Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date... See full summary »
Straight-laced Rose breaks off relations with her party girl sister, Maggie, over an indiscretion involving Rose's boyfriend. The chilly atmosphere is broken with the arrival of Ella, the grandmother neither sister knew existed.
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date. Then she steals some money to go on a tropical vacation, meets a wacky friend, changes her name to Mariel, and turns her world upside down. Written by
The photographs in the Heslop family album are actual childhood photos of the actors who portray the family. See more »
While Muriel and Rhonda are imitating ABBA on stage, Tania and Nicole get into a knockdown fight and the entire table is disrupted. When we cut back to Muriel and Rhonda, the girls still sitting there just watching. We can see the backs of their heads, and their dates are standing enjoying the show as before. See more »
I'm divorcing Chook. I suppose I have *you* to thank for that. I hope I can do the same for you one day.
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Quirky, Uneven Film with Outstanding Lead Performances
The film has a biting satiric edge to it & offers a refreshingly unsentimental, non-judgmental portrait of a young woman deemed a loser by both "friends" and family. Toni Collette is magnificent as Muriel, capturing the character's wide range of emotions, from the oblivious to the gushingly enthusiastic. Collette is solidly paired with Rachel Griffith; the two come across as long-time buddies. The open-faced surrealistic sarcasm of the film is in key places undermined by melodramatic tragedies (reminding me of the turkey "Terms of Endearment"), but at least these solemn moments are treated in an un-Hollywood, non-mawkish fashion. This is a fascinating, memorable film.
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