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The Madness of King George (1994)

7.3
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Ratings: 7.3/10 from 10,840 users  
Reviews: 57 user | 37 critic

A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he ... See full summary »

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Title: The Madness of King George (1994)

The Madness of King George (1994) on IMDb 7.3/10

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Won 1 Oscar. Another 15 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Charlotte Curley ...
Peter Bride-Kirk ...
Royal Child
Eve Camden ...
Royal Child
Thomas Copeland ...
Royal Child
Joanna Hall ...
Royal Child
Cassandra Halliburton ...
Royal Child
Russell Martin ...
Royal Child
Natalie Palys ...
Royal Child
...
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David Leon ...
Martin Julier ...
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Storyline

A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he loses his senses, he becomes both more alive and more politically marginalized; neither effect desirable to his lieutenants, who jimmy the rules to avoid a challenge to regal authority, raising the question of who is really in charge. Written by Dan Hartung <dhartung@mcs.com>

Plot Summary | Add Synopsis

Taglines:

His Majesty was all powerful and all knowing. But he wasn't quite all there.


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements | See all certifications »

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Details

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Release Date:

28 December 1994 (USA)  »

Also Known As:

La folie du roi George  »

Box Office

Gross:

$15,238,994 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(8 channels)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One bit of business that failed to survive the transition from stage to film: Pitt's drinking. While in the film George III briefly mentions Pitt's drinking habits to his wife, on stage, as Alan Bennett puts it, "Pitt takes a swig from a hip flask, such a regular feature of his behaviour it is not noted in the stage directions." (The historical Pitt was considered a heavy drinker even by eighteenth-century standards, especially as he got older; modern biographers agree that his alcohol intake probably contributed to his early death.) See more »

Goofs

The modern royal coat of arms (adopted during the reign of Queen Victoria) is visible. See more »

Quotes

Prince of Wales: Do you like music, Warren?
Warren: [tonelessly] If it's played, sir, I listen to it.
See more »

Connections

Referenced in Northern Exposure: Tranquility Base (1995) See more »

Soundtracks

Zadok the Priest
(uncredited)
Music by George Frideric Handel (as G H Handel)
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User Reviews

 
Singular outstanding acting job in a most complex role
19 January 2011 | by (United States) – See all my reviews

I'm writing these comments about "The Madness of King George" because of the singular outstanding performance by Nigel Hawthorne. This is one of the most versatile roles in films in decades. It surely ranks among the very best of all time. As King George, Hawthorne covers a range of emotions, personalities and temperaments not often found in film roles. His character is a study in transition from the serious to the serene to the silly. It's a role of drama, of hilarity, of ego and stuffiness, of pathos, of sorrow and regret, and of gentleness and kindness. What an exceptional acting job.

Most often I watch a movie for the whole experience, taking in the plot, characters, acting, scenes and scenery, location, action, intrigue, comedy, tragedy, as a blend of the whole product. All of these weigh in and affect how much I enjoy the film. But half way through this film, I became aware that I was more engrossed in the lead character himself, and the great diversity and excellence of acting on display.

Others have commented that Hawthorne should have won the Best Actor Academy Award for his role in 1994. While I like Tom Hanks as an actor, I agree that his role in Forrest Gump wasn't anything exceptional. Certainly not on the order of "Mr. King" in "The Madness of King George." Indeed, Hawthorne must have had to work on his role -- even as a consummate actor, if not for the variations of mood and portrayals, at least for the vast amount of lines he had to speak in the film. By comparison, the Forrest Gump role had a very small amount of lines, and those were far less taxing to an actor. Hanks' was a role that seemed more fun and easygoing than a challenge or demand.

I'm not one to complain about Hollywood (except for the low quality and volume of attempts at humor in the past 20 years), but once in a while I think that many others who make the same observation are right on. Hollywood flops big time in its Oscar choice of an actor, actress or film once in a while. It seems to me that the California-based Academy at times doesn't look as objectively and honestly at films produced outside the U.S. Nothing else produced in 1994 even came close to the outstanding acting by Hawthorne in this first rate film.


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