Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces ... See full summary »
A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a... See full summary »
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchetman Alicia Clark, Henry's nemesis, impose unpopular cutbacks. Henry's wife Martha, a hugely pregnant former reporter of his, is fed up because he has so little time for his family. He is therefore considering an offer from Paul Bladden to edit a paper like the New York Times, which would mean more money, shorter hours, more respectability...but might also be a bit boring for his tastes. But a hot story soon confronts Henry with tough decisions. Written by
Co-screenwriter Stephen Koepp has experience in the world of journalism, as he is the editor-in-chief of Time Magazine. See more »
One of the boys is 19, the other 17, a minor. They would not have been placed in the same detention cell together overnight, in fact its unlikely they would have even been arraigned in the same court. Nor would the minor have likely been perp-walked in front of the press. See more »
There's something I'd like to discuss. I didn't want to bother you upstairs. I feel an obligation to... act on this directly with you because I think we have a good - I think we have a good relationship... and I'd like to take it further. And I think the way to do that is face to face. You know, you and I, face to face.
Oh, umm... well, I mean, I wasn't - I mean, that's fine.
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"The Paper" does seem slightly more serious and less sentimental than most of Ron Howard's movies. Focusing on an overworked reporter (Michael Keaton) getting torn between a big story and his wife (Marisa Tomei), it's worth seeing. I wonder how many movies there can be about someone getting between his family and his job, but combining that with something about the media - specifically a newspaper - makes it a little bit more interesting. In my opinion, the most interesting character was Glenn Close's incarnation of the bitchy executive (there always has to be one of those, doesn't there?) preferring to stick with policy rather than investigate the story seriously; you're not sure whether she makes your skin crawl or whether she's kinda likable.
So, this isn't the greatest movie ever - certainly not the best movie focusing on the media - but worth seeing as a look into situations slowly but surely spinning out of control. Also starring Robert Duvall, Randy Quaid, Jason Alexander and Clint Howard.
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