Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces ... See full summary »
A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a... See full summary »
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchetman Alicia Clark, Henry's nemesis, impose unpopular cutbacks. Henry's wife Martha, a hugely pregnant former reporter of his, is fed up because he has so little time for his family. He is therefore considering an offer from Paul Bladden to edit a paper like the New York Times, which would mean more money, shorter hours, more respectability...but might also be a bit boring for his tastes. But a hot story soon confronts Henry with tough decisions. Written by
This film takes place in a 24 hour span. The events of the film follows different characters and their experiences throughout their entire day. The film was produced by Brian Grazer who also produced the hit television show, "24", which also similarly follows different characters over a 24 hour span. See more »
When Henry tries to "Stop the presses", they have to find "Chuck" to unlock the stop button... this is totally wrong; on presses like this, there are stop buttons everywhere, and ANYONE can stop the press (although they'd better have a good reason for doing so)... what if someone were caught in the press, they're going to take 10 minutes to find the guy with the key to unlock the stop button? No way... See more »
I have never liked Ron Howard films until now. I was shocked to learn that this was his work. I find them rather boring and lifeless, dry and without a personal stake in the story and its characters. The literalness in his shots and film structure is cumbersome in his dramatic works, but in a comedy like this, it works--it emboldens and accentuates the humor, rather than making the film boring to watch.
This film captured the chaotic energy of the newsroom floor and got me swept up in it. The ending had me cheering and laughing along with the characters. The film felt very personal, and it was easy to tell that a lot of love went into the production. The script was amazing, and the acting, superb.
Yes, the plot is contrived. But that's not the reason for the storytelling in this film. The story is about its characters. Every character is incredibly well-drawn and each actor is very much immersed and invested in their characters. Seeing the characters react and interact brought huge involuntary smiles to my face. The characters came alive, and as a result, the story made sense! What an awesome ensemble cast. It's my favorite so far in film. They make it evident that the paper is a force in itself, an idea, that drives these characters and consumes their lives. I think the film offers a view into the lives of these people--from their point of view.
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