
Mrs. Parker and the Vicious Circle (1994)
Reference View | Change View
- R
- 2h 5min
- Biography, Drama
- 23 Nov 1994 (USA)
- Movie
Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.
Director:
Writers:
Awards:
- 2 wins & 8 nominations.
- See more »
Photos and Videos
Cast verified as complete
Jennifer Jason Leigh | ... |
Dorothy Parker
|
|
Campbell Scott | ... |
Robert Benchley
|
|
Matthew Broderick | ... |
Charles MacArthur
|
|
Peter Gallagher | ... |
Alan Campbell
|
|
Jennifer Beals | ... |
Gertrude Benchley
|
|
Andrew McCarthy | ... |
Eddie Parker
|
|
Wallace Shawn | ... |
Horatio Byrd
|
|
Martha Plimpton | ... |
Jane Grant
|
|
Sam Robards | ... |
Harold Ross
|
|
Lili Taylor | ... |
Edna Ferber
|
|
James Le Gros | ... |
Deems Taylor
(as James LeGros)
|
|
Gwyneth Paltrow | ... |
Paula Hunt
|
|
Nick Cassavetes | ... |
Robert Sherwood
|
|
David Thornton | ... |
George S. Kaufman
|
|
Heather Graham | ... |
Mary Kennedy Taylor
|
|
Tom McGowan | ... |
Alexander Woollcott
|
|
Chip Zien | ... |
Franklin P. Adams
|
|
Gary Basaraba | ... |
Heywood Broun
|
|
Jane Adams | ... |
Ruth Hale
|
|
Stephen Baldwin | ... |
Roger Spalding
|
|
Matt Malloy | ... |
Marc Connelly
|
|
Rebecca Miller | ... |
Neysa McMein
|
|
Jake Johannsen | ... |
John Peter Toohey
|
|
Amelia Campbell | ... |
Mary Brandon Sherwood
|
|
![]() |
David Gow | ... |
Donald Ogden Stewart
|
Leni Parker | ... |
Beatrice Kaufman
|
|
![]() |
Jean-Michel Henry | ... |
Harpo Marx
(as J.M. Henry)
|
Stanley Tucci | ... |
Fred Hunter
|
|
Mina Badie | ... |
Joanie Gerard
|
|
Randy Lowell | ... |
Alvan Barach
|
|
Keith Carradine | ... |
Will Rogers
|
|
Jon Favreau | ... |
Elmer Rice
(as John Favreau)
|
|
Gabriel Gascon | ... |
Georges Attends
|
|
Harry Standjofski | ... |
Home Movie Director
|
|
Bruce Dinsmore | ... |
Assistant Director
|
|
Matt Holland | ... |
Propman
|
|
![]() |
Joe De Paul | ... |
Producer
|
Arthur Holden | ... |
Ward
|
|
Jack Langedijk | ... |
Valentine's Day Director
|
|
HoJo Rose | ... |
Actor
(as Howard Rosenstein)
|
|
Eleanor Noble | ... |
Actress
|
|
![]() |
Jesse Evans | ... |
Mail Clerk
|
Peter Benchley | ... |
Frank Crowninshield
|
|
![]() |
Phillip Patton | ... |
Speakeasy Bartender
|
![]() |
Sam Stone | ... |
Cab Driver (1922)
|
![]() |
Natalie Strong | ... |
Nurse
|
Malcolm Gets | ... |
F. Scott Fitzgerald
|
|
![]() |
Barbara Jones | ... |
Long Island Hostess
|
Maurice Podbrey | ... |
Long Island Investor
|
|
Walter Massey | ... |
Phillip the Producer
|
|
![]() |
Gisèle Rousseau | ... |
Polly Adler
|
Ellen David | ... |
New Yorker Secretary
|
|
Domini Blythe | ... |
Actress in Mirror
|
|
Gregory Hlady | ... |
Russian Director
|
|
Mark Camacho | ... |
Writer #1
|
|
Bill Rowat | ... |
Writer #2
|
|
Robert Higden | ... |
Writer #3
|
|
Vanya Rose | ... |
Marcy
|
|
![]() |
Cary Lawrence | ... |
June
|
Richard Jutras | ... |
Cab Driver (1958)
|
|
James Bradford | ... |
Host at Tribute
(as Jim Bradford)
|
|
![]() |
Michael McGill | ... |
Reporter #1
|
![]() |
Harry Hill | ... |
Reporter #2
|
Rest of cast listed alphabetically: | |||
Roc Lafortune | ... |
Bartender (1958)
(as Roc LaFortune)
|
|
Cyndi Lauper | ... |
Picnic Guest (uncredited)
|
|
![]() |
Tom Robbins | ... |
(uncredited)
|
Directed by
Alan Rudolph |
Written by
Alan Rudolph | ... | (written by) & |
Randy Sue Coburn | ... | (written by) |
