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Directed by | |||
| Chuck Russell | (as Charles Russell) | ||
Writing credits(WGA) | ||
| Michael Fallon | (story) and | |
| Mark Verheiden | (story) | |
| Mike Werb | (screenplay) | |
Produced by | |||
| Ann Burgund | .... | associate producer | |
| Michael De Luca | .... | executive producer | |
| Robert Engelman | .... | producer (as Bob Engelman) | |
| Carla Fry | .... | associate producer | |
| Mike Richardson | .... | executive producer | |
| Chuck Russell | .... | executive producer (as Charles Russell) | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| John R. Leonetti | |||
Film Editing by | |||
| Arthur Coburn | |||
Casting by | |||
| Fern Champion | |||
| Mark Paladini | |||
Production Design by | |||
| Craig Stearns | |||
Art Direction by | |||
| Randy Moore | |||
Set Decoration by | |||
| Ellen Totleben | |||
Costume Design by | |||
| Ha Nguyen | |||
Makeup Department | |||
| Roland Blancaflor | .... | makeup effects crew: Cannom Creations | |
| Greg Cannom | .... | creator special makeup | |
| Larry Odien | .... | special makeup effects | |
| Nina Paskowitz | .... | hair department head | |
| Keith VanderLaan | .... | makeup effects crew: Cannom Creations | |
Production Management | |||
| Robert Engelman | .... | unit production manager (as Bob Engelman) | |
| Steven Kaminsky | .... | post-production supervisor | |
| Deborah Moore | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Ty Arnold | .... | second second assistant director | |
| Bryan Dresden | .... | second assistant director | |
| Denis L. Stewart | .... | first assistant director | |
Art Department | |||
| Linda S. Brown | .... | assistant set decorator | |
| Matthew Gilbert | .... | set dresser | |
| Christopher Gilman | .... | prop masks and mask effects | |
| David Kann | .... | second assistant property master | |
| Jane Kilkenny | .... | model builder | |
| Stephen MacMillin | .... | swing gang set dresser | |
| Brent David Mannon | .... | assistant property master | |
| Eugene McCarthy | .... | property master: additional photography | |
| Bruce Mink | .... | property master | |
| Erik Olson | .... | assistant art director | |
| Frank Samuel | .... | assistant art director | |
| Pete von Sholly | .... | storyboard artist | |
| Julie Witherington | .... | on-set dresser (as Julie Sexsmith) | |
Sound Department | |||
| Andrew Boland | .... | sound recording engineer | |
| Ricardo Broadus | .... | sound effects editor | |
| Jim Brookshire | .... | dialogue editor | |
| Craig Clark | .... | supervising sound editor | |
| Harry Cohen | .... | sound designer | |
| Gloria Cooper | .... | boom operator | |
| David Farmer | .... | sound effects editor | |
| William Freesh | .... | sound re-recording mixer | |
| Tim Gedemer | .... | sound designer | |
| Robert Guastini | .... | adr recordist | |
| Alan Howarth | .... | sound effects | |
| Mark Hopkins McNabb | .... | production sound mixer | |
| Vince Nicastro | .... | foley artist | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Allan Schultz | .... | sound editor | |
| Ann Scibelli | .... | sound designer | |
| Tony Sereno | .... | sound re-recording mixer | |
| Cathie Speakman | .... | dialogue editor | |
| Cathie Speakman | .... | sound editor | |
| Ken Teaney | .... | sound re-recording mixer | |
| Steven D. Williams | .... | supervising sound editor (as Steven Williams) | |
| Harry Woolway | .... | assistant sound editor | |
| Jerry Trent | .... | dance foley (uncredited) | |
Special Effects by | |||
| Charles Belardinelli | .... | special effects key | |
| Thomas L. Bellissimo | .... | special effects coordinator | |
| Peter A. Chevako | .... | animatronic technician | |
| Raul Essig | .... | technical assistant | |
| Mike Measimer | .... | special effects technician | |
| George Zamora | .... | special effects supervisor | |
Visual Effects by | |||
| Joe Alter | .... | digital effects artist | |
| Karen Ansel | .... | technical director: ILM | |
| Mark Axton | .... | digital effects coordinator: DQI (as Mark R. Axton) | |
