Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date...
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Henry Hobson is a successful bootmaker and tyrannical widower of three daughters. The girls each want to leave their father by getting married, but Henry refuses as marriage traditions require him to pay out settlements.
Brenda de Banzie
Against the background of an Australian desert, Sandy, a geologist, and Hiromitsu, a Japanese businessman, play out a story of human inconsequence in the face of the blistering universe. ... See full summary »
Lewis is a young Sydney amateur theater director at his first experience: he is offered a job with a Governmental program for the rehabilitation of mentally ill patients in a Sydney ... See full summary »
Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date. Then she steals some money to go on a tropical vacation, meets a wacky friend, changes her name to Mariel, and turns her world upside down. Written by
The French trailer ends with this tagline: "Enfin un film qui frôle le bon goût sans jamais y tomber". ("At last a movie that comes close to good taste but never gets into it"). See more »
When Betty Heslop writes the first check to "cash" for Muriel to buy cosmetics, it is dated 12-1-1994. When Muriel hands her father a check for $5,000 near the end of the film, that check is dated 2-11-1992. See more »
I've seen your book. You've tried on every dress in Sydney!
That doesn't mean I'm gonna get married.
Then what DOES it mean?
It means I WANT to get married. I've always wanted to get married.
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Quirky, Uneven Film with Outstanding Lead Performances
The film has a biting satiric edge to it & offers a refreshingly unsentimental, non-judgmental portrait of a young woman deemed a loser by both "friends" and family. Toni Collette is magnificent as Muriel, capturing the character's wide range of emotions, from the oblivious to the gushingly enthusiastic. Collette is solidly paired with Rachel Griffith; the two come across as long-time buddies. The open-faced surrealistic sarcasm of the film is in key places undermined by melodramatic tragedies (reminding me of the turkey "Terms of Endearment"), but at least these solemn moments are treated in an un-Hollywood, non-mawkish fashion. This is a fascinating, memorable film.
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