After his last contract, the hitman Martin "Christian" Terrier tells his only friend Michel that he will retire; however Michel advises that the Organization will never let him go. ... See full summary »
This movie tells the story of a group of right-wing cops have begun carrying out vigilante justice on drug dealers and other crime figures who might otherwise avoid punishment for their ... See full summary »
This 1985 french crime movie directed by José Pinheiro stars Alain Delon as retired police officer Daniel Pratt whose teenage daughter is killed by a gang of mysterious hooded killers. ... See full summary »
A beautiful film which is basically about a man, a piano player, who meets and falls in love with a beautiful and voluptuous woman, who, by some strange procedure, leaves the man unable to ... See full summary »
A desperate alcoholic reaches a turning-point in his life when he meets a strange woman in a railway carriage: they make love, but then she leaves. Chasing after the girl, he clings to her as if she were his final chance.
Under the influence of drugs, a teenager, Eddy, kills a policeman. His father, Jacques, pleads extenuating circumstances and nearly succeeds in gaining the confidence of the policeman's widow. But the press reveals that Jacques is an ex-gangster who has spent time in prison.
Alain Delon is the rich, respected professor/obstetrician (I had to look that up!) who appears to have everything (wife, daughter, professional success AND a mistress), but whose life begins to fall apart when he receives an anonymous phone call by a man who says he is "guilty" and threatens to kill him. Following the "clues" that the caller leaves for him, Delon tries to find out what he is accused of.
Actually, "Teddy Bear" is not as interesting as that description makes it sound. The mystery is revealed halfway through, and there isn't much suspense, either. In many scenes, the rich music score provides the only drama. Delon fans will be interested in seeing their idol in this more mature phase of his career, but Deray's clinical, dehydrated directorial style doesn't do much to get us involved. And of course, this being a French movie, it's talky (though Delon remains relatively silent and lets the others do most of the talking).
On the other hand, this being a French movie, it dares to end in an amoral, un-Hollywood-ish way. I didn't see the ending coming, and you probably won't, either. It's good enough to push the rating of this movie from ** to **1/2 out of 4.
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