| Photos (see all 9 | slideshow) |
| Elina Löwensohn | ... | Nadja | |
| Nic Ratner | ... | Bar Victim | |
| Karl Geary | ... | Renfield | |
| Peter Fonda | ... | Dracula / Dr. Van Helsing | |
| Martin Donovan | ... | Jim | |
| Jack Lotz | ... | Boxing Coach | |
| Galaxy Craze | ... | Lucy | |
| David Lynch | ... | Morgue Receptionist | |
| Isabel Gillies | ... | Waitress | |
| José Zúñiga | ... | Bartender | |
| Bernadette Jurkowski | ... | Dracula's Bride | |
| Jeff Winner | ... | Young Dracula | |
| Sean | ... | Bela | |
| Suzy Amis | ... | Cassandra | |
| Jared Harris | ... | Edgar | |
| Bob Gosse | ... | Garage Mechanic | |
| Rome Neal | ... | Garage Mechanic | |
| Giancarlo Roma | ... | Romanian Kid | |
| Anna Roma | ... | Romanian Mother | |
| Thomas Roma | ... | Romanian Policeman | |
| Aleksander Rasic | ... | Romanian Policeman | |
| Miranda Russell | ... | Lucy's Baby |
Directed by | |||
| Michael Almereyda | |||
Writing credits(in alphabetical order) | ||
| Michael Almereyda | writer | |
Produced by | |||
| Andrew Fierberg | .... | associate producer | |
| Amy Hobby | .... | producer | |
| David Lynch | .... | executive producer | |
| Mary Sweeney | .... | producer | |
Original Music by | |||
| Simon Fisher-Turner | |||
Cinematography by | |||
| Jim Denault | |||
Film Editing by | |||
| David Leonard | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Kurt Ossenfort | |||
Costume Design by | |||
| Prudence Moriarty | |||
Makeup Department | |||
| Dina Doll | .... | hair stylist | |
| Dina Doll | .... | makeup artist | |
| John Sahag | .... | hair stylist | |
Production Management | |||
| Ingrid Breyer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sonia Bhalla | .... | additional second second assistant director | |
| Alex Corven Caronia | .... | first assistant director | |
| Adam Ben Frank | .... | second second assistant director | |
| Takahide Kawakami | .... | second second assistant director | |
| Brent Tinter | .... | additional second second director | |
Art Department | |||
| J. Todd Anderson | .... | storyboard artist | |
| Jamie Bishop | .... | on-set props | |
| Christopher Dettwiller | .... | on-set props | |
| Billy Jarecki | .... | additional set dresser | |
| Ondine Karady | .... | props | |
| Joan Lucke Jr. | .... | head set dresser | |
| John Nelson | .... | head scenic | |
| Carol O'Neil | .... | props | |
| Philippe Richard | .... | lucy's paintings | |
| George Roach | .... | swing | |
| Michael Sadov | .... | swing | |
| Peter Soriano | .... | jim's paintings | |
| Marla Weinhoff | .... | additional set dresser | |
Sound Department | |||
| John Gutierrez | .... | boom operator | |
| Gary Hokanson | .... | boom operator | |
| Kenton Jakub | .... | adr editor | |
| William Kozy | .... | sound mixer | |
| Stuart Levy | .... | sound | |
| Art Polemis | .... | sound recording engineer | |
| Melanie Ryder | .... | dialogue editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
Special Effects by | |||
| Arthur M. Jolly | .... | special effects | |
| Josh Turi | .... | special effects props | |
Visual Effects by | |||
| William Lappe | .... | castle miniature | |
| Anthony Munroe | .... | optical supervisor | |
Stunts | |||
| Arthur M. Jolly | .... | stunts | |
Camera and Electrical Department | |||
| David T. Anderson | .... | gaffer | |
| Lenny Bass | .... | additional electrician | |
| Axel Baumann | .... | second assistant camera | |
| Kelly Beaton | .... | additional electrician | |
| Sally Bonython | .... | second assistant camera | |
| Steve Calalang | .... | first assistant camera | |
| Anthony Caronia | .... | still photographer | |
| Tim Davis | .... | still photographer | |
| Ned Farr | .... | additional electrician | |
| Rob Featherstone | .... | second assistant camera | |
| Jason C. Fitzgerald | .... | additional electrician | |
| Vadim Frumin | .... | best boy | |
| Ian Nichol | .... | Steadicam operator | |
| Kate Phelan | .... | best boy grip | |
| Joseph Quirk | .... | additional electrician | |
| Dave Samuel | .... | additional electrician | |
| Susan Shacter | .... | still photographer | |
| Ed Talavera | .... | camera operator: second unit | |
| Richard Wuest | .... | key grip (as Dexter Weust) | |
| Raphaelle Gosse-Gardet | .... | electrician (uncredited) | |
Casting Department | |||
| Byron Crystal | .... | extras casting | |
| Laura Ekstrand | .... | casting associate | |
Costume and Wardrobe Department | |||
| Libby Villanova | .... | key costumer | |
Editorial Department | |||
| Yasmine Amitai | .... | first assistant editor | |
| Beatrice Sisul | .... | apprentice editor | |
Music Department | |||
| Royston Langdon | .... | music recording engineer | |
| Rick Rowe | .... | music recording engineers | |
| Thomas Ulrich | .... | musician: cello solos | |
Other crew | |||
| Gilbert Carreras | .... | b&w timer | |
| Jody Hanson | .... | title designer | |
| Carolina Adriana Herrera | .... | location scout (as Carolina Herrera) | |
| Lee Petersen | .... | production assistant | |
| Dina Waxman | .... | location scout | |
| Dina Waxman | .... | script supervisor | |
| Jeff Winner | .... | location manager | |
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A striking departure from the Wes Craven/Tarantino vampire treatment of vampirism of late, Almereyda's artful black and white piece gives us intimate psychological portraits of the count's wayward son and daughter, and their sexual exploits - specifically as they involve a married couple whose terminal ennui is exploded by the entrance of Nadja - dracula's twin daughter, who falls in love with Galaxy Craze's (am I the only one who finds this name a little disturbing, and slightly reminiscent of porn-names)character and abducts her to Transylvania.
Peter Fonda does a brilliantly and comically paranoid Van Helsing and Dracula himself. David Lynch, whose wife Mary Sweeney produced the film, has a cameo and much of the film's heady cutting and profusion of cigarette-smoke seems to echo Lynch's work - definitely qualifies for an amazon.com-style "Customers who bought "Blue Velvet" also bought "Nadja".
Criticisms would include a slight over-reliance on fairly blatant visual puns (Martin Donovan's character is asked "can you picture that" and responds "yes, I can picture that" to visual accompaniment, and this device is repeated), and perhaps gratuitous use of smoke machine technology, but on the whole a fresh, artful evocation of one of the more encrusted thematic territories in film.