| Tom Bertino | .... | animation supervisor | |
| Jill Brooks | .... | visual effects coordinator | |
| Rob Burton | .... | visual effects | |
| Doug Chiang | .... | visual effects art direction supervisor | |
| Craig Clark | .... | digital roto and paint artist | |
| Rob Coleman | .... | computer graphics animator | |
| Peter Daulton | .... | matchmove | |
| Jon Farhat | .... | visual effects supervisor | |
| Clint Goldman | .... | animation and visual effects producer: ILM | |
| Mark Gutterud | .... | VistaVision camera operator | |
| Corey Hels | .... | digital effects artist | |
| Wade Howie | .... | digital effects artist | |
| Paul Hunt | .... | animator | |
| Paul Hunt | .... | digital effects artist | |
| Benton Jew | .... | visual effects art director | |
| Sandra Ford Karpman | .... | computer graphics sequence supervisor | |
| Blaine Kennison | .... | compositing supervisor | |
| Bill Kimberlin | .... | visual effects editor | |
| Christian Kubsch | .... | associate visual effects producer | |
| Jennifer Lee | .... | optical line up: ILM | |
| Stewart Lew | .... | CG animator | |
| Jacqueline M. Lopez | .... | visual effects coordinator | |
| Euan K. MacDonald | .... | technical director: visual effects | |
| Robert Marinic | .... | computer graphics artist | |
| Dale McBeath | .... | character animator | |
| Richard Miller | .... | sculptor | |
| Derrick Mitchell | .... | visual effects editor | |
| Jim Mitchell | .... | computer graphics sequence supervisor | |
| Jim Morris | .... | general manager: ILM | |
| John Murrah | .... | technical director | |
| Patrick Neary | .... | computer graphics technical assistant | |
| Michael Olague | .... | visual effects gaffer | |
| Shawna Olwen | .... | digital artist | |
| Jason Piccioni | .... | imaging technician | |
| Ellen Poon | .... | computer graphics sequence supervisor | |
| Ken Ralston | .... | visual effects consultant | |
| Carolyn Ensle Rendu | .... | 3D digital artist | |
| Susan Ross | .... | viewpainter | |
| Scott Squires | .... | ilm visual effects supervisor | |
| Scott Squires | .... | visual effects consultant | |
| Robert Stadd | .... | visual effects producer | |
| John Stillman | .... | computer graphics resource assistant | |
| Catherine Tate | .... | digital artist: ILM | |
| Chad Taylor | .... | Sabre artist: ILM | |
| Danny Gordon Taylor | .... | CG animator | |
| Barbara Townsend | .... | digital artist | |
| Barbara Townsend | .... | digital effects artist (as Barbara L. Nellis) | |
| Dennis Turner | .... | digital effects artist | |
| Robert Weaver | .... | technical director | |
| Steve 'Spaz' Williams | .... | visual effects animation supervisor: ILM | |
| Steve 'Spaz' Williams | .... | visual effects consultant | |
| Habib Zargarpour | .... | computer effects artist: ILM | |
| John Andrew Berton Jr. | .... | CG department manager (uncredited) | |
| Greg Butler | .... | assistant to visual effects producer (uncredited) | |
| John Lafauce | .... | rotoscope artist (uncredited) | |
| Brian Leach | .... | digital artist (uncredited) | |
| Brian Ripley | .... | propmaker: Global Effects (uncredited) | |
Camera and Electrical Department | |||
| Casey Bridges | .... | camera loader | |
| Henry Coccetti Jr. | .... | best boy electric | |
| Hugo Cortina | .... | camera operator | |
| Tim Day | .... | best boy grip | |
| Christopher Faloona | .... | gaffer | |
| Bruce Green | .... | Steadicam operator | |
| Rob J. Greenlea | .... | grip | |
| Mark Gutterud | .... | first assistant camera: "b" camera | |
| Mark Irwin | .... | additional photographer | |
| Josh Medak | .... | assistant camera | |
| Darren Michaels | .... | unit & specials photographer | |
| David Pearlberg | .... | dolly grip | |
| Rafael E. Sánchez | .... | key grip | |
| Mark Santoni | .... | second assistant camera | |
| Lee Schmicker | .... | best boy electric | |
| Charles M. Smallwood | .... | key grip: additional photography | |
| Glenn M. Student | .... | grip | |
| Chris Trillo | .... | rigging gaffer | |
| Stephen J. Ullman | .... | assistant camera | |
