| Photos (see all 27 | slideshow) |
Directed by | |||
| Nicholas Hytner | |||
Writing credits(in alphabetical order) | ||
| Alan Bennett | play "The Madness of George III" | |
| Alan Bennett | screenplay | |
Produced by | |||
| Mark Cooper | .... | line producer | |
| Stephen Evans | .... | producer | |
| David Parfitt | .... | producer | |
Cinematography by | |||
| Andrew Dunn | |||
Film Editing by | |||
| Tariq Anwar | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Martin Childs | (supervising art director) | ||
| John Fenner | |||
Set Decoration by | |||
| Carolyn Scott | |||
Costume Design by | |||
| Sue Honeybourne | |||
| Mark Thompson | |||
Makeup Department | |||
| Helen Barrett | .... | makeup artist | |
| Françoise Cresson | .... | makeup artist | |
| Helen Johnson | .... | makeup artist | |
| Di Roberts | .... | makeup artist | |
| Deborah Taylor | .... | senior makeup assistant | |
| Lisa Westcott | .... | hair designer | |
| Lisa Westcott | .... | makeup designer | |
Production Management | |||
| John Bard Manulis | .... | executive in charge of production: Samuel Goldwyn Films (uncredited) | |
Art Department | |||
| Jason Babcock | .... | plasterer | |
| Nathan Batterbee | .... | stagehand | |
| Ronald Bede | .... | chargehand stagehand | |
| John Behan | .... | carpenter | |
| Malcolm Bensted | .... | stand-by propman | |
| Thomas Alexis Bhanji | .... | construction runner (as Tom Bhanji) | |
| Roy Biggs | .... | stagehand | |
| Leith Boler | .... | props buyer | |
| Dennis Bosher | .... | draughtsman | |
| Dave Buckingham | .... | carpenter | |
| Bob Cann | .... | carpenter (as Robert Cann) | |
| Eamon Cann | .... | carpenter | |
| Alan Cheevers | .... | plasterer | |
| Jane Clark | .... | storyboard artist | |
| John Clements | .... | art stand-by | |
| Darren Conway | .... | plasterer laborer | |
| Bill Dady | .... | stagehand | |
| Tony D'Amato | .... | carpenter | |
| Trevor Dyer | .... | carpenter | |
| Paul Garner | .... | storyboard artist | |
| Anthony Goddard | .... | painter (as Tony Goddard) | |
| Lee Goddard | .... | painter | |
| Jane Henwood | .... | art department assistant | |
| Matthew Higgins | .... | painter | |
| Kevin Huse | .... | stagehand | |
| Mark Impey | .... | stand-by stagehand | |
| Bryce Johnston | .... | carpenter (as Bruce Johnston) | |
| David Jones | .... | stagehand | |
| Maurice Jones | .... | property master | |
| Richard Jones | .... | carpenter | |
| Reginald Keywood | .... | carpenter | |
| Reginald Keywood | .... | chargehand carpenter (as Regininald Wood) | |
| Sabrina Lamonica | .... | art department assistant | |
| Bernard Leadbitter | .... | carpenter | |
| Mark Lee | .... | plasterer | |
| Bill Lowe | .... | stand-by painter | |
| Peter Mackey | .... | plasterer | |
| Roy Martin | .... | painter | |
| Binky Morrice | .... | art stand-by | |
| Philip Morris | .... | stagehand | |
| Jim Parker | .... | stand-by propman | |
| David Pitt | .... | carpenter | |
| Ken Powell | .... | supervising plasterer | |
| Doug Purdy | .... | props storeman | |
| Mark Raggett | .... | stand-by art director | |
| Robert Ramsey | .... | plasterer | |
| Simon Reeves | .... | carpenter | |
| Eric Regan | .... | supervising painter | |
| Syd Regan | .... | painter (as Sidney Regan) | |
| Anthony Rhone | .... | painter (as Tony Rhone) | |
| Bob Rose | .... | plasterer (as Robert Rose) | |
| Richard Shackleton | .... | supervising carpenter | |
| John Siddall | .... | draughtsman | |
| Vic Simpson | .... | construction coordinator | |
| Danny Skundric | .... | dressing propsman | |
| John Starkey | .... | painter laborer | |
| Anita St. John | .... | art stand-by | |
| Andrew Tombs | .... | plasterer | |
| Des Wallace | .... | carpenter | |
| Stephen T. Walsh | .... | plasterer laborer (as Steven Walsh) | |
| Steve Watts | .... | plasterer (as Stephen Watts) | |
| Jamie Wilkinson | .... | propman | |
| John Woods | .... | plasterer | |
| Steve Wotton | .... | carpenter | |
| Edwin Young | .... | stand-by carpenter | |
Sound Department | |||
| Christopher Ackland | .... | supervising sound editor | |
| Roy Baker | .... | foley artist | |
| John Casali | .... | sound recordist | |
| Clive Copland | .... | sound maintenance engineer | |
| David Crozier | .... | sound mixer | |
| David Crozier | .... | sound | |
| Graham Farrow | .... | assistant foley editor | |
