A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he loses his senses, he becomes both more alive and more politically marginalized; neither effect desirable to his lieutenants, who jimmy the rules to avoid a challenge to regal authority, raising the question of who is really in charge. Written by
Dan Hartung <firstname.lastname@example.org>
His Majesty was all powerful and all knowing. But he wasn't quite all there.
Did You Know?
For this film, Nigel Hawthorne
became the first openly gay actor nominated for an Academy Award. (Other actors who later admitted or were later confirmed to have been gay had been previously nominated, but he was the first actor who was already "out" at the time.) He then became frustrated that this was all the American interviewers wanted to discuss, rather than the film or the nomination itself. See more
Pitt and Thurlow go to visit the King at Kew during the winter - but the leafy green trees outside clearly indicate that the scene was filmed in summer (shooting took place from July to early September). See more
The cork's too tight in the bottle, that's the trouble. He must be the first King of England not to have a mistress.
Fifteen children seem to me to indicate a certain conscientiousness in that regard.
I'm talking of pleasure, not duty.
Zadok the Priest
Music by George Frideric Handel
(as G H Handel) See more