Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces ...
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A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
Four mental patients on a field trip in New York must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchetman Alicia Clark, Henry's nemesis, impose unpopular cutbacks. Henry's wife Martha, a hugely pregnant former reporter of his, is fed up because he has so little time for his family. He is therefore considering an offer from Paul Bladden to edit a paper like the New York Times, which would mean more money, shorter hours, more respectability...but might also be a bit boring for his tastes. But a hot story soon confronts Henry with tough decisions. Written by
Mike Sheehan was the perfect choice to play the character of New York Detective Ritchie, a police source for Randy Quaid's character Michael McDougal. Sheehan was the key detective in the Central Park Case of 1989 in which five African-American and Latino-American teens from Harlem were wrongfully accused of attempted murder and rape of a 28-year-old white woman jogging in Central Park. Despite the overturn of the Central Park Five's conviction in 2002, Sheehan remains confident that the teens committed the crime. In the film, Sheehan's character Ritchie--when pressed by MacDougal and Keaton's character Henry Hackett about whether the two teenage African-American boys are NYPD scape goats for the killing of white businessmen in Brooklyn--gives the quote/headline for the newspaper: "They didn't do it!" See more »
During the scene with everyone in Henry Hackett's office (prior to the gunshot), the pad of paper that Carmen is holding jumps from one hand to the other & back again. See more »
I have never liked Ron Howard films until now. I was shocked to learn that this was his work. I find them rather boring and lifeless, dry and without a personal stake in the story and its characters. The literalness in his shots and film structure is cumbersome in his dramatic works, but in a comedy like this, it works--it emboldens and accentuates the humor, rather than making the film boring to watch.
This film captured the chaotic energy of the newsroom floor and got me swept up in it. The ending had me cheering and laughing along with the characters. The film felt very personal, and it was easy to tell that a lot of love went into the production. The script was amazing, and the acting, superb.
Yes, the plot is contrived. But that's not the reason for the storytelling in this film. The story is about its characters. Every character is incredibly well-drawn and each actor is very much immersed and invested in their characters. Seeing the characters react and interact brought huge involuntary smiles to my face. The characters came alive, and as a result, the story made sense! What an awesome ensemble cast. It's my favorite so far in film. They make it evident that the paper is a force in itself, an idea, that drives these characters and consumes their lives. I think the film offers a view into the lives of these people--from their point of view.
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