A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he ... See full summary »
Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she ... See full summary »
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but ... See full summary »
A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he loses his senses, he becomes both more alive and more politically marginalized; neither effect desirable to his lieutenants, who jimmy the rules to avoid a challenge to regal authority, raising the question of who is really in charge. Written by
Dan Hartung <firstname.lastname@example.org>
When Willis first restrains King George in the strapped chair, the music that plays is George Frideric Handel's "Zadok The Priest", commissioned for George II and performed during his and every subsequent monarch's coronation. As the music reaches its climax, the King is fully restrained in the "throne" with a leather strap around his forehead resembling a diadem. The music is thus highlighting the restraint scene as a mock Coronation. See more »
When Lady Pembroke first discusses Dr. Willis with Pitt, Pitt reaches out for Lady Pembroke's note twice. See more »
If the King refuses food, He will be restrained. If He claims to have no appetite, He will be restrained. If He swears and indulges in MEANINGLESS DISCOURSE... He will be restrained. If He throws off his bed-clothes, tears away His bandages, scratches at His sores, and if He does not strive EVERY day and ALWAYS towards His OWN RECOVERY... then He must be restrained.
I am the King of England.
NO, sir. You are the PATIENT.
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George III: a decent man who suffered from bad timing
A superlative drama. By now, most sophisticated movie-goers are aware that King George III's sickness might very well have been a result of porphyria, a hereditary disease that some doctors have traced back to Mary, Queen of Scots (i.e., George III's great-great-great-great-great grandmother). Whatever the cause, Nigel Hawthorne gives the performance of a lifetime as the tortured king. The conflict between George III and his heir, the Prince of Wales (the eventual King George IV), is brutally and unapologetically portrayed: the director does not spare us in his vivid reenactment of the combative and sour relationship that actually existed between the two men. As an American, one might suspect I'd be unsympathetic to the British monarch who presided over England's attempt to brutalize its colonies -- but George III's almost-wistful resentment of his errant "colonists" generates some sympathy for the man himself - a sympathy which is unexpectedly intensified by Hawthorne's sudden descent into incoherence, his dim, yet aching realization of what he has become, and his eventual recovery. George III was haunted by demons not of his own making; and no human being deserves the fate to which his disease, if such it was, eventually condemned him. "The Madness of King George" enlightened, entertained,and provoked: what more could one ask of a film?
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