Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces ... See full summary »
A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a... See full summary »
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchetman Alicia Clark, Henry's nemesis, impose unpopular cutbacks. Henry's wife Martha, a hugely pregnant former reporter of his, is fed up because he has so little time for his family. He is therefore considering an offer from Paul Bladden to edit a paper like the New York Times, which would mean more money, shorter hours, more respectability...but might also be a bit boring for his tastes. But a hot story soon confronts Henry with tough decisions. Written by
The radio broadcast heard during the opening credits of the film was originally intended to be a segment from Don Imus' "Imus in the Morning" program that was recorded live during an on-air interview with director Ron Howard. A portion of the segment appears as Michael Keaton walks through the newsroom. See more »
During the scene with everyone in Henry Hackett's office (prior to the gunshot), the pad of paper that Carmen is holding jumps from one hand to the other & back again. See more »
A 90s Sleeper: intelligent humor, A-list cast, don't miss it
I loved this movie...a real 90s sleeper. It's hard to determine why some films don't get the attention they deserve. The Paper is delightfully acted by an A-list ensemble in their prime. It's hilariously funny, with great timing and pace, and some poignant overtones on commitment, loyalty, family, friendship, work and the workplace, and big city journalism.
Feel-good and sardonic at the same time, I did NOT find it completely predictable. The screenplay is terrific, with thoughtful, intelligent, brisk dialog. Not a dull moment; completely entertaining. A film for "grown-ups". More kudos to Ron Howard.
Renting it just to watch the superb Glen Close's character, especially in the "stop the presses" scene, is worth the time/money alone. A charming Marisa Tomei perfectly cast. Robert Duvall, Jason Alexander, Jason Robards, and of course Michael Keaton...what's not to like? One of those films that can be watched many times by men and women alike. Highly recommended.
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