| Elina Löwensohn | ... | Nadja | |
| Nic Ratner | ... | Bar Victim | |
| Karl Geary | ... | Renfield | |
| Peter Fonda | ... | Dracula / Dr. Van Helsing | |
| Martin Donovan | ... | Jim | |
| Jack Lotz | ... | Boxing Coach | |
| Galaxy Craze | ... | Lucy | |
| David Lynch | ... | Morgue Receptionist | |
| Isabel Gillies | ... | Waitress | |
| José Zúñiga | ... | Bartender | |
| Bernadette Jurkowski | ... | Dracula's Bride | |
| Jeff Winner | ... | Young Dracula | |
| Sean | ... | Bela | |
| Suzy Amis | ... | Cassandra | |
| Jared Harris | ... | Edgar | |
| Bob Gosse | ... | Garage Mechanic | |
| Rome Neal | ... | Garage Mechanic | |
| Giancarlo Roma | ... | Romanian Kid | |
| Anna Roma | ... | Romanian Mother | |
| Thomas Roma | ... | Romanian Policeman | |
| Aleksander Rasic | ... | Romanian Policeman | |
| Miranda Russell | ... | Lucy's Baby |
Directed by | |||
| Michael Almereyda | |||
Writing credits(in alphabetical order) | ||
| Michael Almereyda | ||
Produced by | |||
| Andrew Fierberg | .... | associate producer | |
| Amy Hobby | .... | producer | |
| David Lynch | .... | executive producer | |
| Mary Sweeney | .... | producer | |
Original Music by | |||
| Simon Fisher-Turner | |||
Cinematography by | |||
| Jim Denault | |||
Film Editing by | |||
| David Leonard | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Kurt Ossenfort | |||
Costume Design by | |||
| Prudence Moriarty | |||
Makeup Department | |||
| Dina Doll | .... | hair stylist | |
| Dina Doll | .... | makeup artist | |
| John Sahag | .... | hair stylist | |
Production Management | |||
| Ingrid Breyer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sonia Bhalla | .... | additional second second assistant director | |
| Alex Corven Caronia | .... | first assistant director | |
| Adam Ben Frank | .... | second second assistant director | |
| Takahide Kawakami | .... | second second assistant director | |
| Brent Tinter | .... | additional second second director | |
Art Department | |||
| J. Todd Anderson | .... | storyboard artist | |
| Jamie Bishop | .... | on-set props | |
| Christopher Dettwiller | .... | on-set props | |
| Billy Jarecki | .... | additional set dresser | |
| Ondine Karady | .... | props | |
| Joan Lucke Jr. | .... | head set dresser | |
| John Nelson | .... | head scenic | |
| Carol O'Neil | .... | props | |
| Philippe Richard | .... | lucy's paintings | |
| George Roach | .... | swing | |
| Michael Sadov | .... | swing | |
| Peter Soriano | .... | jim's paintings | |
| Marla Weinhoff | .... | additional set dresser | |
Sound Department | |||
| John Gutierrez | .... | boom operator | |
| Gary Hokanson | .... | boom operator | |
| Kenton Jakub | .... | adr editor | |
| William Kozy | .... | sound mixer | |
| Stuart Levy | .... | sound | |
| Art Polemis | .... | sound recording engineer | |
| Melanie Ryder | .... | dialogue editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
Special Effects by | |||
| Arthur M. Jolly | .... | special effects | |
| Josh Turi | .... | special effects props | |
Visual Effects by | |||
| William Lappe | .... | castle miniature | |
| Anthony Munroe | .... | optical supervisor | |
Stunts | |||
| Arthur M. Jolly | .... | stunts | |
Camera and Electrical Department | |||
| David T. Anderson | .... | gaffer | |
| Lenny Bass | .... | additional electrician | |
| Axel Baumann | .... | second assistant camera | |
| Kelly Beaton | .... | additional electrician | |
| Sally Bonython | .... | second assistant camera | |
| Steve Calalang | .... | first assistant camera | |
| Anthony Caronia | .... | still photographer | |
| Tim Davis | .... | still photographer | |
| Ned Farr | .... | additional electrician | |
| Rob Featherstone | .... | second assistant camera | |
| Jason C. Fitzgerald | .... | additional electrician | |
| Vadim Frumin | .... | best boy | |
| Ian Nichol | .... | Steadicam operator | |
| Kate Phelan | .... | best boy grip | |
| Joseph Quirk | .... | additional electrician | |
| Dave Samuel | .... | additional electrician | |
| Susan Shacter | .... | still photographer | |
| Ed Talavera | .... | camera operator: second unit | |
| Richard Wuest | .... | key grip (as Dexter Weust) | |
| Raphaelle Gosse-Gardet | .... | electrician (uncredited) | |
Casting Department | |||
| Byron Crystal | .... | extras casting | |
| Laura Ekstrand | .... | casting associate | |
Costume and Wardrobe Department | |||
| Libby Villanova | .... | key costumer | |
Editorial Department | |||
| Yasmine Amitai | .... | first assistant editor | |
| Beatrice Sisul | .... | apprentice editor | |
Music Department | |||
| Royston Langdon | .... | music recording engineer | |
| Rick Rowe | .... | music recording engineers | |
| Thomas Ulrich | .... | musician: cello solos | |
Other crew | |||
| Gilbert Carreras | .... | b&w timer | |
| Jody Hanson | .... | title designer | |
| Carolina Adriana Herrera | .... | location scout (as Carolina Herrera) | |
| Lee Petersen | .... | production assistant | |
| Dina Waxman | .... | location scout | |
| Dina Waxman | .... | script supervisor | |
| Jeff Winner | .... | location manager | |
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| Hamlet | Thirteen | Coffy | The Vampire Lovers | Nowhere |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I'm one of the very few people who saw this back in 1994 at an art house cinema. It's basically about a VERY strange family which includes a vampire named Nadja (Elina Lowensohn). She's being hunted down by Van Helsing (Peter Fonda).
Pretentious and boring "horror" film. If there is a point to it it totally escapes me. Also some of it is shot in a pixilated (or something) way. This adds nothing to the film and you can't make out a thing when they shot that way. Seriously, what was the point of that? Acting doesn't help. With one exception everyone is pretty bad--especially Lowensohn and an "actress" named Galaxy Craze (seriously). Only Fonda is good. He briefly jump starts the film. He's having lots of fun with his performance and it helps but not enough. When I saw it the audience was quiet at first. Then it got restless and there was actually some muffled laughter during the stupider sequences (the one that got the most reaction was Nadja's psychic link with her brother--which comes out of NOWHERE!). People walked out muttering about how boring and stupid this was. If you're a true horror fan avoid this like the plague. A 1 all the way.