The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
Gabriella, a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by "The Blue Blood Killer" of affluent Miami socialites provides her with ... See full summary »
The misadventures of Mickey and Mallory: outcasts, lovers, and serial killers. They travel across Route 666 conducting psychadelic mass-slaughters not for money, not for revenge, just for kicks. Glorified by the media, the pair become legendary folk heroes; their story told by the single person they leave alive at the scene of each of their slaughters. Written by
Murray Chapman <email@example.com>
Director Oliver Stone met with singer Tori Amos and openly offered her the part of Mallory. Early in her career Amos had been pursing acting as well as singing. She was interested until he explained he also wanted to have her song "Me and a Gun" play during each scene where Mallory kills someone. The song is an a'capella account of Amos' real life rape. In response Amos slapped him across the face and stormed out. Amos details this story in her autobiography "All These Years." She also references the incident in her hit song "A Sorta Fairytale," with the lyric: "Feel better with Oliver Stone until I almost smacked him; it seemed right that night." See more »
When Scagnetti is in the room with the prostitute, her bra keeps disappearing and re-appearing ("Director's Cut"). See more »
Let me tell you something, this is the 1990's, alright? In this day and age a man has to have choices, a man has to have a little bit of variety.
What are you talking about, "variety"? Hostages? You wanna fuck some other women now? Is that what you're talking about, Mickey?
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
I haven't seen too many Oliver Stone pictures; JFK, Scarface(which he wrote, not directed), and this one. I don't know too much about his directorial style, but if any of his other films are like this one, I'll have to watch more of them. The visual style is amazing. The whole film has sort of a psychedelic visual style, and utilizes constant cuts and constant change in color scheme, often changing between powerful green, blue, red and even black/white. Of course, none of this is random. It's there to project symbolism and keep the mood intense and constantly evolving, and, believe me, it works perfectly. With many references to popular media(television, mainly), demons and the desensitizing effect of television. The effect of half of the imagery being seen through a television screen or hallucinated is amazing. The film is experimental and psychological. As Stone puts it in the documentary, it's a film about two people breaking the rules, so it's only fitting that the film-makers are also breaking the rules. It's chaotic and wild, insane and mentally exhausting. It's a film about pain, violence and giving in to cravings and desires. But it in no way romanticizes the aforementioned three points. Quite the opposite. I believe someone once told me that the film makes killing and violence look appealing. I can't even explain how wrong that is. This truly is an amazing film. If you can sit through this, and you (honestly) think of yourself as perceptive and intelligent, you have to see this movie. It's not just recommended or a good idea to watch, it's mandatory for anyone that 'get' it. The plot is great and well-paced. It's never boring. The acting is great. The characters are well-written, credible and so easy to understand and sympathize with that many will hate the film for it. The whole film is amazing on so many levels. I recommend it to any person who believes himself or herself to be hardened and intelligent enough to sit through it, and, more importantly, understand it. I recommend you get the directors cut, as it keeps everything that the other released version cut off. Highly recommendable. 10/10
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