Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date...
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Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date. Then she steals some money to go on a tropical vacation, meets a wacky friend, changes her name to Mariel, and turns her world upside down. Written by
The writer/director P.J. Hogan wanted to use the music of ABBA in the film. At first, permission for the music to be used was denied. When the director promised to fly to Europe to plead his case to the founders of the band, permission was granted, as long as the band received a percentage of the film profits. The film turned out to be a big international hit, and thus helped inspire the very successful Broadway show which became the movie Mamma Mia! (2008). See more »
At the beginning of the movie after Muriel catches the bouquet, it keeps changing position in her hands (note the flower arrangement) although she doesn't move it herself. See more »
a fat girl with an obsessive/compulsive dream of marriage + her grotesque family + her shallowest of the shallow "so called" friends + her cheeky & crazy sidekick and the music of ABBA. How could any movie sound more irritating? But, uh-huh, it's not.
What makes this movie "unique" is the performance of Toni Collette and the thin line between the protagonist/antagonist qualifications of the characters. You can not just like them or hate them because you can not decide where to put them in your personal moral scale. Although the story itself is pathetically sad, the film could still make the audience laugh out loud in some specific scenes.
I believe this film is one of the pioneers of 90's indie movies and obviously it has given great inspiration to the newcomers of "Ecole Sundance".
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