| Stan Fiferman | .... | foley editor | |
| Pat Gilbert | .... | assistant dialogue editor | |
| Dominic Lester | .... | sound re-recording mixer | |
| Richard Margoschis | .... | sound atmosphere | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Jean Sheffield | .... | foley artist | |
| Jim Shields | .... | dialogue editor | |
| Elaine 'Chucks' Thomas | .... | assistant sound editor | |
Special Effects by | |||
| Alastair Vardy | .... | special effects technician | |
| Stuart Conran | .... | special effects makeup (uncredited) | |
| Dave Crownshaw | .... | snow effects supervisor (uncredited) | |
Visual Effects by | |||
| Peter Govey | .... | opticals | |
| Kent Houston | .... | visual effects | |
| Nigel Stone | .... | visual effects: VistaVision | |
| Jonathan Taylor | .... | visual effects: VistaVision | |
| Dean Yurke | .... | digital artist | |
Stunts | |||
| Wayne Michaels | .... | stunt coordinator | |
| Gareth Milne | .... | stunt coordinator | |
Casting Department | |||
| Sasha Robertson | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Kate Allen | .... | costume maker | |
| William Baboo | .... | costume maker | |
| Irene Bohan | .... | assistant costume designer | |
| Anthony Brookman | .... | wardrobe master | |
| Naomi Critcher | .... | production wardrobe | |
| Ronald M. Davis | .... | costume maker (as Ron Davis) | |
| Judith Edgley | .... | wardrobe | |
| Amanda Hall | .... | costume maker | |
| Victoria Harwood | .... | costume assistant | |
| Sue Honeybourne | .... | costume supervisor | |
| Naomi Isaacs | .... | costume maker | |
| Sacha Keir | .... | costume maker | |
| Anna Kot | .... | wardrobe mistress (as Anna Koy) | |
| Jane Law | .... | costume maker | |
| Peter Lewis | .... | costume maker | |
| Sue Long | .... | costume maker | |
| Debbie Marchant | .... | costume maker | |
| Sabine McCrudden | .... | costume maker | |
| Stephen Miles | .... | costume assistant | |
| Steve Pokol | .... | costume assistant | |
| Meinir Roberts | .... | costume maker | |
| Alan Selzer | .... | costume maker | |
| Frank Simon | .... | costume assistant | |
| Brigid Strowbridge | .... | costume maker | |
Editorial Department | |||
| Christopher Lloyd | .... | first assistant editor | |
| John Stanborough | .... | color grader | |
| Adrian Trent | .... | second assistant editor | |
| Sylvia Wheeler | .... | negative cutter | |
Music Department | |||
| George Fenton | .... | music adaptor: from the works of G F Handel | |
| George Fenton | .... | orchestrator | |
| Keith Grant | .... | music recordist | |
| Isobel Griffiths | .... | music contractor | |
| Nicholas Kraemer | .... | conductor: baroque music | |
| Adrian Thomas | .... | music post-production | |
| Adrian Thomas | .... | musician: synthesizer | |
| Eliza Thompson | .... | music supervisor | |
Transportation Department | |||
| Dominic Barlow | .... | driver | |
| Tony Bird | .... | transportation manager | |
| John Clarke | .... | driver: bus dining | |
| Stephen Cranny | .... | driver | |
| Mike Cuddy | .... | driver: props car | |
| Peter Gristwood | .... | driver: props stand-by car | |
| David Kipling | .... | driver: wardrobe car | |
| Joanna Lipper | .... | driver | |
| Richard Maurice | .... | driver: crowd car | |
| Cliff Raddley | .... | driver: camera car | |
| Simon Saunders | .... | unit driver | |
| Charlie Simpson | .... | driver: road train | |
| Brian Skeels | .... | driver: make-up car | |
| Terry Tapping | .... | unit driver | |
| John Vaughan | .... | driver: bus dining | |
| John Vaughan | .... | driver: bus dining | |
| Mark White | .... | driver: construction car | |
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| Juana la Loca | Barry Lyndon | A Man for All Seasons | Edward II | The Queen |
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He was our last King, and the one we are raised to hate the memory of. And he was actually a hard working monarch, wrong headed at times, who had the longest reign (for any monarch - until Queen Victoria) in English history. He was George III (reigned 1760 - 1820 - the last nine years incapacitated by insanity and blindness). It was while he was ruling Great Britain that the American Revolution occurred, the French Revolution occurred, Napoleon rose and fell, and the industrial revolution hit Western Europe and the Americas. His is a key reign of modern history.
