The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran ... See full summary »
Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
Hardened criminal Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top-secret US government agent 'Bob' arranges a staged death, so ... See full summary »
The misadventures of Mickey and Mallory: outcasts, lovers, and serial killers. They travel across Route 666 conducting psychadelic mass-slaughters not for money, not for revenge, just for kicks. Glorified by the media, the pair become legendary folk heroes; their story told by the single person they leave alive at the scene of each of their slaughters. Written by
Murray Chapman <email@example.com>
Director Oliver Stone calls the frequent cuts to black and white, where dialogue is often repeated with a slightly different intonation, "vertical cutting". Stone explains that the idea behind the technique is to create an outer moment (the color footage) and an inner moment (the black and white footage) at the same time. For example, he explains this in relation to the waitress in the opening scene (O-Lan Jones), who whilst taking Mickey's order in the 'outer' scene is actually flirting with him (or thinking about flirting with him) in the 'inner' scene. Also in the opening scene, when the cowboy ('James Gammon') refers to Mallory as "pussy", there is a flash cut to Mickey covered in blood; this is Mickey's 'inner' moment. See more »
During the wedding scene, as Mickey takes Mallory's hand to cut it, her palm is already red from having blood on it in previous takes. See more »
I'm surprised Hollywood ain't caught up with you yet, your story'd make a much better movie than that Serpico shit.
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
A bizarre acid trip of a film that has good and bad points
Oliver Stone seems to have outdone himself on this one. Not only is Natural Born Killers a visual masterpiece, but it is probably one of the most insane and nonsensical social commentary films I have ever seen. Disappointing, since it was penned by one of my favorite film directors, Mr. Quentin `Bad Motherf***er' Tarantino himself. The elements of a good story are there: Boy meets girl, boy and girl fall in love and go on a mass murdering spree which is lapped up by the media. While there is definitely a strong social statement, the story is too erratic and scattered to be completely coherent.
Visually however, Natural Born Killers is stunning. It is intensely colorful, unflinchingly violent and innovative in its cinematography. This movie is not for most, but if you decide to try it out, be warned: It is not for the faint of heart, and not for the weak of stomach. But it is an important film for its visual merits, at the very least.
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