Produced by
Robert Altman | ... | producer |
Scott Bushnell | ... | executive producer |
Ira Deutchman | ... | executive producer |
James McLindon | ... | associate producer |
Allan F. Nicholls | ... | co-producer |
Music by
Mark Isham |
Cinematography by
Jan Kiesser |
Editing by
Suzy Elmiger |
Editorial Department
Céline Béland | ... | assistant editor |
Mario Ontal | ... | apprentice editor |
Catherine Rankin | ... | negative cutter |
Dylan Tichenor | ... | associate editor |
Zeborah Tidwell | ... | assistant editor |
Casting By
Pam Dixon |
Production Design by
François Séguin |
Art Direction by
James Fox |
Set Decoration by
Frances Calder |
Costume Design by
Renée April | ||
John Hay |
Makeup Department
André Duval | ... | assistant hair stylist |
Réjean Goderre | ... | hair stylist |
Roseline Hoffman | ... | makeup artist |
Adrien Morot | ... | makeup effects |
David Robin | ... | assistant hair stylist |
Micheline Trépanier | ... | makeup artist |
Nathalie Trépanier | ... | makeup artist |
Production Management
Estelle Lemieux | ... | unit manager |
Irene Litinsky | ... | unit production manager |
Second Unit Director or Assistant Director
Buck Deachman | ... | second assistant director |
Leslie Grierson | ... | third assistant director |
Allan F. Nicholls | ... | assistant director |
Art Department
Patrice Bengle | ... | property master |
Jean Bournet | ... | set dresser |
Michel Brochu | ... | construction supervisor |
Denis Caspar | ... | model maker |
Michelle Drolet | ... | art coordinator |
Anne Galéa | ... | set dresser |
Nicole Légaré | ... | property buyer |
Mario Racicot | ... | property master |
Annie Regol | ... | set dresser |
Daniel Robert | ... | swing gang |
François Sénécal | ... | swing gang |
Joëlle Turenne | ... | set dresser |
Sound Department
John Alberts | ... | sound supervisor |
Mark Berger | ... | supervising re-recording mixer |
Laura Civiello | ... | dialogue editor |
Marko A. Costanzo | ... | foley artist |
Frank Kern | ... | foley editor |
Branka Mrkic | ... | dialogue editor |
Richard Nichol | ... | sound |
Barbara Parks | ... | sound editor: pro-tools |
Bruce Pross | ... | foley supervisor |
Francis Péloquin | ... | boom operator |
Jac Rubenstein | ... | dialogue editor |
John Salk | ... | sound effects editor |
Michael Semanick | ... | re-recording mixer |
Steven Visscher | ... | foley editor |
Philip Rogers | ... | sound re-recordist (uncredited) |
Special Effects by
Louis Craig | ... | special effects supervisor |
Jacques Godbout | ... | special effects |
Camera and Electrical Department
Harold Arsenault | ... | clapper loader |
Robert Auclair | ... | electrician |
Sylvain Bergevin | ... | electrician |
Sylvain Bélanger | ... | electrician |
Stéphane de Ernsted | ... | grip |
François Dupéré | ... | key grip (as Francois Dupene) |
Gilles Fortier | ... | best boy electric |
Jacob Fortier | ... | electrician |
Jacques Fortier | ... | gaffer |
Robert Guertin | ... | focus puller |
Daniel Jobin | ... | second assistant camera |
Pierre Malouin | ... | grip |
Yves Ouimet | ... | electrician |
Stephanie Pilon | ... | grip |
Joyce Rudolph | ... | still photographer |
Casting Department
Lucie Robitaille | ... | casting: Canada |
Costume and Wardrobe Department
Henri Aubertin | ... | set costumer |
Céline Caron | ... | assistant dresser |
