| Photos (See all 29 | slideshow) |
| Ray Liotta | ... | Capt. J.T. Robbins | |
| Lance Henriksen | ... | The Father | |
| Stuart Wilson | ... | Walter Marek | |
| Kevin Dillon | ... | Casey | |
| Kevin J. O'Connor | ... | Stephano | |
| Don Henderson | ... | Killian | |
| Ian McNeice | ... | King | |
| Jack Shepherd | ... | Dysart | |
| Michael Lerner | ... | The Warden | |
| Ernie Hudson | ... | Hawkins | |
| Russell Kiefel | ... | Iceman | |
| Brian M. Logan | ... | Scab | |
| Cheuk-Fai Chan | ... | Skull | |
| Machs Colombani | ... | Ratman | |
| David Argue | ... | Cellmate | |
| Stephen Shanahan | ... | Screaming Inmate | |
| Dominic Bianco | ... | Ralph | |
| Justin Monjo | ... | Technician #1 | |
| Brandon Burke | ... | Technician #2 | |
| Stan Kouros | ... | NCO | |
| Ron Vreeken | ... | Biker (as Ron Vreekin) | |
| Scott Lowe | ... | Skinhead | |
| Colin Moody | ... | Outsider #2 | |
| Richard Carter | ... | Sleeping Sentry | |
| Boris Brkic | ... | Hotel Guard #1 | |
| David Wenham | ... | Hotel Guard #2 | |
| Vic Wilson | ... | Military Officer | |
| Chris Hargreaves | ... | Prison Guard | |
| James Richards | ... | Executioner (as Jim Richards) | |
| Wilfred Woodrow | ... | Bola Thrower | |
| Greg Robinson | ... | Spiked Log Tree Man | |
| Paul Witton | ... | Knife Thrower | |
| Steven Spinaze | ... | Chopper Co-Pilot | |
| Serge Dekin | ... | Chopper Pilot | |
| Ric Herbert | ... | Insider | |
| rest of cast listed alphabetically: | |||
| James Costas | ... | Insider (uncredited) | |
| Barry Duffield | ... | Prison Guard (uncredited) | |
| Gordon Waddell | ... | Weed (uncredited) | |
Directed by | |||
| Martin Campbell | |||
Writing credits(WGA) | ||
| Richard Herley | (novel "The Penal Colony") | |
| Michael Gaylin | (screenplay) and | |
| Joel Gross | (screenplay) | |
Produced by | |||
| James Eastep | .... | co-producer | |
| Jake Eberts | .... | executive producer | |
| Gale Anne Hurd | .... | producer | |
| Michael R. Joyce | .... | co-producer | |
Original Music by | |||
| Graeme Revell | |||
Cinematography by | |||
| Phil Meheux | (director of photography) | ||
Film Editing by | |||
| Terry Rawlings | |||
Casting by | |||
| Pam Dixon | (as Pam Dixon Mickelson) | ||
Production Design by | |||
| Allan Cameron | |||
Art Direction by | |||
| Ian Gracie | |||
Set Decoration by | |||
| Lesley Crawford | |||
Costume Design by | |||
| Norma Moriceau | |||
Makeup Department | |||
| Jason Baird | .... | hair assistant | |
| Jason Baird | .... | makeup assistant | |
| Maggie Fung | .... | hair assistant (as Margaret Rose Singh) | |
| Maggie Fung | .... | makeup assistant (as Margaret Rose Singh) | |
| Cassie Hanlon | .... | makeup artist | |
| Bob McCarron | .... | prosthetic makeup designer | |
| Wizzy Molineaux | .... | hair assistant (as Clea [Wizzy] Molineaux) | |
| Wizzy Molineaux | .... | makeup assistant (as Clea [Wizzy] Molineaux) | |
| Sonja Smuk | .... | makeup artist | |
| Lesley Vanderwalt | .... | hair designer | |
| Lesley Vanderwalt | .... | makeup designer | |
| Paul Williams | .... | hairdresser | |
| Peter Woodward | .... | hair assistant: second unit | |
| Peter Woodward | .... | makeup assistant: second unit | |
| Jan Zeigenbein | .... | hairdresser (as Jan Zeigenbein [Ziggy]) | |
Art Department | |||
| Garth Croft | .... | set builder | |
| Beverley Dunn | .... | set dresser | |
| Billy Malcolm | .... | scenic artist | |
| Ray Pedler | .... | scenic artist | |
| John Rann | .... | construction manager | |
| David Russell | .... | sketch artist | |
| Amanda Sallybanks | .... | art department co-ordinator (as Amanda Selling) | |
| Dennis Smith | .... | construction supervisor | |
| Gregg Thomas | .... | greens supervisor | |
Sound Department | |||
| Roy Baker | .... | foley artist | |
| Ian Grant | .... | sound recordist: second unit | |
| Graham V. Hartstone | .... | sound re-recording mixer | |
| John Iles | .... | stereo sound consultant: Dolby | |
| Jack T. Knight | .... | foley artist | |
| Peter Lacey | .... | foley mixer | |
| Nicolas Le Messurier | .... | sound re-recording mixer | |
| Beryl Mortimer | .... | foley artist | |
| Bob Risk | .... | foley editor | |
| Jim Shields | .... | sound designer | |
