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The Mask (1994)

 -  Comedy | Crime | Fantasy  -  29 July 1994 (USA)
6.8
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Ratings: 6.8/10 from 212,044 users   Metascore: 56/100
Reviews: 203 user | 52 critic | 12 from Metacritic.com

Bank clerk Stanley Ipkiss is transformed into a manic super-hero when he wears a mysterious mask.

Director:

(as Charles Russell)

Writers:

(story), (story), 1 more credit »
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Title: The Mask (1994)

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Nominated for 1 Oscar. Another 6 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Irv (as Timothy Bagley)
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Freeze (as Reginald E. Cathey)
Jim Doughan ...
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Joseph Alfieri ...
B.J. Barie ...
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Storyline

Stanley Ipkiss is a bank clerk that is an incredibly nice man. Unfortunately, he is too nice for his own good and is a pushover when it comes to confrontations. After one of the worst days of his life, he finds a mask that depicts Loki, the Norse night god of mischief. Now, when he puts it on, he becomes his inner, self: a cartoony romantic wild man. However, a small time crime boss, Dorian Tyrel, comes across this character dubbed "The Mask" by the media. After Ipkiss's alter ego indirectly kills his friend in crime, Tyrel now wants this green-faced goon destroyed. Written by Ian Pugh <skypilot@ezaccess.net>

Plot Summary | Plot Synopsis

Plot Keywords:

mask | bank | bank clerk | loki | gangster | See All (122) »

Taglines:

Stanley Ipkiss is not the man he used to be. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some stylized violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

29 July 1994 (USA)  »

Also Known As:

Maska  »

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

£11,021,329 (UK) (9 September 1994)

Gross:

£17,293,233 (UK) (11 November 1994)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (Dolby Stereo)| (Dolby 5.1)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Cameron Diaz's singing voice in the film was dubbed by Susan Boyd. See more »

Goofs

In the final shootout in Niko's club, Dorian's bad guys are shooting at Ipkiss (The Mask) as he hides behind the bar. As they finish shooting the center guy removes and drops his gun's clip. When Ipkiss jumps up and sits on the bar the center guy removes the same clip again before inserting a new one. See more »

Quotes

Mask: [after falling out an apartment window, the Mask pulls his head out of the ground and faces the camera] Look, Ma! I'm road kill! Ha, ha, ha!
See more »

Crazy Credits

When all the credits have finished some jazz drumming is heard. Then the familiar sounds of The Mask are heard saying "Yo-ho-ho-ho" (in a very drawn voice) then the sound of The Mask spinning away is heard straight after. See more »

Connections

References Onibaba (1964) See more »

Soundtracks

Gee Baby, Ain't I Good To You
Lyrics by Don Redman and Andy Razaf
Music by Don Redman
Performed by Susan Boyd
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Incredible success when seen as a surrealistic cinematic pastiche
22 February 2005 | by (New York City) – See all my reviews

Stanley Ipkiss (Jim Carrey) is a bit of a dorky pushover. For example, he buys hot concert tickets to try to get a date with a fellow bank employee he's been pining after, but she easily scams him into keeping the tickets for herself, and he is too weak to publicly object. But when he comes across an ancient mask of Lodi long ago discarded by Vikings who tried to bury the "troublesome object" at the "end of the Earth", he discovers it has the power to unlock his true self--suave, smooth-talking, manic, a bit dangerous, and a hopeless romantic.

The Mask was a perfect vehicle for Jim Carrey. It not only allowed provided the perfect justification to flamboyantly engage in his rubber-faced antics in a manner even more over-the-top than what he'd become famous for, but it provided an opportunity to stretch his acting chops towards a more serious side at just the right time in his career, paving the way for later work such as Man on the Moon (1999), The Majestic (2001) and Eternal Sunshine of the Spotless Mind (2004).

The success of the film wholly depends on Carrey, as he has to sell his characters' frenzied insanity so that it's believable as a reflection of Stanley's inner self while at the same time likable but teetering on the edge of becoming obnoxiously overbearing. Of course, the amazing special effects and make-up help, as well as the clever script and more than competent directing and cinematography, but with the wrong actor in the part, the whole affair could have easily collapsed. The other cast members are fine in supporting roles, with Cameron Diaz coming across as being almost otherworldly beautiful, but Carrey is rarely off-screen, and rightly so.

The Mask is notable for both spoofing almost the whole history of cinema while at the same time respectfully paying homage to it. The audience is treated to everything from silent film slapstick to lavish musical numbers (with excellent songs), frenzied Tex Avery-styled animation to gangster film suspense. On its surface, the film is a crazy, often funny, hyperactively paced cinematic pastiche.

The subtext about identity and public faces versus private selves is interesting, but not the focus. It would be fine to explore further, but to do so in this particular film would have taken too much time away from Carrey's surrealistic tour de force. Besides, we've had later films where that subtext has been closer to the heart of a story, such as Catwoman (2004), and where it was very thoroughly and competently dealt with.

Many aspects of The Mask differed from the comic book source material, but this is a case where the changes led to such an excellent result that most people have forgotten about the source material and primarily remember Carrey's performance in this film as definitive.


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