound engineer | |
| Vincent Guillon | .... | assistant sound editor | |
Camera and Electrical Department | |||
| Nathalie Eno | .... | still photographer | |
| Gordon Spooner | .... | assistant camera | |
Other crew | |||
| Florence Forney | .... | production secretary | |
| Jérôme Jouneaux | .... | press attache | |
| Nora Salhi | .... | production accountant | |
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| My Own Private Idaho | Burnt Money | Paris 36 | Enter the Void | Kings & Queen |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb France section |
PIGALLE disappoints as potentially fascinating subject matter is explored in traditional, and overdone plot lines. The Parisian entertainment area of Pigalle has a long, unique history. A contemporary film bearing its name could have served the double purpose of exposing the area's unique character, and delighting us with a good film. Instead, we get a cliche'-ridden film with the ubiquitous lowlives that inhabit all other seedy urban areas. If the film weren't in French, the viewer may not even know it was about PIGALLE. Entertaining, but not worthy of its name.