Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces ...
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A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a... See full summary »
Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchetman Alicia Clark, Henry's nemesis, impose unpopular cutbacks. Henry's wife Martha, a hugely pregnant former reporter of his, is fed up because he has so little time for his family. He is therefore considering an offer from Paul Bladden to edit a paper like the New York Times, which would mean more money, shorter hours, more respectability...but might also be a bit boring for his tastes. But a hot story soon confronts Henry with tough decisions. Written by
The radio broadcast heard during the opening credits of the film was originally intended to be a segment from Don Imus' "Imus in the Morning" program that was recorded live during an on-air interview with director Ron Howard. A portion of the segment appears as Michael Keaton walks through the newsroom. See more »
In the scene where Alicia Clark meets with Graham Keighley at the social function, her hair style keeps changing. Most noticeably, the amount of curl in her hair at the neckline. See more »
[Reading in a dictionary]
Deadline: A date or time before which something must be done.
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I usually find Ron Howard's work a tad self-indulgent - you only have to watch Apollo 13 to know what I mean. However, with this, Ron really delivers a fully watchable film.
There are classic comedy moments - the Glenn Close "I light a cigarette..." line is just brilliant - while also providing true pathos with an excellent performance from Marissa Tomei (a disappointingly under-rated actress in anything she is in - witness her performance in Mel Gibson's otherwise rubbish "Whast Women Want").
I saw this in the cinema, and own it on DVD - it features in my regular rotation, and it doesn't matter how many times I watch it, it is still good viewing. A sign of a classic film is how often one can view it without finding scope for criticism - nothing yet!
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