The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
The misadventures of Mickey and Mallory: outcasts, lovers, and serial killers. They travel across Route 666 conducting psychadelic mass-slaughters not for money, not for revenge, just for kicks. Glorified by the media, the pair become legendary folk heroes; their story told by the single person they leave alive at the scene of each of their slaughters. Written by
Murray Chapman <email@example.com>
In the UK, the film's video release was to be the same week that Thomas Hamilton walked into a primary school in the Scottish town of Dunblane and killed 16 children and a teacher before killing himself, shocking a nation unused to such gun crimes. Warner Brothers immediately went to the British Board of Film Classification to take another look at the certification granted the film. The BBFC however stood by their decision, so Warners took it upon themselves to withhold video release. Thus, when the film had its terrestrial TV premiere on the UK's channel five two years later, it became one of the few films to be broadcast on television without having a video release beforehand. See more »
Leading up to the Super Bowl the number of victims that Mickey and Mallory murder change several times from fifty six to fifty seven to forty eight and other numbers in the deleted scenes and unrated cut. This might have been done deliberately by the film makers to give the killers the larger than life pop lore they wanted. See more »
I do. For all eternity. 'Til you and I die, and die, and die again. 'Til death do us part.
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
What I found so bizarre about this movie is that this movie itself is guilty of what it accuses the media of doing. Yes, the media irresponsibly glorifies violence, but this movie ended up being the worst offender of them all. Okay, this movie defines the problem, this movie BECOMES the problem, and offers absolutely no suggestion on how to fix the problem, which makes it appear to me that Tauranteno and Stone are just two wise guys sitting on the sidelines taking potshots. Rule One of Satire: Don't be a hypocrite. Also, did anyone NOT see that end coming? A waste of time.
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