We are taught he was a tyrant. Actually he was a conscientious supporter of the British Constitution, but he believed the colonists were disobedient children who should have been punished for their own good. Once it was obvious that they had won on the battlefield, George offered to abdicate. He was talked out of it, and eventually faced up to accepting the papers of the new Minister from the United States, Mr. John Adams. But he never really fully accepted it, and in his last decade the two countries fought a second war (the War of 1812).
George III was a good, but strict family man. He and his wife Charlotte had seven sons and six daughters. But his sons were disappointments (the best one, Frederick, Duke of York, was a second-rate army commander who got involved in a scandal when his mistress, Mrs. Clarke, sold army commissions "in the name of the Duke of York" to undeserving men). The German Georges had a tradition of hatred between the Kings and their sons and heirs. George I was hated by George II because the former had imprisoned his wife (George II's mother) for life for infidelity (see SARABAND FOR DEAD LOVERS). George II was hated by his son, Frederick, Prince of Wales, and kicked the son out of the royal palace. Frederick died prematurely in 1758, so his son George III succeeded in 1760. His son, known as Florizel or "Prinny", had a long standing relationship with Mrs. Fitzherbert, a popular actress who happened to be Catholic. It was actually known by King George III that Prinny had an illegal marriage with Mrs. Fitzherbert. As head of the Church of England, George III resented this act. He also disliked Prinny's support of Whig politicians Charles James Fox and Richard Sheridan (and sometimes Edmund Burke). The King was a good Tory - he never realized that Prinny's politics were a way of annoying him, and Prinny was even more reactionary than the King was. Prinny's gambling and drinking debts also annoyed the King.
George was able to support the wise government (to 1789 anyway) of William Pitt the Younger. So supportive was he, that Pitt would reciprocate. For one day, in 1788, King George got out of his carriage in a forest, walked over to a tree, and had a long conversation with it. The tree, you see, was not a tree, but actually the now dead King Frederick the Great of Prussia. George III was showing signs of dementia. He was the first really certifiable monarch since Henry VI back in the 15th Century. George's son Prinny was ready to back a bill to remove his father and lock him away. Pitt saw Fox ready to replace him, and fought a long delaying action on the Regency bill. It worked, as Dr. Wills managed to bring the dementia under control.
It would only be in 1811, when Pitt was dead for five years (and Fox for four) that a Tory Government passed a Regency bill, but by then Prinny was openly anti-Whig. It was politically allowable for the Percival Ministry to chance Prinny as Regent by then. After George III died he would become George IV and reign until 1830.
This film has followed the tragic illness that incapacity (and eventually) destroyed George III, but only to the conclusion of it's first appearance in 1789. Nigel Hawthorne had performed the role to international acclaim on stage. He repeats it here, showing a thoughtful monarch (witness why he is upset about the errant colonies gaining independence - the valuable natural resources are lost, and he is aware of this). He is puritanical when normal, but with a son like Prinny who could blame him for being sorely disappointed. From the start you find yourself rooting for Hawthorne's monarch, who was not the evil tyrant that Thomas Paine and Thomas Jefferson painted.
Rupert Everett shows the callousness of the Prince of Wales, who is so selfish that at one point (when safely alone) Pitt and Fox wonder if their American cousins were right about abolishing the monarchy. Ian Holm, as Dr. Wills, is properly a mixture of early pioneer of psychology and tyrant. A wonderful film of how a national crisis was met and overcome peacefully. And timely too. Within weeks of the recovery of George III in 1789 the Bastille fell in Paris.