| Gary Katsuya Ushino | .... | first assistant camera: additional photography | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Rich King | .... | extras casting | |
Costume and Wardrobe Department | |||
| Christopher J. Kristoff | .... | costume supervisor | |
| Gretchen Patch | .... | set costumer | |
Editorial Department | |||
| Jane Archambault | .... | negative cutter | |
| Jennifer Jean Cacavas | .... | additional assistant editor | |
| Syd Cole | .... | negative cutter | |
| Marie Hélène Desbiens | .... | negative cutter | |
| Joe Fineman | .... | executive in charge of post-production | |
| Angela Jackson | .... | assistant editor | |
| Mato | .... | color timer | |
| Louis Rivera | .... | negative cutter | |
| Scot Deer | .... | telecine colorist (uncredited) | |
| Robert Lattanzio | .... | assistant editor (uncredited) | |
| Karin Levinson | .... | apprentice film editor (uncredited) | |
Music Department | |||
| Elton Ahi | .... | scoring mixer | |
| Andrew Boland | .... | score mixer | |
| Susan Boyd | .... | singing voice | |
| Bonnie Greenberg | .... | music supervisor | |
Transportation Department | |||
| Mark Brown | .... | driver: production van | |
Other crew | |||
| Francis Choquette | .... | production assistant | |
| David Crockett | .... | assistant accountant | |
| Jerry Evans | .... | choreographer | |
| Anne Fletcher | .... | dancer | |
| Mary-Rachel Foot | .... | background key artist | |
| M.K. Gleason | .... | production accountant | |
| Glen Hanz | .... | sculptor: Cannom Creations | |
| Deborah Landis | .... | photo double: Cameron Diaz | |
| Marlene Lang | .... | assistant choreographer | |
| Joseph McCarter | .... | animal owner | |
| Joseph McCarter | .... | animal trainer | |
| Phill Norman | .... | title designer | |
| Cynthia Phillips | .... | first assistant accountant | |
| Gary Platek | .... | cloud effects | |
| Charlotte Purein | .... | location assistant | |
| Tricia Ronten | .... | script supervisor | |
| J. Marc Strachan | .... | location manager (as Marc Strachan) | |
| Terry Trebilcock | .... | craft service | |
| Lisa Van Cott | .... | production coordinator | |
| Mark Van Horne | .... | laboratory contact | |
| Mark Vollmer | .... | boat operator | |
| Jayson Wall | .... | film restoration coordinator (2004 restoration) | |
| C. Ransom Walrod | .... | marine coordinator | |
Thanks | |||
| Frank Darabont | .... | special thanks | |
| Harold Ramis | .... | thanks | |
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It's hard to use Jim Carrey in a movie. He's very good at his rapid-fire mimicry routine, but how can it ever be anything other than a diversion from both character and story? (Very rarely is it a pleasant diversion. `Ace Ventura' was unendurable.) And yet, what else can you do with him?
The `Mask' solves the problem so neatly it almost cheats. The story is ABOUT someone with a double life - so by day, Carrey does all the character and story stuff, and by night, wearing the mask, he does his stand-up schtick. The two are as integrated as they need to be. It's pulled off with such an air of innocence I can't possibly complain. SOME of the clichés (those to do with the police especially) are so very worn out that even the most thorough of movie-goers is surprised to find them still alive; but the writer seems to have been honestly unaware that they were clichés, so that's okay.
I was told that the film is saturated with animation in-jokes. I couldn't spot very many. Stanley-with-the-mask has the soul of a Tex Avery cartoon character: I suspect that's all there is to it. The computer animation, or the computer-enhancement of Carrey's animation, is tastefully done. It never looks pasted over the top of the footage the way so much computer animation does. (`The Mask' failed to win an Oscar in the special effects category - like so many other more deserving films, it was beaten by `Forrest Gump'.) The Cuban dance numbers are irresistible, as is Stanley's pet dog. Sure, `The Mask' is no masterpiece, but it's a clever, charming film that richly deserved its runaway success.