Mariane Carter | ... | dresser (as Marianne Carter) |
Hélène Dancereau | ... | seamstress |
Christine Grenier | ... | shop costumer |
Suzanne Hurtoubise | ... | seamstress |
Francine Leboeuf | ... | seamstress |
Helene Tessier | ... | seamstress |
Location Management
Michèle St-Arnaud | ... | location manager |
Music Department
Sandy De Crescent | ... | orchestra contractor (as Sandy DeCrescent) |
Stephen Krause | ... | scoring mixer |
Ken Kugler | ... | music arranger / orchestrator |
Richard McIlvery | ... | scoring stage manager |
Script and Continuity Department
Luca Kouimelis | ... | script supervisor |
Transportation Department
Alain Bernard | ... | driver |
Ginette Hoyse | ... | driver |
Jeff Racine | ... | driver |
Additional Crew
Henri Albertin | ... | shop assistant |
Randall Balsmeyer | ... | title designer |
Anne Brosseau | ... | production coordinator |
Celia Converse | ... | representative: Sandcastle |
Sofie Handfield | ... | production secretary |
Jim Kontos | ... | production assistant (as Jimmy Kontos) |
Amanda Michener | ... | researcher |
Rebecca Morton | ... | assistant: Alan Rudolph |
Charles Obrul | ... | laboratory liaison |
Alex Panagakis | ... | publicist |
Caroline Poirier | ... | shop assistant |
Susan Scott | ... | murals |
George Sheanshang | ... | legal services |
Vincent R. Nebrida | ... | marketing manager (uncredited) |
Thanks
Clayton Benchley | ... | special thanks |
Bob De Flores | ... | special thanks |
Heather Holst | ... | special thanks |
Production Companies
Distributors
- Fine Line Features (1994) (United States) (theatrical)
- Bac Films (1994) (France) (theatrical)
- SF Norge A/S (1994) (Norway) (theatrical)
- Artificial Eye (1995) (United Kingdom) (theatrical)
- Laurenfilm (1995) (Spain) (theatrical)
- Roadshow Films (1995) (Australia) (theatrical)
- Scotia International Filmverleih (1995) (Germany) (theatrical)
- Mundial Films (1995) (Argentina) (theatrical)
- Transeuropa Video Entertainment (TVE) (1995) (Argentina) (VHS)
- SF Video (1996) (Sweden) (VHS)
- Shochiku-Fuji Company (1996) (Japan) (theatrical)
- Walt Disney Studios Home Entertainment (2009) (Germany) (DVD)
- The Criterion Channel (2021) (United States) (tv) (streaming)
- Paramount Channel (2022) (France) (tv) (French subtitles)
- New Line Home Video (1995) (United States) (VHS)
- Video Company (Brazil) (VHS)
Special Effects
- Intrigue (special effects)
Other Companies
- A & R Brochu Construction (set construction company)
- Creative Casting (casting)
- Jeremy Walker + Associates (publicity)
- Saul Zaentz Film Center (sound re-recording)
Storyline
Plot Keywords | |
Taglines | At the center of the circle is a woman ahead of her time. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Box Office
Budget | $7,000,000 (estimated) |
Opening Weekend United States | $74,512, 27 Nov 1994 |
Did You Know?
Trivia | The founding of the "New Yorker" magazine is a subplot in this movie; Wallace Shawn's father, William, was, for many years, editor-in-chief of "The New Yorker". See more » |
Movie Connections | Featured in Would You Kindly Direct Me to Hell?: The Infamous Dorothy Parker (1994). See more » |
Quotes |
Dorothy Parker:
Razors pain you, rivers are damp, acids stain you, drugs cause cramp. Guns aren't lawful, nooses give, gas smells awful; you might as well live. See more » |