| Brian Williams | .... | sound designer | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
Special Effects by | |||
| Steve Courtley | .... | special effects | |
| Brian Cox | .... | special effects supervisor | |
| Paul Gorrie | .... | special effects | |
| David Hardie | .... | special effects coordinator | |
| Brian Pearce | .... | special effects | |
| Roger Porteous | .... | special effects assistant | |
| Matt Sloan | .... | special effects crew | |
| Bruce Snape | .... | special effects assistant | |
| Walter Van Veenendaal | .... | special effects | |
| David Young | .... | special effects | |
Visual Effects by | |||
| Nicholas Brooks | .... | visual effects artist | |
| Paddy Eason | .... | digital effects designer: CFC | |
| Elaine Edford | .... | visual effects | |
| Jenny Fulle | .... | visual effects producer | |
| Brian Hanable | .... | digital effects artist | |
| Pete Hanson | .... | studio manager: CFC | |
| John Paszkiewicz | .... | camera assistant | |
| Amy Pawlowski | .... | visual effects editor | |
| Mark A. Shelton | .... | visual effects director of photography | |
| Dennis Skotak | .... | visual effects director of photography | |
| Robert Skotak | .... | visual effects supervisor | |
| Joel Steiner | .... | miniature mechanical effects | |
| Jim Towler | .... | miniature supervisor | |
| John N. Campbell | .... | digital artist (uncredited) | |
| Craig Chandler | .... | optical camera (uncredited) | |
Camera and Electrical Department | |||
| Brian Bansgrove | .... | gaffer | |
| Steve Bruce | .... | gaffer: Gold Coast second unit | |
| Dean Bryan | .... | best boy: second unit | |
| Colin Chase | .... | best boy | |
| Toby Copping | .... | best boy grip | |
| Katrina Crook | .... | focus puller: second unit | |
| Simon Hammond | .... | clapper loader: second unit | |
| Greg Hunter | .... | helicopter camera operator | |
| Ian Jones | .... | Steadicam operator | |
| Leigh Mackenzie | .... | focus puller | |
| Peter McDougall | .... | underwater camera operator | |
| David Nichols | .... | key grip | |
| Matt Slattery | .... | gaffer: second unit | |
| Jim Townley | .... | still photographer | |
| David Wakeley | .... | director of photography: second unit | |
Casting Department | |||
| Naomi Yoelin | .... | casting associate | |
Costume and Wardrobe Department | |||
| Meg Gordon | .... | costume buyer | |
| Paula Ryan | .... | wardrobe supervisor | |
Editorial Department | |||
| Trevor Collins | .... | negative cutter | |
| Rick Greenhead | .... | telecine colorist | |
| Tim Grover | .... | first assistant editor | |
| Al Hansen | .... | laboratory technical liaison | |
| Bob Jeffery | .... | color timer | |
Music Department | |||
| Dick Bernstein | .... | music editor | |
| Keith Grant | .... | score engineer | |
| Keith Grant | .... | score mixer | |
| Nat Peck | .... | musician assembler | |
| Tim Simonec | .... | conductor | |
| Tim Simonec | .... | orchestrator | |
| Philip Tallman | .... | assistant music editor | |
| Brian Williams | .... | music designer | |
Transportation Department | |||
| Tic Carroll | .... | transportation manager | |
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| Escape from New York | First Blood | G.I. Joe: The Rise of Cobra | Rambo: First Blood Part II | The Chronicles of Riddick |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Very similiar plot structure as "The Shawshank Redemption". Only difference here is that it's far into the future, the protagonist did commit the crime, and he's an ex-soldier, not a banker.
The new society, on an island thousands of miles away, is inhabited by two groups of people, one a barbaric cult run by a sadist(Stuart Wilson, good as always, hilarious as the villain) and a peaceful society of people (run by Lance Henrikson, also good) who just want to live their lives in harmony. As the two groups butt heads, the main character (played by Ray Liotta, with better acting here than his usual films) just wants to get the heck out of there and battle the fascist society that got him in.
I don't dig the bad reviews. Personally I thought this was very well done. Some bad lines here and there, but not enough to distract attention from the plot. (Which was far superior compared to "Escape from New York")