This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of ...
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A year after Hurricane Katrina, Henry, a surgeon in the affluent Garden District of New Orleans, is attempting to get his life back on track. He is remarrying his ex-wife, renovating her ... See full summary »
Jason Butler Harner
Delusional and spoiled Maureen and her eccentric brother Howdy decide to track down and meet their estranged mother, all while the drama of dysfunctional relationships, disastrous weather conditions and a dark family secret ensue.
Harry Dean Stanton,
This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of their father's death. Meanwhile, they are being hunted by Dr. Van Helsing and his hapless nephew. As in all good vampire movies, forces of love are pitted against forces of destruction. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
An abandoned cancer ward in New York City was the location used for Nadja's Transylvania castle. See more »
In the opening dialog between Nadja and the man at the bar, Nadja is initially wearing a scarf over her hair. At one point the camera cuts to the man's face and we see the back of Nadja's head, but now suddenly and inexplicably, the scarf has disappeared and remains absent for the rest of the scene. See more »
A striking departure from the Wes Craven/Tarantino vampire treatment of vampirism of late, Almereyda's artful black and white piece gives us intimate psychological portraits of the count's wayward son and daughter, and their sexual exploits - specifically as they involve a married couple whose terminal ennui is exploded by the entrance of Nadja - dracula's twin daughter, who falls in love with Galaxy Craze's (am I the only one who finds this name a little disturbing, and slightly reminiscent of porn-names)character and abducts her to Transylvania.
Peter Fonda does a brilliantly and comically paranoid Van Helsing and Dracula himself. David Lynch, whose wife Mary Sweeney produced the film, has a cameo and much of the film's heady cutting and profusion of cigarette-smoke seems to echo Lynch's work - definitely qualifies for an amazon.com-style "Customers who bought "Blue Velvet" also bought "Nadja".
Criticisms would include a slight over-reliance on fairly blatant visual puns (Martin Donovan's character is asked "can you picture that" and responds "yes, I can picture that" to visual accompaniment, and this device is repeated), and perhaps gratuitous use of smoke machine technology, but on the whole a fresh, artful evocation of one of the more encrusted thematic territories in film.
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