Shakes plods about his duties as party clown, and uses all of his free time getting seriously drunk. Binky, another clown, wins the spot on a local kiddie show, which depresses Shakes even ... See full summary »
Philip runs a crisis hotline with Catherine and Mrs Munchnik. That's the easy part, now it gets tricky... Stanley loves evicting people and he evicts Philip. Philip loves helping people and he is loved by Catherine. Catherine is loved by Louie who loves writing songs. Chris loves dancing to songs and loves to wear large dresses. Gracie also loves to wear large dresses because she's pregnant. She loves the baby's father, Felix, who loves to paint. That just leaves Mrs. Munchnik who hasn't been loved by anybody in a very long time. Written by
Tim McSmythurs <Tim.McSmythurs@swindon.ericsson.se>
[on the phone]
Just remember that in every pothole there is hope. Well, you see, pothole is spelled P-O-T-H-O-L-E. So if you take the P, and add it to the H, the O, and the E, and rearrange the letters... or contrariwise, you remove the O, T, and the L, you get "hope". So, just remember, in every pothole there is hope!
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Over the top screwball comedy just doesn't quite make it
This film tries really really hard to be crazy, wacky, screwball-y, but just doesn't quite make it. It has some funny scenes, but does not hold together well. The scenes with Liev Schreiber as the drag queen are quite funny. Madeline Kahn does as much with her character as possible and succeeds just because she is so good. Adam Sandler is pretty weak just doing his old Saturday Night Live shtick, over and over. Steve Martin and Anthony LaPaglia are just wasted. Still it is not an entire waste of time. It wasn't one of those movies that you watch and immediately experience buyer remorse: another 2 hours of my life wasted! Also the film betrays a stage play adapted to screen. It is pretty much limited to the crisis center, with a few street scenes thrown in.
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