A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he ... See full summary »
The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen and ultimately the fall of Versailles.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ... See full summary »
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Biographical epic of the controversial and influential Black Nationalist leader, from his early life and career as a small-time gangster, to his ministry as a member of the Nation of Islam and his assassination.
This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while ... See full summary »
A meditation on power and the metaphor of the body of state, based on the real episode of dementia experienced by George III [now suspected a victim of porphyria, a blood disorder]. As he loses his senses, he becomes both more alive and more politically marginalized; neither effect desirable to his lieutenants, who jimmy the rules to avoid a challenge to regal authority, raising the question of who is really in charge. Written by
Dan Hartung <firstname.lastname@example.org>
One bit of business that failed to survive the transition from stage to film: Pitt's drinking. While in the film George III briefly mentions Pitt's drinking habits to his wife, on stage, as Alan Bennett puts it, "Pitt takes a swig from a hip flask, such a regular feature of his behaviour it is not noted in the stage directions." (The historical Pitt was considered a heavy drinker even by eighteenth-century standards, especially as he got older; modern biographers agree that his alcohol intake probably contributed to his early death.) See more »
At the end of the film, the Royal Family goes to Saint Paul's Cathedral. A view of the front of the Cathedral shows that the clock in the left-hand tower is missing, but this was as a result of German bombing raids in the early 1940s. See more »
I've recently revisited the third Blackadder series. Nigel Hawthorne doesn't play his George III quite as spoony as that of the Curtis/Elton BBC series who wants his son to marry a pot plant, but it's close.
The film works because of three things. First - always first - is Alan Bennett's screenplay which is succinct and hilariously funny. It is also unbearably sad at choice moments. The actors - the second success story of the project - throw themselves at the pathos as furiously as at the comedy. There's camp and potty humour (literally) juxtaposed with the bare quoting of King Lear and it all works.
Thirdly, there is an attention to the detail which goes beyond costume and design. Hytner has got his cast to play out humans inside 18th century character roles - there's no false reverence or mannered acting.
Nigel Hawthorne is brilliant, playing out a human despite the vastly inflated ego he has to inhabit either side of sanity. All others aspire to this lead, with only Ian Holm (naturally, as his temporarily domineering doctor) matching it. 7/10
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