This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of ... See full summary »
During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she ... See full summary »
In Spain, the former Nazi doctor Klaus tries to commit suicide jumping off the roof of his manor. However, he survives with the entire body paralyzed and dependable of an iron lung with ... See full summary »
This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of their father's death. Meanwhile, they are being hunted by Dr. Van Helsing and his hapless nephew. As in all good vampire movies, forces of love are pitted against forces of destruction. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
An abandoned cancer ward in New York City was the location used for Nadja's Transylvania castle. See more »
In the opening dialog between Nadja and the man at the bar, Nadja is initially wearing a scarf over her hair. At one point the camera cuts to the man's face and we see the back of Nadja's head, but now suddenly and inexplicably, the scarf has disappeared and remains absent for the rest of the scene. See more »
A strange, disarming feeling sits over this film, as if everyone is in a semi-comatic haze. That's a good thing. While a bizarre mix of humor, horror flick, and psychodrama, it also draws from (and pokes fun at) the vampire flick tradition. Full of highlights, not the least of which is a ratty haired Peter Fonda.
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