The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
Mickey Knox and Mallory Wilson aren't your typical lovers - after killing her abusive father, they go on a road trip where, every time they stop somewhere, they kill pretty well everyone around them. They do however leave one person alive at every shootout to tell the story and they soon become a media sensation thanks to sensationalized reporting. Told in a highly visual style. Written by
In the UK, the film's video release was to be the same week that Thomas Hamilton walked into a primary school in the Scottish town of Dunblane and killed 16 children and a teacher before killing himself, shocking a nation unused to such gun crimes. Warner Brothers immediately went to the British Board of Film Classification to take another look at the certification granted the film. The BBFC however stood by their decision, so Warners took it upon themselves to withhold video release. Thus, when the film had its terrestrial TV premiere on the UK's channel five two years later, it became one of the few films to be broadcast on television without having a video release beforehand. See more »
During the Prison Riot all the doors seem to be magically opened, the reason supposedly that the doors are jammed. The security locks in prisons are tested several times a day, and at the beginning of a riot all the doors would close and lock. However, as with the issue of the snake bites, this comes from an overly literal interpretation of the film, something which Oliver Stone strongly discourages on his DVD commentary track. The riot is not meant to be taken as a realistic depiction of an actual prison riot, and Stone acknowledges that great liberties were taken in the scene with the full knowledge that they weren't realistically accurate. See more »
The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
...people really need to take another look at "Natural Born Killers."
The plot: Mickey and Mallory Knox (Woody Harrelson and Juliette Lewis in roles that are a little too convincing) are a husband/wife pair of serial killers whose vicious crime spree across the country has made them into media superstars.
This movie is a barrage of frightening and surreal images, and is damn near hypnotic to watch.
I can see where the controversy surrounding this film comes from but what I don't understand is where the hate is coming from.
1994's "Natural Born Killers" has to be one of the best movies of the 90s - its sole purpose on this planet is to showcase America's fascination with violence.
But lets try to understand the hate. This movie is here for one reason and I think that we can all agree on that reason. Oliver Stone is a competent and accomplished filmmaker and most of the hate seems to be directed towards him. Stone, who is working from a script that has since been virtually disowned by Quentin Tarantino, pretty much took over and shaped the screenplay to his own vision.
I can understand why fans of Tarantino have a right to be p*ssed off, but I find it extremely difficult to believe that they truly hate the finished product, and the same goes for Tarantino. Don't get me wrong, I'm a huge Tarantino fan myself, and I'm sure he didn't appreciate Stone re-writing his script, but he should be proud of what was done with it.
The message, if you can call it that, is that we are obsessed with violence, and Stone exposes our love for it and spits it back in our faces. To quote Marlon Brando - "The horror, the horror." I say to hell with the hypocritical people who find this movie offensive for they are the ones that this movie is truly aimed towards.
Yes, horrific images are displayed in this movie and terrible things happen to people all throughout, but it's giving us we want, and we hate it. The hate surrounding this film is extremely misguided. My high school paper recently did an article about sex and violence on television and one of the supposed outlets of that violence would be our fascination with the war in Iraq and the Jessica Lynch story.
It said that we are much, much more concerned with the sex (I personally don't think today's teenage girls are THAT impressionable, but who knows?), rather than the violence (which apparently seems to be causing a misguided sh!tstorm of controversy, too, and like the sex, I don't think that people are that impressionable), namely the kind that is seen in music videos and such. Though the article refused to go into specifics (but we know who the people being discussed are and I'm sure they do, too), it brings me back to "Natural Born Killers," which I think people need to take another look at.
In this day and age, violence on television is becoming more and more commonplace, and this movie's relevance seems to make its viewing that much more important. Before we go and continue to bash the hell out of it again, people need to come back and take a look around themselves and watch "Natural Born Killers."
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