Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date... See full summary »
Lewis is a young Sydney amateur theater director at his first experience: he is offered a job with a Governmental program for the rehabilitation of mentally ill patients in a Sydney ... See full summary »
For forty years Lilian Singer has been locked up in a 'loony bin' by her father. Her release is eventually secured by her eccentric Aunt Kitty and her brother, John. Lilian starts to carve ... See full summary »
A Melbourne family is very happy living where they do, near the Melbourne airport (according to Jane Kennedy, it's "practically their back yard"). However, they are forced to leave their ... See full summary »
A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.
Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date. Then she steals some money to go on a tropical vacation, meets a wacky friend, changes her name to Mariel, and turns her world upside down. Written by
At the beginning of the movie after Muriel catches the bouquet, it keeps changing position in her hands (note the flower arrangement) although she doesn't move it herself. See more »
When I lived in Porpoise Spit, no one looked at me. But when I moved to Sydney, Brice asked me out and that proves that I changed and I'm not her anymore.
Muriel! Muriel Heslop. Stupid, fat and useless. I hate her! I'm never going back to being her again! Why can't it be me? Why can't I be the one?
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Quirky, Uneven Film with Outstanding Lead Performances
The film has a biting satiric edge to it & offers a refreshingly unsentimental, non-judgmental portrait of a young woman deemed a loser by both "friends" and family. Toni Collette is magnificent as Muriel, capturing the character's wide range of emotions, from the oblivious to the gushingly enthusiastic. Collette is solidly paired with Rachel Griffith; the two come across as long-time buddies. The open-faced surrealistic sarcasm of the film is in key places undermined by melodramatic tragedies (reminding me of the turkey "Terms of Endearment"), but at least these solemn moments are treated in an un-Hollywood, non-mawkish fashion. This is a fascinating, memorable film.
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