An LA detective is murdered because she has microfilm with the recipe to make cocaine cookies. A "Lethal Weapon" style cop team tries to find and stop the fiends before they can dope the ... See full summary »
Samuel L. Jackson,
Oscar night. Who will win? Who will lose? And will someone please kick that numbskull off stage? Wait! That's no ordinary numbskull. That's Lt. Frank Drebin, crashing the ceremonies to stop a terrorist plot that could mean curtains for him -- or will a simple window shade be enough? Written by
Robert Lynch <email@example.com>
The first scene of the movie, a spoof of The Untouchables (1987), was meant to be used on the very first movie, but due to budget problems, the makers couldn't go on with the idea. They thought of using the joke on this last one because they figured enough people had watched "The Untouchables" so that they could understand what was going on. See more »
When Frank arrives home for his "special evening," there's an old portrait hanging next to the front door. A few minutes later when Jane leaves, it's a similar, but different, portrait. See more »
It's rare for a cop movie to combine elements from "The Untouchables", "Thelma & Louise" and "The Brady Bunch".
Unless, of course, the lead character has a tendency to run his car into parking meters.
"The Naked Gun 33 1/3: The Final Insult" brings the lofty trilogy to a close with the same old cast (Kennedy, Simpson, Presley) and slapstick antics involving a prison breakout, terrorist plot and the Oscars. And there in the center is Lt. Frank Drebin (Nielsen) on the verge of retirement and fighting with bad guys, shopping carts and Weird Al Yankovic while trying convince lovely wife Jane (Presley) that the spark in their relationship is still there.
How can you talk down a movie like this; it's as useless as putting up a tent in a windstorm, so they say. You have to enjoy stupidity, one-liners, gags and visual puns, as created by the ZAZ boys (Zucker, Abrahams, Zucker) and delivered by a cast of pros (including Fred Ward and Pia Zadora!!), all with the tone of adolescence and insanity you've come to know and love.
And if you don't, why are you reading this?
Kudos go to Anna Nicole Smith, who makes her debut in movies here in a big way (sorry) and shows she is at her best when laughing at herself. Good job, Anna.
Favorite scene? I lost count after the first 10 minutes; it's an exercise in futility, every scene will make you chuckle, laugh, guffaw, roar and/or howl with delight. Besides, why spoil the fun?
And as for Nielsen...as always, he is THE MAN! Even when throwing up in a tuba.
Ten stars for a great "Final" trip down into Dumbville. And one star more for the very last scene - classic!
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