Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran ... See full summary »
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
Hardened criminal Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top-secret US government agent 'Bob' arranges a staged death, so ... See full summary »
After a prison riot, former-Captain Nascimento, now a high ranking security officer in Rio de Janeiro, is swept into a bloody political dispute that involves government officials and paramilitary groups.
The misadventures of Mickey and Mallory: outcasts, lovers, and serial killers. They travel across Route 666 conducting psychadelic mass-slaughters not for money, not for revenge, just for kicks. Glorified by the media, the pair become legendary folk heroes; their story told by the single person they leave alive at the scene of each of their slaughters. Written by
Murray Chapman <email@example.com>
Coca-Cola approved the use of the Polar Bear ads for its product in the movie without having a full idea of what the movie was about; when the Board of Directors saw the finished product, they were furious. See more »
Several times during the Prison riot scenes people's weapons constantly reload 'magically' as no one (save Mickey) is ever seen to be reloading their weapons, nor even seen to be procuring shells or magazines from the bodies of guards, yet they still continue to fire. Again, this comes from reading the film too literally; the riot is not supposed to be taken as a realistic depiction of a riot. See more »
[after beating the hell out of the guy at the diner]
How sexy am I now, huh? Flirty boy! How sexy am I now?
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
I haven't seen too many Oliver Stone pictures; JFK, Scarface(which he wrote, not directed), and this one. I don't know too much about his directorial style, but if any of his other films are like this one, I'll have to watch more of them. The visual style is amazing. The whole film has sort of a psychedelic visual style, and utilizes constant cuts and constant change in color scheme, often changing between powerful green, blue, red and even black/white. Of course, none of this is random. It's there to project symbolism and keep the mood intense and constantly evolving, and, believe me, it works perfectly. With many references to popular media(television, mainly), demons and the desensitizing effect of television. The effect of half of the imagery being seen through a television screen or hallucinated is amazing. The film is experimental and psychological. As Stone puts it in the documentary, it's a film about two people breaking the rules, so it's only fitting that the film-makers are also breaking the rules. It's chaotic and wild, insane and mentally exhausting. It's a film about pain, violence and giving in to cravings and desires. But it in no way romanticizes the aforementioned three points. Quite the opposite. I believe someone once told me that the film makes killing and violence look appealing. I can't even explain how wrong that is. This truly is an amazing film. If you can sit through this, and you (honestly) think of yourself as perceptive and intelligent, you have to see this movie. It's not just recommended or a good idea to watch, it's mandatory for anyone that 'get' it. The plot is great and well-paced. It's never boring. The acting is great. The characters are well-written, credible and so easy to understand and sympathize with that many will hate the film for it. The whole film is amazing on so many levels. I recommend it to any person who believes himself or herself to be hardened and intelligent enough to sit through it, and, more importantly, understand it. I recommend you get the directors cut, as it keeps everything that the other released version cut off. Highly recommendable. 10/10
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