The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
The misadventures of Mickey and Mallory: outcasts, lovers, and serial killers. They travel across Route 666 conducting psychadelic mass-slaughters not for money, not for revenge, just for kicks. Glorified by the media, the pair become legendary folk heroes; their story told by the single person they leave alive at the scene of each of their slaughters. Written by
Murray Chapman <email@example.com>
The camera never angles on a straight, horizontal level throughout the whole film. See more »
During the prison riots, guards can be seen firing from a security tower with their shotguns, only to have several prisoners overrun the tower. This makes little sense as all guard towers have doors with locks on the inside. Again however, this is coming from reading the film in too factual a manner. The riot is not supposed to be a realistic depiction of such an event. See more »
How's a fella like you get to be involved with psychos, anyways?
Actually Dwight, I'd recommend having your mother killed by one. After that happened I developed a rather keen interest in the subject.
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »