The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
The misadventures of Mickey and Mallory: outcasts, lovers, and serial killers. They travel across Route 666 conducting psychadelic mass-slaughters not for money, not for revenge, just for kicks. Glorified by the media, the pair become legendary folk heroes; their story told by the single person they leave alive at the scene of each of their slaughters. Written by
Murray Chapman <firstname.lastname@example.org>
Oliver Stone says that his biggest regret about the film is the fact that he had to cut out most of actor Pruitt Taylor Vince's performance as the prison guard Kavanaugh. As filmed, Kavanaugh becomes a comic character, who Mickey uses as a shield whilst moving through the prison, and who ends up being shot 16 times by the time Mickey meets Warden McClusky (Tommy Lee Jones) at the stairs. In the finished version of the film, you don't actually see Kavanaugh being shot at all prior to the stairs. Stone says he was forced to cut much of this because the studio insisted that the movie be under two hours. Strangely however, the footage of Kavanaugh was not restored by Stone for his Director's Cut nor was it included as a deleted scene on the DVD. See more »
During the prison riots, guards can be seen firing from a security tower with their shotguns, only to have several prisoners overrun the tower. This makes little sense as all guard towers have doors with locks on the inside. Again however, this is coming from reading the film in too factual a manner. The riot is not supposed to be a realistic depiction of such an event. See more »
Let me tell you something, this is the 1990's, alright? In this day and age a man has to have choices, a man has to have a little bit of variety.
What are you talking about, "variety"? Hostages? You wanna fuck some other women now? Is that what you're talking about, Mickey?
See more »
The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
Natural Born Killers is a disturbing film. It is a great film as well. Visually it looks great and between all that violence there is a message. Criticizing the influence of media with another form of media called film.
With a lot of cuts, strange camera angles, different colors, the kind of music and a lot of symbolism the sick world of mass murderers Mickey (Woody Harrelson) and Mallory (Juliette Lewis) is presented. And the sick world of how people react to their violence. Director Oliver Stone shows it to us with this satire in a great and really disturbing way.
Harrelson and Lewis hit the right tone for Mickey and Mallory. Tom Sizemore as a cop, Robert Downey Jr. as a journalist (representing the whole media) and especially Tommy Lee Jones as the prison warden are great too. Originally written by Quentin Tarantino, although he was not too happy with the result in the end, this is one of the best satires I have seen. May be it is not for everyone, the images are not always that nice, but the meaning must be for everyone.
66 of 104 people found this review helpful.
Was this review helpful to you?