This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of ... See full summary »
A year after Hurricane Katrina, Henry, a surgeon in the affluent Garden District of New Orleans, is attempting to get his life back on track. He is remarrying his ex-wife, renovating her ... See full summary »
Jason Butler Harner
It's 1981 and the girls of Alpha Gamma Theta sorority are having a party. As the new pledges arrive, so does an uninvited guest. Little do the sisters know someone is watching them in the ... See full summary »
E. Ray Goodwin,
Jason Jay Crabtree
The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case ... See full summary »
An oddball family on a Kansas farm are trapped in their farmhouse by an impending storm. The patriarch of the clan is a retired soda pop tycoon. He is currently dating a children's TV ... See full summary »
Harry Dean Stanton,
During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago, Nix was... See full summary »
Kevin J. O'Connor,
This ultra-hip, post-modern vampire tale is set in contemporary New York City. Members of a dysfunctional family of vampires are trying to come to terms with each other, in the wake of their father's death. Meanwhile, they are being hunted by Dr. Van Helsing and his hapless nephew. As in all good vampire movies, forces of love are pitted against forces of destruction. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Peter Fonda acted in this film for SAG minimum and paid for his own airline ticket to be flown to the East Coast to act in this movie. See more »
In the opening dialog between Nadja and the man at the bar, Nadja is initially wearing a scarf over her hair. At one point the camera cuts to the man's face and we see the back of Nadja's head, but now suddenly and inexplicably, the scarf has disappeared and remains absent for the rest of the scene. See more »
I've just read all of the reviews on this film on this site and nobody even mentions what this film is really about. Like any "good" horror story it works on different levels. Like the Zombie films of George Romero there's an underlying message to this film that has nothing to do with it's horror exterior. But you have to think about what Michael Almereyda is trying to say with this story. This isn't just true of this film, but of all good horror. Dr. Jeckyle and Mr.Hyde-Addiction to substances, Frankenstein-Man playing at being God, Dracula-Hate poisoning the mind and soul. The main theme of this film is wanting to change your life but not being able to escape your old habits and break loose. It's even mentioned outright several times during the film by different characters. There's a lot of philosophical discussions by different characters on this through the film.
This film has black humor, meaning of life philosophy, camera work that serves a purpose to enhance the story and heart felt dramatic performances by all of the actors and actresses.
One of the things that I really like about this film, (and one of the things that many people didn't understand or like) was the use of the toy camera pixel-vision effect. I found it to be a perfect way of economically expressing the intoxicating effect of being under the influence of a vampire. If you watch the film and think about the scenes where it's employed it will be obvious. It isn't just a random attempt to be arty as many of the reviewers seem to think. It's a visual depiction of the impaired state of mind that you might experience if a vampire was psychically manipulating a mortal. And it enhances the film it doesn't detract from it. Whether you like it or not, film-making is an art. Just like painting, drawing, writing or any other form of expression. Some filmmakers just don't have any sense of art, they only wish to mindlessly entertain. That's why people say things like TV rots your mind. Well, I guess that if you watch anything in a mindless manor that could be true. But film that has something to say, something to think about is a worthwhile use of time and intellect.
I have a fairly large collection of "horror" films and "Art House" and I can tell you that Nadja is one of my all time favorites. Every time I watch it I see something new, get a different little joke or notice different connections that I didn't get before. I also enjoy many of the "Mindless entertainment" variety of Vampire films,and so a quote from the writer David Goyer who wrote the screenplays for Blade, "Sometimes you just want to see somebody kick some ass!".
Most people don't realize how huge the genre of Vampire Cinema really is. Dracula is the definitely the most filmed character in film history, and the greater tree of Vampire films in world cinema is so big that it almost impossible to accurately list. Of the Art House and Vintage, comedy and Vampire Hunter categories I would recommend checking out some of my favorites. Many Vampire films are a hybrid of two or more of these categories,but they all have different points that I find attractive,humorous, exciting, entertaining and thought provoking. Again, I haven't seen but a small selection of the huge list of Vampire cinema, so it's likely that I'll be leaving out many excellent selections and maybe some of your favorites in this list. I'm giving this list because the film Nadja could very well be enjoyed if you like some of the films that I like and have been entertained by.
Art House and Vintage: Nosferatu 1922 (The original granddaddy Vampire film from the silent era. The Kino Version is worth paying for with an excellent soundtrack option featuring musicians from Art Zoid), Nosferatu the Vampyre (Werner Herzog), Shadow of the Vampire (a fun comedy-fictional story based around the making of F.W. Murnau's Nosferatu-1922), Vampyr (Carl Theodor Dreyer's atmospheric masterpiece, even though part's of the film were created by accident!),Dracula (1931), The Hammer Dracula series (feartuing the great Christopher Lee), Dracula-Pages from a Virgin's diary (a modern silent film of a Canadian Ballet company filmed by Guy Madden), Blood for Dracula (also known as Andy Worhol's Dracula), Immortality, Ganja and Hess, Habit, Near Dark, Salem's Lot (Based on the novel by Stephan King-the original mini-series, I haven't seen the newer remake) Bram Stoker's Dracula (The love it or hate it classic by F. Coppola).
Some of my favorites from the Vampire Hunter sub-genre: The Blade Series (Again one of those "Love it or hate it" series for some.), John Carpenter's Vampires (This one is hard to classify, lots of comedy too.), The Captain Kronos-Vampire Hunter films by Hammer studios, The Forsaken, and the British TV series "Ultraviolet" (an X-Files type mini-series). Also worth mention is the Japanese-Anime films Vampire Hunter D-Bloodlust (You'll forget that you're watching a cartoon, the story's that good!), and Blood-The last Vampire (A short but well done film).
Some of the comedy genre: Innocent Blood, Modern Vampires, The Breed, Dusk to Dawn (I've only seen the first one, a hybrid of Tarantino's crime style and Robert Rodriguez's horror style), Vampire's Kiss, and Interview with the Vampire (I find this Ann Rice film quite comedic), and Lost Boys (A local favorite being that I live in Santa Cruz).
Nadja is one of the jewels of my collection because it is truly a multi-faceted piece of film-making that defies categorization.
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