In Detroit, a lonely pop culture geek marries a call girl, steals cocaine from her pimp, and tries to sell it in Hollywood. Meanwhile, the owners of the cocaine - the Mob - track them down in an attempt to reclaim it.
The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
Mickey Knox and Mallory Wilson aren't your typical lovers - after killing her abusive father, they go on a road trip where, every time they stop somewhere, they kill pretty well everyone around them. They do however leave one person alive at every shootout to tell the story and they soon become a media sensation thanks to sensationalized reporting. Told in a highly visual style. Written by
During the Prison Riot all the doors seem to be magically opened, the reason supposedly that the doors are jammed. The security locks in prisons are tested several times a day, and at the beginning of a riot all the doors would close and lock. However, as with the issue of the snake bites, this comes from an overly literal interpretation of the film, something which Oliver Stone strongly discourages on his DVD commentary track. The riot is not meant to be taken as a realistic depiction of an actual prison riot, and Stone acknowledges that great liberties were taken in the scene with the full knowledge that they weren't realistically accurate. See more »
The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
I haven't seen too many Oliver Stone pictures; JFK, Scarface(which he wrote, not directed), and this one. I don't know too much about his directorial style, but if any of his other films are like this one, I'll have to watch more of them. The visual style is amazing. The whole film has sort of a psychedelic visual style, and utilizes constant cuts and constant change in color scheme, often changing between powerful green, blue, red and even black/white. Of course, none of this is random. It's there to project symbolism and keep the mood intense and constantly evolving, and, believe me, it works perfectly. With many references to popular media(television, mainly), demons and the desensitizing effect of television. The effect of half of the imagery being seen through a television screen or hallucinated is amazing. The film is experimental and psychological. As Stone puts it in the documentary, it's a film about two people breaking the rules, so it's only fitting that the film-makers are also breaking the rules. It's chaotic and wild, insane and mentally exhausting. It's a film about pain, violence and giving in to cravings and desires. But it in no way romanticizes the aforementioned three points. Quite the opposite. I believe someone once told me that the film makes killing and violence look appealing. I can't even explain how wrong that is. This truly is an amazing film. If you can sit through this, and you (honestly) think of yourself as perceptive and intelligent, you have to see this movie. It's not just recommended or a good idea to watch, it's mandatory for anyone that 'get' it. The plot is great and well-paced. It's never boring. The acting is great. The characters are well-written, credible and so easy to understand and sympathize with that many will hate the film for it. The whole film is amazing on so many levels. I recommend it to any person who believes himself or herself to be hardened and intelligent enough to sit through it, and, more importantly, understand it. I recommend you get the directors cut, as it keeps everything that the other released version cut off. Highly recommendable. 10/10
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