The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
Gabriella, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with ... See full summary »
The misadventures of Mickey and Mallory: outcasts, lovers, and serial killers. They travel across Route 666 conducting psychadelic mass-slaughters not for money, not for revenge, just for kicks. Glorified by the media, the pair become legendary folk heroes; their story told by the single person they leave alive at the scene of each of their slaughters. Written by
Murray Chapman <firstname.lastname@example.org>
Director of photography Robert Richardson hated the script and didn't want anything to do with the film, but director Oliver Stone used their close friendship to persuade him into accepting the job. For numerous reasons, Richardson called shooting the film a "nightmare" and one of the worst experiences of his life. The story brought up bad memories from his childhood, leading to insomnia and a dependence on sleeping pills throughout the entire shoot. During location scouting, his wife Monona Wali nearly died from an illness (and they later came close to divorcing because of the film). While filming a difficult scene he broke his finger, and the replacement cameraman cut his eye. Near the end of shooting, his brother went into a coma. However, Richardson has said that all of these problems actually provided him with the creative energy he needed to shoot the film. See more »
When Scagnetti is with the prostitute, as he starts to choke her and they roll off the bed, he is seen wearing a thong with just a string in back. When he gets up and is seen standing by the window, his underwear has changed into briefs. See more »
I do. For all eternity. 'Til you and I die, and die, and die again. 'Til death do us part.
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
Truly Beautiful Movie and Enjoyable on Many Levels
"Natural Born Killers" in itself is a picture of the ironic tragedy of the satire. This movie took the media and American culture head on, challenged it and spoofed it- as a result, American pop culture kicked it up a notch to become as outrageous as the parody! On top of that, few understood Stone's film was a satire and instead accused him of promoting violence. This is a tragedy because "Natural Born Killers" really is a sharp and funny satire that helped to usher in the 90s with Tarantino's "Pulp Fiction".
Yes, it's over the top, yes, it's violent, yes, it's flashy, and most of all, yes, it works! The effect may make you a bit dizzy, it may disturb, and may even offend, but this is a truly great piece of cinema. Like its great predecessors, which it freely homages, "In Cold Blood", "Badlands", and "Bonnie & Clyde", this film is about two killers on the road who are in love. Unlikely movie stars Woody Harrelson and Juliette Lewis play Mickey and Malory. Through a few frantic and imaginative scenes we see them meet, fall in love, murder Malory's abusive father, and hit the road. These scenes are instantly unforgettable, bearing a wit that may be overt, but is funny enough to accept. Meanwhile our heroes become a media sensation thanks to the TV show "American Maniacs", hosted by Wayne Gale (Robert Downey Jr. with a British accent).
It isn't all glitz and blood splatter. Auteur Stone works with (what remains of) Tarantino's script to make all these characters into real people, and not symbols or cliches. Character motivation is related mostly through flashed images and flashbacks (as in "In Cold Blood"). The editing and superb Richardson camera work relate complex emotional states, as well as the frenzied mood of the violence. Oliver Stone does have the tendency to be peachy and over the top, but his strength in portraying sympathetic humanity over comes his weaknesses.
Under-appreciated actor Tom Sizemore ("True Romance", "Heat") plays detective Jack Scagnetti, the celebrity homicide cop who pursues and eventually captures Mickey and Malory (in what has to be one of the best, most intense arrest scenes in screen history). In the context of this film, he is a villain, but he is a human being just the same. He leads us into the second half of this picture, which has Mickey and Malory behind bars awaiting a big TV interview with Wayne Gale on Superbowl Sunday. Tensions build to one of the best climaxes a crime or prison movie ever had.
Rodney Dangerfield, Russell Means, and Tommy Lee Jones put in highly memorable appearances in supporting roles. On the director's cut DVD we see cut footage of performances from Ashley Judd (her best work) and Dennis Leary. "Natural Born Killers" is many great small parts adding up to an even better whole. All of it is accented and sealed by a very good soundtrack arranged by Trent Reznor of Nine Inch Nails (who contribute the beautiful "A Warm Place"). This is a movie you won't soon forget and will likely enjoy.
I recommend this to fans of Stone, of the movies I mentioned above, of Tarantino (he didn't approve, but as a fan of his, I did), and to anyone who is simply curious about it. It'll blow you away, in the good sense.
"Do you believe in fate?"
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